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August 2026 American Cinematographer

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Description

The August 2026 issue presents coverage of the features Disclosure Day and Pressure, profiles of this year’s American Cinematographer Rising Stars of Cinematography, a special focus on lighting tools and techniques, and tips for curating your cinematography career.

 

·       ASC President Shelly Johnson reflects on the legacy of his immediate predecessor as president, Mandy Walker, ASC, ACS, and salutes AC for continuing to serve as a “remarkable historical record” of the craft.

 

·       Director of photography Janusz Kamiński details the “process of discovery” that informed his approach to Steven Spielberg’s Disclosure Day.

 

·       Jamie D. Ramsay, BSC, SASC illuminates his strategy for creating visual nuance within a single location that served as the setting for much of the World War II drama Pressure, directed by Anthony Maras.

 

·       AC presents 2026 Rising Stars of Cinematography Alex Ashe, Matheus Bastos, Sam Davis, Alexandre Nour Desjardins, Juliette Lossky, Idan Menin, Lidia Nikonova, Rayana Rasamee and Jay Swuen.

 

·       In a special section devoted to lighting tools and techniques, Michael Goi, ASC, ISC reflects on the importance of lighting for character; equipment manufacturers and gaffers assess the state of modern luminaires; and cinematographers Linus Sandgren, ASC, FSF (Wuthering Heights), Tommy Maddox-Upshaw, ASC (Star Trek: Starfleet Academy), James Whitaker, ASC (Good Luck, Have Fun, Don’t Die), Karl-Walter Lindenlaub, ASC, BVK (Amrum), Johanna Coelho, AFC (The Pitt), and Blake McClure, ASC (Rooster) share lighting diagrams from their respective projects.

 

·       Shot Craft: In excerpts from a popular 2026 Sundance Film Festival panel, AC Editor-in-Chief Stephen Pizzello; cinematographer Eric Branco, ASC; publicist Ranjinder Hans of EBComs Public Relations; and agent Brian Goldberg of Worldwide Production Agency offer tips for shaping a career in cinematography.

 

·       Clubhouse News: The latest bulletins from the Society feature Cine Gear weekend in Los Angeles, including awards for ASC members Ed Lachman, Caleb Deschanel and M. David Mullen; the ASC/AC BBQ; and panels at “That Creamsource Thing” — the latter featuring Adam Bricker, ASC; Natasha Braier, ASC, ADF; and ASC associate member Dan Sasaki.  

 

·       Wrap Shot: The Sugarland Express (1973), shot by Vilmos Zsigmond, ASC, HSC and directed by Steven Spielberg.



Frequently asked questions

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If you subscribe to the print edition you already have free access to the digital edition — you just need to activate your online account. To do that you will need your Subscriber ID number, which is printed on the mailing label attached to the plastic wrap on your magazine. If you cannot locate this number, please contact us for assistance at customerservice@theasc.com, or call toll-free in U.S. at (800) 448-0145 or at (323) 969-4333. Once you have your Subscriber ID number, click here to activate your online account.

What are the differences between the print and digital editions of American Cinematographer?

All print subscriptions include free access to the digital edition. If you live outside the United States, the digital edition will reach you faster and cost less (because you won’t have to pay international postage); a link for downloading the issue is e-mailed to you during the first week of the month.

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AC is only available on a limited number of newsstands. If you cannot find AC near you, please e-mail customerservice@theasc.com and include your name and full mailing address (including street address). We will try to locate a nearby vendor. Otherwise, subscribing is your best option, and you can always buy single issues from the ASC Store.

I subscribe to American Cinematographer and did not receive the latest issue. How can I get a replacement copy?

Please call our Circulation Department during business hours 09:00 AM - 05:00 PM (PST), Monday- Friday at (323) 969-4333 or toll-free in the U.S. at (800) 448-0145, e-mail customerservice@theasc.com, or fax (323) 876-4973.

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