{"title":"Books \u0026 Videos","description":"","products":[{"product_id":"ac-manual-10th-ed-2-volume-paperback","title":"AC Manual — 10th Ed. (2-volume paperback)","description":"\u003ctable class=\"colors_descriptionbox\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"100%\" valign=\"top\"\u003e\n\u003ctable width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div\"\u003e\n\u003cp\u003e\u003cstrong\u003eEdited by Michael Goi, ASC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003eKnown as \"The Filmmaker's Bible\" for several generations, the \u003ci\u003eAmerican Cinematographer Manual \u003c\/i\u003eis one of the world's most widely used cinema reference books. This new 10th Edition, edited by Michael Goi, ASC, is more comprehensive than ever in that it includes some aspects of digital capture for the first time.\u003c\/p\u003e\n\u003cspan itemprop=\"description\"\u003eThe \u003ci\u003eAC Manual\u003c\/i\u003e is available in a hardcover edition, as a two-volume paperback edition and as an E-book.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp style=\"background-image: url('\/store\/skin1\/images\/Dialog2Grad.gif'); text-align: left; padding: 10px 20px 10px 20px; background-repeat: repeat-x; border-top: 2px #aab1bf solid; border-bottom: 2px #aab1bf solid; margin-bottom: 12px;\"\u003eNOTE: Your purchase includes complimentary access to Digital edition via Nxtbook and E-book edition. Within a few days of your purchase, you will receive an email with login information to access the digital download.\u003c\/p\u003e\n\u003cspan itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003eThe 10th Edition covers such subjects as:\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDigital concepts and terminology\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eProsumer cameras in professional use\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePrevisualization\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e3-D imaging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLED lighting fixtures\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eHow to improve your workflow with the Academy Color Encoding Specification (ACES)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDigital camera prep\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLow-cost options for digital cinematography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eComparisons of film formats\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAnamorphic cinematography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eExposure meters, lenses,\u003cbr\u003ecameras \u0026amp; camera-support systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eCamera-stabilizing systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePrevisualization\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDay-for-night, infrared and ultraviolet cinematography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAerial, underwater, Arctic \u0026amp; tropical Cinematography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFilming television and computer monitors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDigital 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both;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Right.gif\"\u003e\u003cimg src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" alt=\"\" width=\"1\" height=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div2\"\u003e\n\u003ctable class=\"colors_descriptionbox\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Left.gif\"\u003e\u003cimg src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" alt=\"\" width=\"1\" 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height=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32830831722633,"sku":"","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/10110P-2.jpg?v=1584471976"},{"product_id":"cinematographer-style-vol-1","title":"Cinematographer Style (Vol.1)","description":"\u003cdiv id=\"ProductDetail_ProductDetails_div\"\u003e\n\u003cp\u003e\u003cstrong\u003eJon Fauer, ASC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCinematographer Style, Vol. 1\u003c\/em\u003e features full transcripts of 55 of the interviews Jon Fauer, ASC, conducted for his documentary feature \u003ci\u003eCinematographer Style\u003c\/i\u003e. The pages are packed with advice, anecdotes, lessons and history. \u003cem\u003eCinematographer Style\u003c\/em\u003e\u003cspan\u003e creates a collective narrative about the art and craft of filmmaking. \u003c\/span\u003e\u003cspan\u003eInterviews were conducted between 2003 and 2005.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan itemprop=\"description\"\u003eCinematographers featured in this volume are:\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003eRemi Adefarasin, BSC; Russ Alsobrook, ASC; Howard Anderson Jr., ASC; Howard Anderson, ASC; Michael Ballhaus, ASC; Dion Beebe, ASC, ACS; James Chressanthis, ASC; Jack Cooperman, ASC; Richard Crudo, ASC; Oliver Curtis, BSC; Allen Daviau, ASC; Roger Deakins, ASC, BSC; Peter Deming, ASC; George Spiro Dibie, ASC; Bill Dill, ASC; Jon Fauer, ASC; William A. Fraker, ASC, BSC; Jack Green, ASC; Adam Greenberg, ASC; Henner Hofmann, ASC, AMC; Gil Hubbs, ASC; Levie Isaacks, ASC; Victor J. Kemper, ASC; Laszlo Kovacs, ASC; Ellen Kuras, ASC; Andrew Laszlo, ASC; Denis Lenoir, ASC, AFC; Peter Levy, ASC, ACS; Karl Walter Lindenlaub, ASC, BVK; Julio Macat, ASC; Chris Manley, ASC; Steve Mason, ASC; Don McCuaig, ASC; Donald M. Morgan, ASC; M. David Mullen, ASC; Fred Murphy, ASC; Daryn Okada, ASC; Ferne Pearlstein; Bill Pope, ASC; Steven Poster, ASC; Owen Roizman, ASC; Nancy Schreiber, ASC; John Seale, ASC, ACS; Dean Semler, ASC, ACS;\u003cbr\u003eMichael Seresin, BSC; Steve Shaw, ASC; Newton Thomas Sigel, ASC; Bradley B. Six, ASC; Kees van Oostrum, ASC; Haskell Wexler, ASC; Gordon Willis, ASC; Ralph Woolsey, ASC; Robert Yeoman, ASC; and Vilmos Zsigmond, ASC.\u003c\/p\u003e\n\u003cdiv style=\"clear: both;\"\u003e\n\u003cb\u003eAdditional Info\u003c\/b\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: ASC Press\u003c\/li\u003e\n\u003cli\u003ePage Count: 352\u003c\/li\u003e\n\u003cli\u003eISBN#: 978-0-935578-33-1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div2\"\u003e\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32831279005833,"sku":"","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/10401-2T.jpg?v=1584472997"},{"product_id":"cinematographer-style-book-vol-2","title":"Cinematographer Style Book (Vol.2)","description":"\u003cp\u003eHere is the long-awaited completion of the Cinematographer Style trilogy: Film, Volume One and now Volume Two. With the 55 remaining full transcripts of the interviews conducted from 2003 and 2005 for the feature-length documentary Cinematographer Style. As with Volume One, the pages are packed with advice, anecdotes, lessons and history from some of the world's top cinematographers. It's a dialogue on the art and craft of filmmaking, in which the authors of the images discuss their backgrounds, dreams, struggles and style. The lesson from these interviews is that cinematography is an art, like painting, writing or composing, and no two artists express themselves in the same way.\u003c\/p\u003e\n\u003cspan itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003eWith: Peter Anderson, ASC; Bill Bennett, ASC; Gabriel Beristain, ASC; Larry Bridges; Jonathan Brown, ASC; Stephen Burum, ASC; Bill Butler, ASC; Bobby Byrne, ASC; Russell Carpenter, ASC; Peter Collister, ASC; Ericson Core; Dean Cundey, ASC; Caleb Deschanel, ASC; Ron Dexter, ASC; Ernest Dickerson, ASC; Richard Edlund, ASC; Don Fauntleroy, ASC; Steve Fierberg, ASC; Michael Goi, ASC; Stephen Goldblatt, ASC, BSC; Robbie Greenberg, ASC; Ernie Holzman, ASC; Judy Irola, ASC; Mark Irwin, ASC, CSC; Johnny Jensen, ASC; Francis Kenny, ASC; Richard Kline, ASC; Fred Koenekamp, ASC; Matthew Leonetti, ASC; Matthew Libatique, ASC; Stephen Lighthill, ASC; Bruce Logan, ASC; Isidore Mankofsky, ASC; Clark Mathis, ASC; Rob McLachlan, ASC; Chuck Minsky, ASC; Kramer Morgenthau, ASC; Hiro Narita, ASC; Michael Negrin, ASC; Sol Negrin, ASC; Woody Omens, ASC; Daniel Pearl, ASC; Wally Pfister, ASC; Bob Primes, ASC; Tony Richmond, ASC, BSC; Pete Romano, ASC; Paul Ryan, ASC; John Schwartzman, ASC; Dante Spinotti, ASC; Uli Steiger, ASC; Tom Stern, ASC; Vittorio Storaro, ASC, AIC; Rodney, Taylor, ASC; John Toll, ASC; Amy Vincent, ASC;\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdditional Info\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: ASC Press\u003c\/li\u003e\n\u003cli\u003ePage Count: 380\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div2\"\u003e\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32831312494729,"sku":"","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/SKU16417-2T.jpg?v=1584473270"},{"product_id":"image-control-motion-picture-and-video-camera-filters-and-lab-techniques-2nd-ed","title":"Image Control: Motion Picture and Video Camera Filters and Lab Techniques; 2nd Ed.","description":"\u003cdiv id=\"ProductDetail_ProductDetails_div\"\u003e\n\u003cp\u003e\u003cstrong\u003eGerald Hirschfeld, ASC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eImage Control\u003c\/em\u003e explains the devices and means that can be used to create a memorable and expressive image onscreen. The key to creativity is mastery of the medium, so it is vital to understand the impact that filters and lab procedures can have on film and digital images. In the pages of this book, you will learn closely guarded secrets that professionals have developed though hard work and years of experience. \u003cem\u003eImage Control\u003c\/em\u003e shows how to manipulate the image in front of the camera, inside the camera and in the lab.\u003c\/p\u003e\n\u003cp\u003eThis new 2nd Edition features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHard-to-find information on filters and their effects; their advantages and disadvantages; and the effects of exposure adjustments\u003c\/li\u003e\n\u003cli\u003eExplanations of the different lab processes that affect the image and how they can be used for subliminal scene support\u003c\/li\u003e\n\u003cli\u003eStep-by-step instructions on how to set up, shoot and evaluate lab tests and lenses\u003c\/li\u003e\n\u003cli\u003eMeasures to control the color response of color negatives\u003c\/li\u003e\n\u003cli\u003eInsights into postproduction work such as opticals, dupes, film-to-tape transfers and digital intermediates\u003c\/li\u003e\n\u003cli\u003eHow to use camera filters to enhance video images\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWritten in a conversational, easy-to-follow style, \u003cem\u003eImage Control\u003c\/em\u003e provides unique, invaluable information on filters, lenses, color interaction, labs, and testing and evaluation procedures, many of which were used on Academy Award-winning films.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGerald Hirschfeld, ASC\u003c\/strong\u003e, is a director of photography for theatrical feature films and commercials. In a career spanning more than 45 years, he has shot such productions as \u003cem\u003eDiary of a Mad Housewife, Young Frankenstein, Fail-Safe, My Favorite Year\u003c\/em\u003e and \u003cem\u003eGoodbye Columbus.\u003c\/em\u003e He has taught at the New Institute of Film in Brooklyn, N.Y., and the American Film Institute in Los Angeles. He and his wife, Julia Tucker, who edited this book, were filmmakers in residence for three years at the International Film \u0026amp; Digital Workshops in Rockport, Maine. 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New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown.\u003c\/p\u003e\n\u003cp\u003eThe Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTopics include:\u003c\/li\u003e\n\u003cli\u003eDigital sensors and cameras\u003c\/li\u003e\n\u003cli\u003eThe structure of digital images\u003c\/li\u003e\n\u003cli\u003eWaveform monitors, vectorscopes, and test charts\u003c\/li\u003e\n\u003cli\u003eUsing linear, gamma, and log encoded video files\u003c\/li\u003e\n\u003cli\u003eExposure techniques for HD and UltraHD\u003c\/li\u003e\n\u003cli\u003eUnderstanding digital color\u003c\/li\u003e\n\u003cli\u003eCodecs and file formats\u003c\/li\u003e\n\u003cli\u003eThe DIT cart\u003c\/li\u003e\n\u003cli\u003eDownloading, ingesting, and managing video files\u003c\/li\u003e\n\u003cli\u003eWorkflow from camera to DIT cart to post\u003c\/li\u003e\n\u003cli\u003eUsing metadata and timecode\u003c\/li\u003e\n\u003cli\u003eThe companion website (www.focalpress.com\/cw\/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAuthor Bio\u003c\/p\u003e\n\u003cp\u003eBlain Brown is a cinematographer, director and writer based in Los Angeles. He has been the director of photography on features, commercials, music videos, industrials and other types of projects. He has directed and edited features and commercials, worked as a producer and has had three screenplays produced.\u003c\/p\u003e\n\u003cp\u003eEducated at Long Island University, Harvard Graduate School of Design and M.I.T, he was a commercial still photographer in New York before getting into film production, which he has been doing for 26 years, starting as an electrician, gaffer, and grip and then as a cinematographer, director, writer, and producer.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHis previous books include:\u003c\/li\u003e\n\u003cli\u003eCinematography: Theory and Practice\u003c\/li\u003e\n\u003cli\u003eMotion Picture and Video Lighting\u003c\/li\u003e\n\u003cli\u003eThe Filmmakers Pocket Reference\u003c\/li\u003e\n\u003cli\u003eReviews\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\"It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!\"\u003c\/p\u003e\n\u003cp\u003e- Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts\u003c\/p\u003e\n\u003cp\u003e\"As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them.\"\u003c\/p\u003e\n\u003cp\u003e- Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContents\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eSensors \u0026amp; Cameras\u003c\/li\u003e\n\u003cli\u003eThe Digital Image\u003c\/li\u003e\n\u003cli\u003eMeasurement\u003c\/li\u003e\n\u003cli\u003eLinear, Gamma, Log\u003c\/li\u003e\n\u003cli\u003eExposure\u003c\/li\u003e\n\u003cli\u003eDigital Color\u003c\/li\u003e\n\u003cli\u003eCodecs \u0026amp; Formats\u003c\/li\u003e\n\u003cli\u003eImage Control\u003c\/li\u003e\n\u003cli\u003eThe DIT Cart\u003c\/li\u003e\n\u003cli\u003eData Management\u003c\/li\u003e\n\u003cli\u003eWorkflow \u0026amp; ACES\u003c\/li\u003e\n\u003cli\u003eMetadata \u0026amp; Timecode\u003c\/li\u003e\n\u003cli\u003eAcknowledgements\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":32896645562505,"sku":"","price":48.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/thefilmmakersguidetodigital_c96bc9b1-ce38-4467-ae5e-a14da88443e4.png?v=1722987003"},{"product_id":"digital-cinematography-fundamentals-tools-techniques-and-workflows","title":"Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows 2ND Ed.","description":"\u003cp\u003e\u003cstrong\u003eBy Dave Stump, ASC\u003c\/strong\u003e\u003c\/p\u003e\n\u003csection id=\"description\" class=\"tab-pane active\"\u003e\n\u003ch3 class=\"article-header title\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eToday's successful cinematographer must be equal parts artist, technician, and business-person. 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Veteran ASC cinematographer David Stump has updated this edition with the latest technology for cameras, lenses, and recorders, as well as included a new section on future cinematographic trends.\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan data-title-id=\"58031360\" id=\"titleId\"\u003eIdeal for advanced cinematography students as well as working professionals looking for a resource to stay on top of the latest trends, this book is a must read. \u003c\/span\u003e\u003cbr\u003e\u003c\/section\u003e\n\u003csection class=\"tab-pane active\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection class=\"tab-pane active\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cstrong\u003eTable of Contents:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection class=\"tab-pane active\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eChapter 1 - Understanding Digital Theory, Chapter 2 - Camera Sensors, DeBayering, Sensitivity and Noise, Chapter 3 - Color, Chapter 4 - The Colorspace Conundrum, Chapter 5 - MTF Resolution Contrast and Nyquist Theory, Chapter 6 - Frame Rates and Aspect Ratios, High Dynamic Range and Wide Color Gamut, Chapter 7 - Lenses, Chapter 8 - Camera Issues, Chapter 9 - High Resolution Digital Motion Picture Cameras, Chapter 10 - Camera Setup \/ Operation, Chapter 11 - Prep, Work Flow Design and Testing, Chapter 12 - The Shoot, Chapter 13 - Workflow, Data \u0026amp; Color Management, Chapter 14 - Displays and Recorders, Chapter 15 - File Formats, Log Encoding, Data and Compression, Chapter 16 - Post Production and Digital Intermediate, Chapter 17 - Delivering and Archiving Digital Movies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-title-id=\"58031360\" id=\"titleId\"\u003e\u003cstrong\u003ePub Date:\u003c\/strong\u003e November 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cspan data-title-id=\"58031360\"\u003e\u003cspan data-title-id=\"58031360\" id=\"titleId\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/section\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":32896688586889,"sku":"DC-Stump, ASC","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/digital.png?v=1712274304"},{"product_id":"storaro-writing-with-light-vol-4-the-muses","title":"Storaro WRITING WITH LIGHT - Vol.4 - \"The MUSES\"","description":"\u003cp\u003eWRITING WITH LIGHT - Vol.4 - \"The MUSES\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLIMITED number of copies signed by Vittorio Storaro, ASC, are available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"STORARO art, in collaboration with Rizzoli, continues the publishing project \"STORARO: WRITING WITH LIGHT\" with the fourth volume entitled \"The MUSES\". 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Established by the American Society of Cinematographers in 1920, it offers readers invaluable access to the world's finest filmmakers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach month you’ll get in-depth interviews with cinematographers and their collaborators about projects that include major Hollywood features, independent and foreign films, television productions, and music videos. Topics include lighting techniques, the creative use of cameras and optics, virtual production methods, visual effects, shooting on location, and the development of AI tools.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition, our New Products \u0026amp; Services department will keep you abreast of the latest tools and technologies as they come on the market.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSelected Tables, Charts and Formulas for the Student Cinematographer\u003c\/em\u003e was edited by Stephen H. 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It’s just always been wonderful to have a publication that focuses so deeply on the technical and aesthetic aspects of motion­picture photography. It’s a bible for cinematographers and directors alike.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e— Christopher Nolan \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“\u003cem data-mce-fragment=\"1\"\u003eAmerican Cinematographer\u003c\/em\u003e has forever been our ‘gateway drug’ into the world of making films, tickling and satisfying the curiosity of many students and filmmakers alike. Shooting is a mysterious and schizophrenic occupation, and the magazine has traditionally provided the finest insights into how technology meets with ambitious visual ideas and image poetry. It’s been a career-long guiding light into the secrets behind the camera.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e— Hoyte van Hoytema, ASC, FSF, NSC\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e \u003cb\u003eAdditional Info\u003c\/b\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: American Cinematographer\u003c\/li\u003e\n\u003cli\u003ePage Count: 154\u003c\/li\u003e\n\u003cli\u003eISBN#: 978-1-4675-6834-0\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ASC\/AC Store","offers":[{"title":"Default Title","offer_id":33911118561417,"sku":"STU-SUB","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/ACStudentEditionandACCover-SubAd.jpg?v=1700255955"},{"product_id":"conversations-with-contemporary-cinematographers-the-eye-behind-the-lens","title":"Conversations with Contemporary Cinematographers - The Eye Behind the Lens","description":"\u003cp data-mce-fragment=\"1\"\u003ePacked with gems of wisdom from the current 'masters of light’, this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJacqueline Frost’s interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInterviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan class=\"meta\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003ePublished March 18, 2021 by Routledge\u003c\/div\u003e\n\u003cdiv\u003e456 Pages 23 B\/W Illustrations\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFilled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.\u003c\/p\u003e\n\u003ch2 id=\"toc\"\u003eTable of Contents\u003c\/h2\u003e\n\u003cp\u003eTable of Contents\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAcknowledgements\u003c\/p\u003e\n\u003cp\u003eIntroduction\u003c\/p\u003e\n\u003cp\u003eChapter 1 – Maryse Alberti, ASC \u003ci\u003e(Collateral Beauty, Creed, The Wrestler\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 2 – John Bailey, ASC (\u003ci\u003eOrdinary People, In the Line of Fire, The Greatest)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 3 – Robert Elswit, ASC (\u003ci\u003eThere Will Be Blood, The Bourne Legacy, Salt)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 4 – Kirsten Johnson \u003ci\u003e(Fahrenheit 9\/11, Cameraperson, Trapped)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 5 – Kira Kelly \u003ci\u003e(Queen Sugar, 13\u003csup\u003eth\u003c\/sup\u003e, Self Made)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 6 – Ellen Kuras, ASC (\u003ci\u003eEternal Sunshine of the Spotless Mind, Blow, Bamboozled\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 7 – Edward Lachman, ASC \u003ci\u003e(Dark Waters, Carol, Erin Brockovich)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 8 – Matthew Libatique, ASC (\u003ci\u003eA Star is Born, Black Swan, Venom\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 9 – John Lindley, ASC (\u003ci\u003eReservation Road, You’ve Got Mail, Pleasantville\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 10 – Seamus McGarvey, ASC, BSC (\u003ci\u003eThe Greatest Showman, Atonement, The Hours\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 11 – Reed Morano, ASC\u003ci\u003e (The Handmaid’s Tale, I Think We’re Alone Now, The Godmother)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 12 – Polly Morgan, ASC, BSC (\u003ci\u003eA Quiet Place II, Lucy in the Sky, Legion)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 13 – Rachel Morrison, ASC \u003ci\u003e(Mudbound, Black Panther, Seberg)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 14 – Rodrigo Prieto, ASC, AMC (\u003ci\u003eThe Irishman, Brokeback Mountain, Wolf of Wall Street)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 15 – Cynthia Pusheck, ASC\u003ci\u003e (CSI Miami, Good Girls Revolt, Brother and Sisters)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 16 – Harris Savides, ASC (\u003ci\u003eZodiac, American Gangster, Milk\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 17 – Nancy Schrieber, ASC (\u003ci\u003eMapplethorpe, Motherhood, The Nines)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 18 – John Seale, ASC, ACS (\u003ci\u003eThe Tourist, The English Patient, City of Angels)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 19 – Sandi Sissel, ASC, ACS (\u003ci\u003eSalaam Bombay, Mother Teresa, Master and Commander\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 20 – Dante Spinotti, ASC, AIC (\u003ci\u003ePublic Enemies, Red Dragon, Wonder Boys) \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 21 – Salvatore Totino, ASC, AIC (\u003ci\u003eEverest, The Davinchi Code, Frost\/Nixon)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eChapter 22 – Amy Vincent, ASC (\u003ci\u003eFootloose, Eves Bayou, Hustle and Flow\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eChapter 23 – Mandy Walker, ACS, ACS \u003ci\u003e(Australia, Hidden Figures, Mulan)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eIndex\u003c\/p\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default 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With insightful and technical details juxtaposed with the author's personal interludes about filmmaking, the memoir also includes a collection of rare photographs, both in front and behind the camera on sets including:\u003c\/p\u003e\n\u003cp\u003e-\u003cem\u003eThe Nightmare Before Christmas\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-\u003cem\u003eCorpse Bride\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-\u003cem\u003eJames and the Giant Peach\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-\u003cem\u003eCoraline\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-\u003cem\u003eThe Matrix Reloaded\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLights, camera, action. \u003c\/strong\u003eKozachik's autobiography is filled with personal observations and unique anecdotes sure to inspire and educate. With great intimacy, Kozachik offers a divulging tour off camera for the very first time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"River Grove Books","offers":[{"title":"Default Title","offer_id":40271459385532,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/Talesfromthepumpking_s.png?v=1722987183"},{"product_id":"roger-a-deakins-byways","title":"Roger A. Deakins: Byways-SIGNED","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan data-title-id=\"79174376\"\u003eLimited signed Copies by\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan data-title-id=\"79174376\"\u003eJames and Roger Deakins.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-title-id=\"79174376\" id=\"titleId\"\u003eThis is the first monograph by the legendary Oscar-winning cinematographer Sir Roger A. Deakins (born 1949), best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present.\u003cbr\u003eAfter graduating from college Deakins spent a year photographing life in rural North Devon, in Southwest England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, while also documenting a vanished postwar Britain. A second suite of images expresses Deakins' love of the seaside. 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Then learn from the master of tension and action. Using Tar-antino's secret tricks for creating conflict, keeping dialogue taut, and letting all hell break loose, you will enhance your own shooting style. Whatever your budget, get the action pumping with the camera setups and moves revealed in this dynamic book. Quentin Tarantino is a master of tension, suspense, shocking moments, dazzling dialogue, and off-beat humor. This book shows you why the best moments in his films work so well, and how you can use these ideas to enhance your own filmic style and stun your audience.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"background-color: #ffffff;\"\u003e\u003cspan style=\"color: #000000; font-family: 'PT Serif';\"\u003e\u003cspan style=\"color: #333333; font-family: 'PT Serif'; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ede8de; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\"\u003e\u003ca style=\"box-sizing: border-box; background-color: #ede8de; text-decoration: none !important; color: #f07c29; outline: none; font-family: Montserrat; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px;\" href=\"https:\/\/mwp.com\/author-book\/christopher-kenworthy\/\" target=\"blank\"\u003eChristopher Kenworthy\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Wiese Productions","offers":[{"title":"Default Title","offer_id":42186314383601,"sku":"","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/ShootlikeTarantino.png?v=1722970478"},{"product_id":"copy-of-shoot-like-spielberg-the-visual-secrets-of-action-wonder-and-emotional-adventure","title":"The Director’s Six Senses: An Innovative Approach to Developing Your Filmmaking Skills","description":"\u003cspan style=\"background-color: #ffffff;\"\u003e\u003cspan style=\"color: #333333; font-family: 'PT Serif'; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ede8de; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\" data-mce-fragment=\"1\" data-mce-style=\"color: #333333; font-family: 'PT Serif'; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ede8de; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\"\u003eThe Director s Six Senses is an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. 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In the perfect companion piece to his first book, Snyder delivers even more insider’s information gleaned from a 20-year track record as “one of Hollywood’s most successful spec screenwriters,” giving you the clues to write your movie.\u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; margin: 15px 0px 10px; height: auto !important; min-height: 70px; overflow: hidden; color: #333333; font-family: 'PT Serif'; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ede8de; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"box-sizing: border-box; margin: 15px 0px 10px; height: auto !important; min-height: 70px; overflow: hidden; color: #333333; font-family: 'PT Serif'; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ede8de; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eDesigned for screenwriters, novelists, and movie fans, this book gives readers the key breakdowns of the 50 most instructional movies from the past 30 years. From M\u003cstrong style=\"box-sizing: border-box; font-weight: bold;\" data-mce-fragment=\"1\" data-mce-style=\"box-sizing: border-box; font-weight: bold;\"\u003eA\u003c\/strong\u003eS*H to Crash, from Alien to Saw, from 10 to Eternal Sunshine of the Spotless Mind, Snyder reveals how screenwriters who came before you tackled the same challenges you are facing with the film you want to write — or the one you are currently working on. Writing a “rom-com”? 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Go to the “Whydunit” section and learn about the “dark turn” that’s essential to the heroes of All the President’s Men, Blade Runner, Fargo and hip noir Brick — and see why\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"caps\" style=\"box-sizing: border-box; width: 100%;\" data-mce-fragment=\"1\" data-mce-style=\"box-sizing: border-box; width: 100%;\"\u003eALL\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egood stories, whether a Hollywood blockbuster or a Sundance award winner, follow the same rules of structure outlined in Snyder’s breakthrough method.\u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; margin: 15px 0px 10px; height: auto !important; min-height: 70px; overflow: hidden; color: #333333; font-family: 'PT Serif'; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ede8de; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"box-sizing: border-box; margin: 15px 0px 10px; height: auto !important; min-height: 70px; overflow: hidden; color: #333333; font-family: 'PT Serif'; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ede8de; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eIf you want to sell your script and create a movie that pleases most audiences most of the time, the odds increase if you reference Snyder’s checklists and see what makes 50 films tick. 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David Mullen, ASC and ASC associate member Rob Hummel, contributors to this edition include Society members Bill Bennett, Christopher Chomyn, Richard Crudo, Richard Edlund, John C. Hora, Levie Isaacks, Dennis Muren, James Neihouse, Sam Nicholson, Steven Poster, Christopher Probst, Pete Romano, Roberto Schaefer and David Stump.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTopics covered in this new edition of our “Filmmaker’s Bible” include:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEvaluating digital cameras\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTake ownership of your sensor\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMeasuring light\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe color science behind modern lighting instruments\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVirtual production\/emissive screens\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDigital versions of day-for-night and infrared cinematography\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImax\/large-format cinematography\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSpecialty lenses\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVariable frame rates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eASC Color-Decision List (ASC CDL)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAcademy Color Encoding System (ACES)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Right.gif\"\u003e\u003cimg alt=\"\" src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" width=\"1\" height=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div2\"\u003e\n\u003ctable class=\"colors_descriptionbox\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Left.gif\"\u003e\u003cimg alt=\"\" src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" width=\"1\" height=\"1\"\u003e\u003c\/td\u003e\n\u003ctd width=\"100%\" valign=\"top\"\u003e\n\u003ctable width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cb\u003eAdditional Info\u003c\/b\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: The ASC Press\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Right.gif\"\u003e\u003cimg alt=\"\" src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" width=\"1\" height=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":42328486674673,"sku":"11THMANUAL","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/MANUAL_11THHARDBOUND.jpg?v=1692648082"},{"product_id":"the-cine-lens-manual","title":"The Cine Lens Manual","description":"\u003ch2\u003e\n\u003cem\u003eThe Cine Lens Manual\u003c\/em\u003e \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eBy Jay Holben and Christopher Probst, ASC\u003c\/p\u003e\n\u003cp\u003eCo-authored by Jay Holben and Christopher Probst, ASC, \u003cem\u003eThe Cine Lens Manual\u003c\/em\u003e is a journey through the world of cinema lenses investigating every possible aspect — from the formation of glass to today's top cinematographic optical tools.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSince the proliferation of digital-cinema cameras, the demand for vintage and contemporary lenses has increased exponentially. Lenses that had fallen into dusty disuse have been revived for a whole new life and manufacturers scramble to introduce new lenses to keep up with demands. Now, more than ever, cinematographers, visual-effects artists, camera assistants and filmmakers of all types require a deep understanding of their optics choices.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Cine Lens Manual\u003c\/em\u003e is a comprehensive examination of the art and science of cinema optics. Written in clear, easily digestible language and extensively illustrated, this sourcebook is designed for readers of all levels, from novice to expert. With more than 60 years of experience between them as cinematographers, technical journalists and educators, authors Holben and Probst break down the most complex concepts into easy-to-understand ideas, without requiring a mastery of calculus or physics.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDetailing 300 lens families, this uniquely comprehensive hardback reference is written for all individuals with an interest in motion-picture optics — cinematographers, directors, visual-effects artists, camera assistants, animators, technical journalists, historians, students, instructors, rental-house technicians. Its 836 pages cover 140 years of cinema lens history, filled with 1,500 full-color illustrations including photographs, diagrams, and graphics. Meticulously indexed chapters explore a primer on cinema lenses, introduction to optical design, advanced optical design and early photographic lenses, optomechanical design, evolution of motion-picture formats, the history and genealogy of purpose-built cinema lenses, modifying lenses, testing and maintenance.\u003c\/p\u003e\n\u003ch5\u003e  \u003c\/h5\u003e\n\u003ch5\u003e“It's an essential text for all filmmakers.”\u003c\/h5\u003e\n\u003ch5\u003e— Greig Fraser, ASC, ACS\u003c\/h5\u003e\n\u003ch5\u003e \u003c\/h5\u003e\n\u003ch5\u003e“The Cine Lens Manual is truly invaluable.”\u003c\/h5\u003e\n\u003ch5\u003e— Russell Carpenter, ASC\u003c\/h5\u003e\n\u003ch5\u003e \u003c\/h5\u003e\n\u003ch5\u003e“\u003cem\u003eThe Cine Lens Manual\u003c\/em\u003e is my new Bible... engrossing and immensely graspable for all filmmakers.”\u003c\/h5\u003e\n\u003ch5\u003e— Reed Morano, ASC\u003c\/h5\u003e\n\u003ch5\u003e \u003c\/h5\u003e\n\u003ch5\u003e“I can't put the book down. It's brilliant what Holben and Probst have created. This is a must for every cinematographer.”\u003c\/h5\u003e\n\u003ch5\u003e— Markus Forderer, ASC, BVK\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJay Holben is an independent director and producer in Los Angeles. A former (“recovering”) cinematographer, he is an associate member of the American Society of Cinematographers, the chair of the ASC’s Motion Imaging Technology Council’s Lens Committee, and a technical contributing editor for \u003cem\u003eAmerican Cinematographer\u003c\/em\u003e magazine. He has authored over 500 articles on the art and science of cinematography and is an international lecturer on the subject as well as serving as a faculty instructor for the Global Cinematography Institute, a school stated by the late Academy Award-winning cinematographer Vilmos Zsigmond, ASC, HSC. He is the author of two previous books on cinematography:\u003cem\u003e A Shot in the Dark: A Creative DIY Guide to Cinematic Lighting on (Almost) No Budget\u003c\/em\u003e and \u003cem\u003eBehind the Lens: Dispatches from the Cinematographic Trenches\u003c\/em\u003e. He is the director and producer of \u003cem\u003eBefore the Dawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eChristopher Probst, ASC is a working cinematographer and an active member of the American Society of Cinematographers. He is also a self-professed lens junkie and an all-things technical geek. He served as the technical editor of \u003cem\u003eAmerican Cinematographer \u003c\/em\u003emagazine for more than 20 years and has taught\/lectured about cinematography for the ASC Master Class, the Camerimage Festival and the Global Cinematography Institute. Best known for his ASC Award-nominated work on director David Fincher’s Netflix series \u003cem\u003eMindhunter\u003c\/em\u003e, his extensive body of work in music videos spans hundreds of clips for artists such as Ariana Grande, Taylor Swift, Eminem, Billie Eilish, Shakira, Lana Del Rey, Kelly Clarkson, Black Eyed Peas, Katy Perry, Pussycat Dolls, Jay-Z and Muse. (In this arena alone, his work has amassed more than 35 billion views on YouTube.) He has also shot thousands of commercial ads for clients such as Apple, Samsung, FOX Sports, Turkish Airlines, LG, Johnnie Walker, Adidas, Lexus, Mercedes, Infiniti, BMW, and Ford. Probst is also well versed in narrative and has photographed the feature films \u003cem\u003eDetention\u003c\/em\u003e for Sony Pictures\u003cem\u003e, Fire with Fire\u003c\/em\u003e, and the sci-fi actioner \u003cem\u003eBeyond Skyline.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003ePages: \u003cspan id=\"ctl00_ctl00_cphContent_cphContent_ctl09_lbPageCount\"\u003e836\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eALLOW 2 to 3 weeks for delivery.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"ASC\/AC Store","offers":[{"title":"Default Title","offer_id":42599320879345,"sku":"11478","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/cinelens.png?v=1712865091"},{"product_id":"vittorio-storaro-on-bernardo-bertolucci-movies","title":"VITTORIO STORARO ON BERNARDO BERTOLUCCI MOVIES","description":"\u003cp\u003e\u003cstrong\u003e\"VITTORIO STORARO ON BERNARDO BERTOLUCCI MOVIES\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #362221;\"\u003e \u003cspan style=\"color: #ff2a00;\"\u003eSigned copies by Vittorio Storaro, ASC\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #e11b11;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe project \u003cstrong\u003eVITTORIO STORARO ON BERNARDO BERTOLUCCI’S\u003c\/strong\u003e Films was launched by Vittorio during the months of lockdown necessitated by COVID-10 in 2020, and gradually saw the present volume take shape. 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The accompanying text details their artistic influences, creative collaborations and technologies that helped shape the past century of motion-picture history.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeatured ASC cinematographers include Néstor Almendros, John A. Alonzo, Michael Ballhaus, George Barnes, Robert Burks, Michael Chapman, Stanley Cortez, Allen Daviau, George Spiro Dibie, Linwood Dunn, Arthur Edeson, George Folsey, William A. Fraker, Karl Freund, Burt Glennon, Burnett Guffey, Conrad L. Hall, Gerald Hirschfeld, John Hora, James Wong Howe, Halyna Hutchins, Judy Irola, Boris Kaufman, Richard H. Kline, László Kovács, Milton Krasner, Charles B. Lang, Ernest Laszlo, Andrew Lesnie, Joseph MacDonald, Rudy Maté, Russell Metty, Arthur C. Miller, Hal Mohr, Brianne Murphy, Nicholas Musuraca, Hal Mohr, Sol Negrin, Sven Nykvist, Miroslav Ondříček, Sol Polito, Ray Rennahan, Harold Rosson, Giuseppe Rotunno, Joe Ruttenberg, Harris Savides, John F. Seitz, Leon Shamroy, Harry Stradling Sr., Karl Struss, Robert L. Surtees, Gregg Toland, Leo Tover, Joseph Walker, Haskell Wexler, Gordon Willis, Vilmos Zsigmond, and many more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCurated by \u003cem\u003eAmerican Cinematographer \u003c\/em\u003epublisher David E. Williams, the biographies were researched and written by \u003cem\u003eAC \u003c\/em\u003estaff and contributors, as well as former ASC president Richard Crudo — resulting in one of the most comprehensive surveys of cinematographers ever published.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis new second edition is limited to 1,000 copies.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003ctd width=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43284760592625,"sku":"ASC100V2","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/OurFirst100Years_2ndEd_Cover.jpg?v=1772925493"},{"product_id":"the-cinematographers-voice","title":"The Cinematographer's Voice","description":"\u003ch1 class=\"title\"\u003eThe Cinematographer's Voice\u003c\/h1\u003e\n\u003ch2 class=\"title subtitle\"\u003eInsights into the World of Visual Storytelling\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"label\"\u003eEdited by\u003c\/span\u003e \u003c\/strong\u003e\u003cspan style=\"color: #28abec;\"\u003e\u003ca href=\"https:\/\/sunypress.edu\/Contributors\/C\/Coleman-Lindsay\" style=\"color: #28abec;\"\u003eLindsay Coleman\u003c\/a\u003e \u0026amp; \u003ca href=\"https:\/\/sunypress.edu\/Contributors\/S\/Schaefer-Roberto\" style=\"color: #28abec;\"\u003eRoberto Schaefe\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #28abec;\"\u003e\u003ca href=\"https:\/\/sunypress.edu\/Contributors\/S\/Schaefer-Roberto\" style=\"color: #28abec;\"\u003er\u003c\/a\u003e, ASC\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"address-49fffee468493025b85ca244bd55e9ac-c08b171081fcd8b12f0f59b1253133ee\" data-mce-fragment=\"1\"\u003e\n\u003csection class=\"section section-description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Cinematographer's Voice\u003c\/i\u003e is a unique exploration of contemporary filmmaking and cinematography. The distillation of more than one-hundred interviews with cinematographers from around the world, and the product of a decade's worth of scholarship, the book is not only a collection of interviews with some of the world's leading cinematographers, but also a panoramic sweep of what image-making means in the era of digital cinema. Frequently, cinematography may seem intimidating as a discipline, the preserve solely of practitioners who have learned, through years of exposure to photographic technology, both the required jargon and background knowledge to comfortably engage with an often-technical field. In our present era of film studies, this is no longer the case. The interviews collected here are informative not only on matters of technique, but also on the ways in which practitioners formulate their methodologies, work with directors, and engage with the many logistical hurdles of visual storytelling. The result is an oral history of the past forty years of filmmaking and the cinematography it has produced.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block-separator\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"address-49fffee468493025b85ca244bd55e9ac-a259dfe0b8107c354388db6f6d0451dd\" data-mce-fragment=\"1\"\u003e\n\u003csection class=\"section section-contributor-notes\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLindsay Coleman\u003c\/b\u003e is a Senior Instructor for Manhattan Review. His books include \u003ci data-mce-fragment=\"1\"\u003eContemporary Film Music: Investigating Cinema Narratives and Composition\u003c\/i\u003e (co edited with Joakim Tillman). \u003cb data-mce-fragment=\"1\"\u003eRoberto Schaefer\u003c\/b\u003e is a member of the American Society of Cinematographers and Autori Italiani Cinematografia.\u003c\/p\u003e\n\u003cdiv style=\"width: 698px; overflow: auto; height: 820px;\" id=\"cboxLoadedContent\"\u003e\n\u003cdiv class=\"padded-modal-content\" id=\"toc-modal-content\"\u003e\n\u003cp\u003eList of Illustrations\u003cbr\u003e Preface\u003cbr\u003eAcknowledgments\u003c\/p\u003e\n\u003cp\u003eIntroduction\u003c\/p\u003e\n\u003cp\u003ePeter Suschitzky, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAgnès Godard\u003c\/p\u003e\n\u003cp\u003eDean Cundey, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRodrigo Prieto, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMauro Fiore, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePeter Deming, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDion Beebe, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eChristopher Doyle\u003c\/p\u003e\n\u003cp\u003eJohn Mathieson, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLuciano Tovoli, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRajiv Menon\u003c\/p\u003e\n\u003cp\u003eRussell Carpenter, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMartin Ruhe, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJavier Aguirresarobe, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eClaudio Miranda, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSeamus McGarvey, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJohn de Borman\u003c\/p\u003e\n\u003cp\u003eAffonso Beato, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEllen Kuras, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUta Briesewitz, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRoberto Schaefer, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Seale, ASC\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnthony Dod Mantle, ASC\u003c\/p\u003e\n\u003cp\u003eIndex\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePaperback :\u003c\/strong\u003e 9781438486420, 332 pages, December 2022\u003cbr\u003e","brand":"SUNY PRESS","offers":[{"title":"Default Title","offer_id":43518641504497,"sku":"CINEMA VOICE","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/book1_7c2828cc-d5ed-4f1a-ba5e-f96e45faf057.jpg?v=1676507834"},{"product_id":"conversations-with-darius-khondji","title":"CONVERSATIONS WITH DARIUS KHONDJI","description":"\u003cdiv id=\"ct_50918284\" class=\"Block Type_Text\" style=\"left: 0px; top: 10px; width: 590px; height: 1170px;\" data-mce-fragment=\"1\" data-mce-style=\"left: 0px; top: 10px; width: 590px; height: 1170px;\" multiplier=\"1\"\u003e\n\u003cdiv class=\"Block_Wrapper\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"wsCtText\" data-mce-fragment=\"1\"\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e\u003cem data-mce-fragment=\"1\"\u003eConversations with Darius Khondji\u003c\/em\u003e is one of the only books of its kind to be fully devoted to the life and work of a cinematographer, offering a journey through the past fifty years of cinema with one of the greatest directors of photography who helped revolutionize the art form through his work on both Hollywood films and art-house movies in Europe and Asia.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan style=\"color: #000000; font-family: roboto;\" face=\"roboto\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e___________________________________________\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003eDarius Khondji has shot films for many of the greatest directors in contemporary cinema, including: David Fincher (\u003cem data-mce-fragment=\"1\"\u003eSe7en\u003c\/em\u003e), James Gray (\u003cem data-mce-fragment=\"1\"\u003eThe Lost City of Z\u003c\/em\u003e), Michael Haneke (\u003cem data-mce-fragment=\"1\"\u003eAmour\u003c\/em\u003e), Woody Allen (\u003cem data-mce-fragment=\"1\"\u003eMidnight in Paris\u003c\/em\u003e), Roman Polanski (\u003cem data-mce-fragment=\"1\"\u003eThe Ninth Gate\u003c\/em\u003e), Bernardo Bertolucci (\u003cem data-mce-fragment=\"1\"\u003eStealing Beauty\u003c\/em\u003e), Sydney Pollack (\u003cem data-mce-fragment=\"1\"\u003eThe Interpreter\u003c\/em\u003e), Jean-Pierre Jeunet \u0026amp; Marc Caro (\u003cem data-mce-fragment=\"1\"\u003eDelicatessen, The City of Lost Children\u003c\/em\u003e), Bong Joon-ho (\u003cem data-mce-fragment=\"1\"\u003eOkja\u003c\/em\u003e) and Nicolas Winding Refn (\u003cem data-mce-fragment=\"1\"\u003eToo Old to Die Young\u003c\/em\u003e).\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e___________________________________________\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e From his early childhood in Iran to his cinephile origins in Paris, from his first Polaroids of New York City in the late ‘70s to his training as a camera assistant, from his feature debut in France to his arrival in Hollywood, from his experiences with world-renown directors and actors to his work with artists and photographers, the book follows Khondji’s evolution as a cameraman alongside the evolution of movies and images from the 1960s to the present.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e___________________________________________\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e\u003cem data-mce-fragment=\"1\"\u003eConversations with Darius Khondji\u003c\/em\u003e also covers a wide range of cinematographic and technical topics — lighting, camera operating, film processing, color correcting, lens selection, digital photography and much more — in ways that are accessible and easy to grasp, allowing the reader to discover Khondji’s working methods from film to film. The book is meant to appeal to cinema lovers as much as to film and photography students, or to anyone else interested in the visual arts.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e_______________________________________________________\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003eThe conversations are accompanied by exclusive interviews with directors, actors and technicians with whom Khondji has collaborated over the years.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e___________________________________________\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003eDivided into chapters that trace the different phases of Khondji’s filmography, \u003cem data-mce-fragment=\"1\"\u003eConversations\u003c\/em\u003e is illustrated with screen shots from nearly every feature he has photographed, as well as rare behind-the-scenes photos, lighting designs, storyboards, annotated screenplays and previously unpublished Polaroids.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e___________________________________________\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003eWritten by Jordan Mintzer (author of \u003cem data-mce-fragment=\"1\"\u003eConversations with James Gray\u003c\/em\u003e), this richly illustrated book highlights Khondji’s remarkable work while emphasizing the primordial role the cinematographer plays in the making of a film.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e___________________________________________\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cspan style=\"font-family: roboto;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: roboto;\"\u003e\u003cspan style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003e\u003cem data-mce-fragment=\"1\"\u003eConversations with Darius Khondji\u003c\/em\u003e is a unique publication in function and form, with a meticulously innovative design that enhances both the text and its accompanying images.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"font-family: roboto;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eLARGE-FORMAT BOOK\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"font-family: roboto;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eBILINGUAL ENGLISH-FRENCH EDITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"font-family: roboto;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eHARDCOVER 21 x 28 CM (8,3 x 11 IN.)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"font-family: roboto;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e304 PAGES \/ OVER 400 COLOR PHOTOS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Synecdoche","offers":[{"title":"Default Title","offer_id":43644007252209,"sku":"DARIUS KHONDJI","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/darius.png?v=1770237936"},{"product_id":"ac-manual-11th-ed-paperback","title":"AC Manual — 11th Ed. Paperback","description":"\u003ctable class=\"colors_descriptionbox\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"100%\" valign=\"top\"\u003e\n\u003ctable width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThe revised 11\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e edition of this essential technical reference is now exclusively available from the American Society of Cinematographers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContaining entirely new chapters and substantial rewrites of entries from the previous edition, this hardback book designed for on-set use is a must-have for cinematographers and other motion-imaging professionals.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdited by M. David Mullen, ASC and ASC associate member Rob Hummel, contributors to this edition include Society members Bill Bennett, Christopher Chomyn, Richard Crudo, Richard Edlund, John C. Hora, Levie Isaacks, Dennis Muren, James Neihouse, Sam Nicholson, Steven Poster, Christopher Probst, Pete Romano, Roberto Schaefer and David Stump.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTopics covered in this new edition of our “Filmmaker’s Bible” include:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEvaluating digital cameras\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTake ownership of your sensor\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMeasuring light\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe color science behind modern lighting instruments\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVirtual production\/emissive screens\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDigital versions of day-for-night and infrared cinematography\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImax\/large-format cinematography\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSpecialty lenses\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVariable frame rates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eASC Color-Decision List (ASC CDL)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAcademy Color Encoding System (ACES)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Right.gif\"\u003e\u003cimg alt=\"\" src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" width=\"1\" height=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div2\"\u003e\n\u003ctable class=\"colors_descriptionbox\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Left.gif\"\u003e\u003cimg alt=\"\" src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" width=\"1\" height=\"1\"\u003e\u003c\/td\u003e\n\u003ctd width=\"100%\" valign=\"top\"\u003e\n\u003ctable width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cb\u003eAdditional Info\u003c\/b\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: The ASC Press\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003ctd width=\"1\" valign=\"middle\" background=\"\/v\/vspfiles\/templates\/ASC_Store\/images\/DBox_Border_Right.gif\"\u003e\u003cimg alt=\"\" src=\"https:\/\/store.ascmag.com\/v\/vspfiles\/templates\/ASC_Store\/images\/clear1x1.gif\" width=\"1\" height=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43910893207793,"sku":"AC11TH-PAPERBACK","price":79.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/ManualASC_paper_2.png?v=1712861660"},{"product_id":"shot-craft","title":"American Cinematographer's Shot Craft: Lessons, Tips \u0026 Techniques on the Art and Science of Cinematography","description":"\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAmerican Cinematographer's Shot Craft:\u003c\/b\u003e\u003c\/i\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e \u003c\/b\u003e\u003c\/i\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLessons, Tips \u0026amp; Techniques on the Art and Science of Cinematography\u003c\/b\u003e\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003eThis new book includes 80 curated articles from the first five years of\u003c\/span\u003e\u003cspan style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003e \u003c\/span\u003e\u003ci style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003eAC\u003c\/i\u003e\u003cspan style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003e’s\u003c\/span\u003e\u003cspan style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003e\u003cspan class=\"il\"\u003eShot\u003c\/span\u003e Craft, a\u003c\/span\u003e\u003cb style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"color: #777777; font-family: Hind; font-size: 10.5pt;\"\u003etreasured series of educational lessons on the art and science of cinematography.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003eChapters include\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e\u003cbr\u003e• Fundamental Concepts\u003cbr style=\"box-sizing: border-box;\"\u003e• Formats\u003cbr style=\"box-sizing: border-box;\"\u003e• Exposure\u003cbr style=\"box-sizing: border-box;\"\u003e• Lighting \u0026amp; Electricity\u003cbr style=\"box-sizing: border-box;\"\u003e• Optics\u003cbr style=\"box-sizing: border-box;\"\u003e• Travel \u0026amp; Locations\u003cbr style=\"box-sizing: border-box;\"\u003e• Filmmaking Techniques\u003cbr style=\"box-sizing: border-box;\"\u003e• Relationships, Communication \u0026amp; Career\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003eAn extraordinary book for film students and refresher for the seasoned pro,\u003cspan\u003e \u003c\/span\u003e\u003cstrong style=\"box-sizing: border-box;\"\u003e\u003ci\u003e\u003cspan style=\"font-weight: normal;\"\u003e\u003cspan class=\"il\"\u003eShot\u003c\/span\u003e Craft\u003c\/span\u003e\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis written in an easy-to-read tone that explains the technical and complicated in simple language. A collection of lessons, tips and techniques, this is a must-have for everyone working in the art of visual storytelling in motion pictures. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e\"The prefect book for all cinematographers, aspiring and working. Filled to the brim with detailed analysis of the craft.\"\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e— Colin Watkinson, ASC, BSC\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eThe Handmaid’s Tale, Emerald City, Entourage\u003c\/i\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e\"Jay Holben’s thoughtful attention to detail and technique continues to shine in this insightful compilation of lessons highlighting the depth behind our craft for any level of filmmaker to appreciate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e— Autumn Durald Arkapaw, ASC\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eLoki, Black Panther: Wakanda Forever\u003c\/i\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003eAuthor Jay Holben is an associate member of the ASC and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAC\u003c\/i\u003e’s technical editor. He is also the co-author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cine Lens Manual.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e345 pages\u003cbr style=\"box-sizing: border-box;\"\u003e6\" x 9\"\u003cbr style=\"box-sizing: border-box;\"\u003ePaperback\u003c\/span\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 12pt 0in 0in; font-size: medium; font-family: 'Times New Roman',serif; color: #000000;\"\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Hind; color: #777777;\"\u003eISBN 979-8-35092-836-5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43953858838769,"sku":"Shotcraft","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/Shot_Craft.png?v=1747538875"},{"product_id":"the-ves-handbook-of-visual-effects","title":"The VES Handbook of Visual Effects 4th Edition","description":"\u003cp\u003eThe award-winning \u003ci\u003eVES Handbook of Visual Effects \u003c\/i\u003eremains the most comprehensive guide to visual effects techniques and best practices available. This edition has been updated to the latest industry techniques, technologies, and workflows. The Visual Effects Society’s (VES) original authors have updated their areas of expertise, including AR\/VR, AI, Color Management, Cameras, VFX Editorial, Digital Intermediate processes,  interactive games, and full animation. These 95  experts share their best methods, tips, tricks, and shortcuts developed through decades of trial-and-error and real-world, hands-on experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis Fourth Edition is updated to include and reflect the evolving and expanded techniques, and adds new sections including evolving technologies such as AI and virtual production.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA must-have for anyone working in or aspiring to work in visual effects, \u003ci\u003eThe VES Handbook of Visual Effects\u003c\/i\u003e, Fourth Edition, covers essential techniques and solutions for all VFX artists, producers, and supervisors. With subjects and techniques clearly and definitively presented in beautiful four-color, this handbook is a vital resource for any serious visual effects artist.\u003c\/p\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":44871974158577,"sku":"VESVIRTUALP","price":78.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/TheVEShandbook_3e0ca41d-0f0c-4b95-8628-90d086b10418.png?v=1772844531"},{"product_id":"motion-picture-and-video-lighting-4th-edition","title":"Motion Picture And Video Lighting 4TH Edition","description":"\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis fully revised and updated fourth edition of \u003cem\u003eMotion Picture and Video Lighting\u003c\/em\u003e explores the technical, aesthetic, and practical aspects of lighting for film and video. It covers not only how to light, but also why. The process of lighting is emphasized, as well as practical techniques and visual storytelling with light.\u003c\/p\u003e\n\u003cp\u003eWritten by experienced filmmaker, film school teacher, and author Blain Brown, this book emphasizes how the image, the mood, and the visual impact of a film are, to a great extent, determined by the skill and sensitivity of the director of photography in using lighting. It provides an indispensable, highly illustrated, and comprehensive guide to making every scene look its best.\u003c\/p\u003e\n\u003cp\u003eThis new edition has been expanded to provide further guidance at the introductory level for students, those just starting their careers, and people already working in the business who want to move up.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTopics include:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLighting Sources\u003c\/li\u003e\n\u003cli\u003eLEDs\u003c\/li\u003e\n\u003cli\u003eThe Lighting Process\u003c\/li\u003e\n\u003cli\u003eLighting Basics\u003c\/li\u003e\n\u003cli\u003eControlling Light\u003c\/li\u003e\n\u003cli\u003eLighting Scenes\u003c\/li\u003e\n\u003cli\u003eA Lighting Playbook\u003c\/li\u003e\n\u003cli\u003eStorytelling With Light\u003c\/li\u003e\n\u003cli\u003eElectricity and Distribution\u003c\/li\u003e\n\u003cli\u003eGripology\u003c\/li\u003e\n\u003cli\u003eSet Operations\u003c\/li\u003e\n\u003cli\u003eTechnical Issues\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA robust accompanying companion website also includes video tutorials and other resources for students and professionals alike, including lighting demonstrations, basic methods of lighting, using diffusion, color control, and other topics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTable of Contents\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEvolution of Lighting  2. Equipment  3. Fundamentals  4. Lighting Scenes  5. Light \u0026amp; Storytelling  6. Exposure  7. Using Color  8. Controlling Light  9. Power \u0026amp; Distro  10. Gripology  11. Effects  12. Set Operations  13. Appendix\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlain Brown\u003c\/b\u003e has worked as a Director of Photography on feature films, commercials, industrials, music videos, and documentaries for over thirty years. His other books include \u003cem\u003eCinematography: Theory and Practice\u003c\/em\u003e, 4th Edition (2021), \u003cem\u003eThe Basics of Filmmaking\u003c\/em\u003e (2020), and \u003cem\u003eThe Filmmaker’s Guide to Digital Imaging\u003c\/em\u003e (2014).\u003c\/p\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":45197128499441,"sku":"MP-LIGHTNING 4TH","price":64.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/MotionPicturesandvideoLighting.png?v=1722962972"},{"product_id":"the-grip-book-seventh-edition","title":"The Grip Book Seventh Edition -The Studio Grip’s Essential Guide","description":"\u003cdiv data-prodid=\"901549\" data-isbn=\"9781032255866\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv class=\"isbn_details isbn_details_9781032255866\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGain the essential skills of a professional grip to become the jack and master of all trades on any movie or television show set. This new edition has been fully updated and revised and will enable aspiring and professional grips to discover vital insider tips ranging from how to operate cutting-edge rigging and lighting equipment to performing difficult camera mounts on aircraft, boats, trains, and cars.\u003c\/p\u003e\n\u003cp\u003eSeasoned Hollywood grip Michael G. Uva teaches you to install, set up, maintain, and ensure the safety of all equipment on a set, such as C-stands, cameras, and any specialty gear needed for a shoot. Expanded content on navigating the set, including set etiquette and how to succeed as a technical crew member, will jump-start your career and make you a valuable asset on any film or television crew. This seventh edition has been updated to include the latest technology, further explanations of equipment and how to use it for those new to the role, a new chapter on working as a grip on virtual sets. Other features include technical expertise on maintaining the latest and greatest filmmaking equipment; a self-test section containing over one hundred questions and answers; a comprehensive appendix containing a robust glossary of insider and equipment terms; and guidelines on what a grip has to be physically able to perform in their day-to-day duties.\u003c\/p\u003e\n\u003cp\u003eThe book is ideal for the aspiring or working grip to use on the role, as well as aspiring students looking to break into the industry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA rose by any other name\u003c\/p\u003e\n\u003cp\u003eWHO KNEW!\u003c\/p\u003e\n\u003cp\u003eContributing Companies, Manufactures, and Suppliers That you Should Know\u003c\/p\u003e\n\u003cp\u003eAuthor’s Note\u003c\/p\u003e\n\u003cp\u003eWarning\u003c\/p\u003e\n\u003cp\u003eAbout the Author\u003c\/p\u003e\n\u003cp\u003eAcknowledgements\u003c\/p\u003e\n\u003cp\u003eWhat Could Happen on Your Way to the Throne!\u003c\/p\u003e\n\u003ch3\u003eBiography\u003c\/h3\u003e\n\u003cp\u003eMichael G. Uva is a well-respected key grip in Hollywood, with over 32 years of experience in film, TV, movies, and commercials. Credits include films such as Easy A, Kalifornia, and Iron Eagle, and TV shows such as The League, Curb Your Enthusiasm, and Bones. He has taught at UCLA’s extension program, the Phoenix, Denver, New Mexico, Cuyahoga College Cleveland, and Bakersfield Film Commissions, as well as for the Hollywood CPR Program at West Los Angeles College. He has also taught at international institutions such as the Kerry ETB Training Centre in Ireland.\u003c\/p\u003e\n\u003cdiv class=\"isbn_details isbn_details_9781032255866\"\u003e\n\u003cdiv class=\"isbn_data isbn_dataPAPE\"\u003eISBN 9781032255866\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e478 Pages 903 B\/W Illustrations\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"publication_date publication_date_9781032255866\"\u003e\u003cspan class=\"pub_details pub_detailsPAPE\"\u003e Published June 22, 2023 \u003c\/span\u003e \u003c\/span\u003e by Routledge\u003c\/div\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":45296597729521,"sku":"Gripbook7th","price":57.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/thegripbook.png?v=1722962903"},{"product_id":"the-filmmakers-eye-learning","title":"The Filmmaker's Eye Learning (and Breaking) the Rules of Cinematic Composition","description":"\u003cp\u003eThis fully revised and updated edition of the classic book on cinematic composition provides readers with the necessary skills and technical know-how to create polished and narratively eloquent images, using a unique approach that combines an analytical, technical, and aesthetic understanding of the essential visual grammar of the shot.\u003c\/p\u003e\n\u003cp\u003eContaining well over a hundred full-color case studies, this second edition was expanded to include brand-new shot types, and was completely updated to reflect developments in filmmaking technology and practices, including the DSLR revolution, the advent of mirrorless and compact cinema cameras, improvements in CMOS sensor performance, the introduction of 4K and higher video resolutions, and drone cinematography.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition\u003c\/em\u003e 2nd edition is essential reading for anyone with an interest in motion media and cinematic storytelling, including independent filmmakers, directors, producers, cinematographers, editors, as well as those studying filmmaking, media aesthetics, and film studies.\u003c\/p\u003e\n\u003cp\u003eacknowledgments;  preface to the second edition; introduction; finding the frame; image systems; rules of cinematic composition \u0026amp; technical concepts;  SIZES;  extreme close‒up; close‒up;  medium close‒up;  medium shot;  medium long shot;  long shot;  extreme long shot; CONVENTIONS;  over the shoulder shot;  establishing shot;  subjective shot;  two shot;  group shot;  split‒screen shot;  canted shot;  overhead shot;  inverted shot;  emblematic shot;  abstract shot;  macro shot;  zoom shot;  DYNAMICS;  pan shot;  tilt shot;  dolly shot;  dolly zoom shot;  tracking shot;  Steadicam® shot*;  crane shot;  aerial shot;  sequence shot;  filmography;  image credits;  index\u003c\/p\u003e\n\u003ch3\u003eBiography\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGustavo Mercado \u003c\/b\u003eis an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of \u003ci\u003eThe Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic Composition,\u003c\/i\u003e was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eye film book series, \u003cem\u003eThe Language of the Lens: The Power of Lenses and The Expressive Cinematic Image\u003c\/em\u003e was translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College’s Film \u0026amp; Media Studies Department in New York City.\u003c\/p\u003e\n\u003cdiv data-prodid=\"387975\" data-isbn=\"9781138780316\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv class=\"isbn_details isbn_details_9781138780316\"\u003e\n\u003cdiv class=\"isbn_data isbn_dataPAPE\"\u003eISBN 9781138780316\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e258 Pages 376 Color Illustrations\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"publication_date publication_date_9781138780316\"\u003e\u003cspan class=\"pub_details pub_detailsPAPE\"\u003e Published June 2, 2022 \u003c\/span\u003e \u003c\/span\u003e by Focal Press\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":45296641409265,"sku":"Film-Eye 2nd","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/thefilmmaker_seye.png?v=1722964506"},{"product_id":"grammar-of-the-shot-fifth-edition","title":"Grammar of the Shot  Fifth Edition","description":"\u003cp\u003eThe newly revised and updated fifth edition of \u003ci\u003eGrammar of the Shot \u003c\/i\u003eteaches readers theoretical principles behind successful visual communication in motion media through discussions of shot composition, depth cues, lens choices, lighting, screen direction, camera movement, and shooting for editing. Many general practices are outlined that will help readers create rich, multi-layered visuals. Designed as an easy-to-use reference, this book presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises, and quiz questions, and is a staple of any filmmaker’s library.\u003c\/p\u003e\n\u003cp\u003eNew to the fifth edition:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstructional and student resources offer downloadable and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different editing choices and types of shot transitions.\u003c\/li\u003e\n\u003cli\u003eThorough chapter content reviews and refreshed exercises and quizzes help test readers on their knowledge using real-world scenarios.\u003c\/li\u003e\n\u003cli\u003eNew sections, Principles in Practice (PIPs), concludes each chapter by presenting unique scenarios that a video maker may encounter in their own video-editing work and offers creative solutions and advice on how one might handle them.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTogether with its companion volume, \u003ci\u003eGrammar of the Edit\u003c\/i\u003e, the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTable of Contents\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-prodid=\"387975\" data-isbn=\"9781138780316\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv\u003e1. The Shots: What, How, and Why?  2. Basic Motion Media Shot Composition  3. Shot Composition for Depth, Perspective, and Focus  4. Lighting Your Shots: Not Just What You See, but How You See It  5. Will It Cut? Shooting for Editing  6. Dynamic Shots: Subjects and Camera in Motion  7. Concluding Thoughts: A Filmmaker’s Mindset.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-prodid=\"995880\" data-isbn=\"9781032190136\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv class=\"isbn_details isbn_details_9781032190136\"\u003e\n\u003cdiv class=\"isbn_data isbn_dataPAPE\"\u003eISBN 9781032190136\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e340 Pages 450 B\/W Illustrations\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"publication_date publication_date_9781032190136\"\u003e\u003cspan class=\"pub_details pub_detailsPAPE\"\u003e Published August 21, 2023 \u003c\/span\u003e \u003c\/span\u003e by Routledge\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":45296675094769,"sku":"Grammar5th","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/Grammaroftheshoot.png?v=1722964654"},{"product_id":"if-its-purple-someones-gonna-die-the-power-of-color-in-visual-storytelling","title":"If It's Purple, Someone's Gonna Die The Power of Color in Visual Storytelling","description":"\u003cp\u003e\u003cem\u003eIf It's Purple, Someone's Gonna Die\u003c\/em\u003e is a must-read book for all film students, film professionals, and others interested in filmmaking. This enlightening book guides filmmakers toward making the right color selections for their films, and helps movie buffs understand why they feel the way they do while watching movies that incorporate certain colors. \u003cbr\u003e\u003cbr\u003eGuided by her twenty-five years of research on the effects of color on behavior, Bellantoni has grouped more than 60 films under the spheres of influence of six major colors, each of which triggers very specific emotional states. For example, the author explains that films with a dominant red influence have themes and characters that are powerful, lusty, defiant, anxious, angry, or romantic and discusses specific films as examples. She explores each film, describing how, why, and where a color influences emotions, both in the characters on screen and in the audience. Each color section begins with an illustrated Home Page that includes examples, anecdotes, and tips for using or avoiding that particular color.\u003cbr\u003e\u003cbr\u003eConversations with the author's colleagues - including award-winning production designers Henry Bumstead (\u003cem\u003eUnforgiven\u003c\/em\u003e) and Wynn Thomas (\u003cem\u003eMalcolm X\u003c\/em\u003e) and renowned cinematographers Roger Deakins (\u003cem\u003eThe Shawshank Redemption\u003c\/em\u003e) and Edward Lachman (\u003cem\u003eFar From Heaven\u003c\/em\u003e) - reveal how color is often used to communicate what is not said. \u003cbr\u003e\u003cbr\u003eBellantoni uses her research and experience to demonstrate how powerful color can be and to increase readers awareness of the colors around us and how they make us feel, act, and react.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLearn how your choice of color can influence an audience's moods, attitudes, reactions, and interpretations of your movie's plot.\u003c\/li\u003e\n\u003cli\u003eSee your favorite films in a new light as the author points out important uses of color, both instinctive and intentional.\u003c\/li\u003e\n\u003cli\u003eLearn how to make good color choices, in your film and in your world.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePart I: RED: The Caffeinated Color\u003cbr id=\"CRLF\"\u003eChapter 1: Powerful, Lusty, and Defiant\u003cbr id=\"CRLF\"\u003eChapter 2: Anxious, Angry, and Romantic\u003cbr id=\"CRLF\"\u003e\u003cbr id=\"CRLF\"\u003ePart II: YELLOW: The Contrary Color\u003cbr id=\"CRLF\"\u003eChapter 3: Exuberant, Obsessive, and Daring\u003cbr id=\"CRLF\"\u003eChapter 4: Innocent, Cautionary, and Idyllic\u003cbr id=\"CRLF\"\u003e\u003cbr id=\"CRLF\"\u003ePart III: BLUE: The Detached Color\u003cbr id=\"CRLF\"\u003eChapter 5: Powerless, Cerebral, and Warm\u003cbr id=\"CRLF\"\u003eChapter 6: Melancholy, Cold, and Passive\u003cbr id=\"CRLF\"\u003e\u003cbr id=\"CRLF\"\u003ePart IV: ORANGE: The Sweet and Sour Color\u003cbr id=\"CRLF\"\u003eChapter 7: Warm, Naive, and Romantic\u003cbr id=\"CRLF\"\u003eChapter 8: Exotic, Toxic, and Natural Earth\u003cbr id=\"CRLF\"\u003e\u003cbr id=\"CRLF\"\u003ePart V: GREEN: The Split Personality Color\u003cbr id=\"CRLF\"\u003eChapter 9: Healthy, Ambivalent, and Vital\u003cbr id=\"CRLF\"\u003e10: Poisonous, Ominous, and Corrupt\u003cbr id=\"CRLF\"\u003e\u003cbr id=\"CRLF\"\u003ePart VI: PURPLE: The Beyond-the-Body Color\u003cbr id=\"CRLF\"\u003eChapter 11: Asexual, Illusory, and Fantastic\u003cbr id=\"CRLF\"\u003eChapter 12: Mystical, Ominous, and Ethereal\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003eBiography\u003c\/h3\u003e\n\u003cp\u003ePatti Bellantoni studied under renowned color theorist Josef Albers. She now teaches color and visual storytelling to directors, cinematographers, editors, producers, screenwriters, and production designers. Her faculty credits include the Conservatory of the American Film Institute in Los Angeles, the world's premiere film conservatory. She was also previously on the faculty of the Center for Understanding Media in New York. She has taught Color and Visual Communication at the School of Visual Arts in New York and Design at California State University, Los Angeles.\u003c\/p\u003e\n\u003cdiv data-prodid=\"321555\" data-isbn=\"9780240806884\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv class=\"isbn_details isbn_details_9780240806884\"\u003e\n\u003cdiv class=\"isbn_data isbn_dataPAPE\"\u003eISBN 9780240806884\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e276 Pages\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"publication_date publication_date_9780240806884\"\u003e\u003cspan class=\"pub_details pub_detailsPAPE\"\u003e Published June 9, 2005 \u003c\/span\u003e \u003c\/span\u003e by Routledge\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":45296729686257,"sku":"ifitspurple","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/ifit_spurplesomeonegonnadie.png?v=1722986775"},{"product_id":"the-filmmakers-eye-the-language-of-the-lens-the-power-of-lenses-and-the-expressive-cinematic-image","title":"The Filmmaker's Eye: The Language of the Lens The Power of Lenses and the Expressive Cinematic Image","description":"\u003cp\u003e\u003cem\u003eThe Language of the Lens\u003c\/em\u003e explores the expressive power of the camera lens and the storytelling contributions that this critical tool can make to a film project. This book offers a unique approach to learning how lenses can produce aesthetically and narratively compelling images in movies, through a close examination of the various ways lens techniques control the look of space, movement, focus, flares, distortion, and the \"optical personality\" of your story’s visual landscape. \u003cbr\u003e\u003cbr\u003eLoaded with vivid examples from commercial, independent, and world cinema, \u003ci\u003eThe Language of the Lens\u003c\/i\u003e presents dozens of insightful case studies examining their conceptual, narrative, and technical approaches to reveal how master filmmakers have harnessed the power of lenses to express the entire range of emotions, themes, tone, atmosphere, subtexts, moods, and abstract concepts. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Language of the Lens\u003c\/i\u003e provides filmmakers, at any level or experience, with a wealth of knowledge to unleash the full expressive power of any lens at their disposal, whether they are shooting with state-of-the-art cinema lenses or a smartphone, and everything in between.\u003c\/p\u003e\n\u003cdiv id=\"flush-collapseThree\" class=\"accordion-collapse collapse show\" aria-labelledby=\"flush-headingThree\"\u003e\n\u003cdiv class=\"accordion-body\"\u003e\n\u003cp\u003eLenses \u0026amp; Image Systems\u003c\/p\u003e\n\u003cp\u003eTechnical Concepts\u003c\/p\u003e\n\u003cp\u003eSpace\u003c\/p\u003e\n\u003cp\u003eMovement\u003c\/p\u003e\n\u003cp\u003eFocus\u003c\/p\u003e\n\u003cp\u003eFlares\u003c\/p\u003e\n\u003cp\u003eDistortion\u003c\/p\u003e\n\u003cp\u003eIntangibles\u003c\/p\u003e\n\u003cp\u003eFilmography\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBiography\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGustavo Mercado \u003c\/b\u003eis an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of \u003ci\u003eThe Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic Composition,\u003c\/i\u003e was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eye film book series, \u003cem\u003eThe Language of the Lens: The Power of Lenses and The Expressive Cinematic Image\u003c\/em\u003e was translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College’s Film \u0026amp; Media Studies Department in New York City.\u003c\/p\u003e\n\u003cdiv data-prodid=\"387975\" data-isbn=\"9781138780316\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv id=\"PAPE\" class=\"bookData\" data-isbn=\"9780415821315\" data-prodid=\"334471\"\u003e\n\u003cdiv class=\"isbn_details isbn_details_9780415821315\"\u003e\n\u003cdiv class=\"isbn_data isbn_dataPAPE\"\u003eISBN 9780415821315\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e208 Pages\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"publication_date publication_date_9780415821315\"\u003e\u003cspan class=\"pub_details pub_detailsPAPE\"\u003e Published July 17, 2019 \u003c\/span\u003e \u003c\/span\u003e by Routledge\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":45296745021681,"sku":"Film-Eye-Lens","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/Thelanguageofthelens.png?v=1722987428"},{"product_id":"set-lighting-technicians-handbook-film-lighting-equipment-practice-and-electrical-distribution","title":"Set Lighting Technician's Handbook Film Lighting Equipment, Practice, and Electrical Distribution 5TH Ed.","description":"\u003cp\u003eA friendly, hands-on training manual and reference for lighting technicians in motion picture and television production, this handbook is the most comprehensive guide to set lighting available. It provides a unique combination of practical detail with a big-picture understanding of lighting, technology, safety, and professionalism, essential to anyone doing motion picture lighting.\u003c\/p\u003e\n\u003cp\u003eThe fifth edition delves into every aspect of lighting and features vastly expanded sections on controlling LED lights, color science, lighting control systems, wireless systems, Ethernet-based control systems, battery power, and modern set protocol for productions small and large. With a generous number of original images, the book illustrates the use of soft light, the effect of lighting angles, and how the gaffer and DP build an effective lighting plan around the blocking of the actors. This encyclopedic volume of technical knowhow is tempered with years of practical experience and a much-needed sense of humor.\u003c\/p\u003e\n\u003cp\u003eThis is the ideal text for professional lighting technicians across film and television including lighting directors, gaffers, DOPs, and rigging crews, as well as film and television production students studying lighting, camera techniques, film production, and cinematography.\u003c\/p\u003e\n\u003cp\u003eIt includes a revamped companion website with supplementary resources, forms, checklists, and images.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTable Of Contents\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv aria-labelledby=\"flush-headingThree\" class=\"accordion-collapse collapse show\" id=\"flush-collapseThree\"\u003e\n\u003cdiv class=\"accordion-body\"\u003e\n\u003cp\u003eChapter 1 Set Basics: Your First Barbecue\u003c\/p\u003e\n\u003cp\u003eChapter 2 Preproduction Planning: the Package, Expendables, Personal Tools\u003c\/p\u003e\n\u003cp\u003eChapter 3 Lighting Objectives\u003c\/p\u003e\n\u003cp\u003eChapter 4 Lighting Strategies\u003c\/p\u003e\n\u003cp\u003eChapter 5 Manipulating Light: Tools, Techniques, and the Behavior of Light\u003c\/p\u003e\n\u003cp\u003eChapter 6 Color\u003c\/p\u003e\n\u003cp\u003eChapter 7 LED Lights\u003c\/p\u003e\n\u003cp\u003eChapter 8 Established Lighting Instruments\u003c\/p\u003e\n\u003cp\u003eChapter 9 Operating HMI Lights\u003c\/p\u003e\n\u003cp\u003eChapter 10 Stands and Rigging\u003c\/p\u003e\n\u003cp\u003eChapter 11 Set Protocol\u003c\/p\u003e\n\u003cp\u003eChapter 12 Lighting Control Networks\u003c\/p\u003e\n\u003cp\u003eChapter 13 Electricity\u003c\/p\u003e\n\u003cp\u003eChapter 14 Power Distribution Equipment\u003c\/p\u003e\n\u003cp\u003eChapter 15 Dimming Equipment\u003c\/p\u003e\n\u003cp\u003eChapter 16 Electrical Rigging\u003c\/p\u003e\n\u003cp\u003eChapter 17 Working With Electrical Power\u003c\/p\u003e\n\u003cp\u003eChapter 18 Power Sources\u003c\/p\u003e\n\u003cp\u003eChapter 19 Special Circumstances and Practices\u003c\/p\u003e\n\u003cp\u003eChapter 20 Specialty Lighting Equipment\u003c\/p\u003e\n\u003cp\u003eChapter 21 LED Color Science and Technology\u003c\/p\u003e\n\u003cp\u003eAppendix A Photometric Calculation Tables\u003c\/p\u003e\n\u003cp\u003eAppendix B Lamp Tables\u003c\/p\u003e\n\u003cp\u003eAppendix C Flicker-free Frame Rates\u003c\/p\u003e\n\u003cp\u003eAppendix D Electrical Tables\u003c\/p\u003e\n\u003cp\u003eAppendix E IP and NEMA Equipment Ratings\u003c\/p\u003e\n\u003cp\u003eAppendix F Equipment Suppliers and Manufacturers\u003c\/p\u003e\n\u003cp\u003eAppendix G Gels and Diffusions\u003c\/p\u003e\n\u003cp\u003eAppendix H LED Lights\u003c\/p\u003e\n\u003cp\u003eGlossary\u003c\/p\u003e\n\u003cdiv data-prodid=\"736212\" data-isbn=\"9781138391727\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv class=\"isbn_details isbn_details_9781138391727\"\u003e\n\u003cdiv class=\"isbn_data isbn_dataPAPE\"\u003eISBN 9781138391727\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e624 Pages 465 B\/W Illustrations\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"publication_date publication_date_9781138391727\"\u003e\u003cspan class=\"pub_details pub_detailsPAPE\"\u003e Published April 17, 2020 \u003c\/span\u003e \u003c\/span\u003e by Routledge\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"ASC\/AC Store","offers":[{"title":"Default Title","offer_id":45296859185393,"sku":"SET-Lighting5th","price":64.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/Setlightingtechnicianshandbook5.png?v=1722970349"},{"product_id":"cinematography-for-directors-2nd-edition","title":"Cinematography for Directors (2nd Edition)","description":"\u003ch4\u003eLearn how to master light and darkness.\u003c\/h4\u003e\n\u003cp\u003eThrough balancing interviews with working ASC cinematographers and the technical, aesthetic and historical side of cinematography, this text guides directors toward a more powerful collaboration with their closest ally, the cinematographer.\u003c\/p\u003e\n\u003cp\u003eTopics include selecting a cinematographer, collectively discussing the script, choosing an appropriate visual style for a film, color palette, film and digital formats, lenses, camera movement, genres, and postproduction processes--including the digital intermediate (DI). Interwoven are quotes from working ASC cinematographers. \u003c\/p\u003e\n\u003cp\u003eJacqueline Frost has been teaching the language of motion pictures—production,\u003cbr\u003ehistory, and cinematography—for thirty years. Currently a full professor at\u003cbr\u003eCalifornia State University, Fullerton, she is also an adjunct professor at Fairleigh\u003cbr\u003eDickinson University in Madison, NJ.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781615932740\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Michael Wiese Productions\u003cbr\u003e\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 1st, 2020\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 300\u003c\/p\u003e\n\u003c!----\u003e","brand":"Michael Wiese Productions","offers":[{"title":"Default Title","offer_id":45296953884913,"sku":"Cinematography-Diretors2nd","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/cinematographyfordirectors.png?v=1722970572"},{"product_id":"the-camera-assistants-manual-7th-ed","title":"The Camera Assistant's Manual 7TH Ed.","description":"\u003cp\u003eExcel as a Cameraman in today’s evolving film industry with this updated classic. Learn what to do – and what NOT to do – during production and get the job done right the first time.\u003ci\u003e \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eThis seventh edition covers the basics of cinematography and provides you with the multi-skill set needed to maintain and transport a camera, troubleshoot common problems on location, prepare for job interviews, and work with both film and digital technologies. Illustrations, checklists, and tables accompany each chapter and highlight the daily workflow of an Assistant Cameraman (AC), with expanded sections on problems and troubleshooting, updated formulas, tables, and checklists, as well as new information on the differences between working in the United States and UK and additional information on working with digital technology.\u003c\/p\u003e\n\u003cp\u003eThis is a must-have for anyone looking to succeed in this highly technical and ever-changing profession.\u003c\/p\u003e\n\u003cp\u003eThis book features a comprehensive companion web site that offers plenty of useful resources, including online tutorials that ACs can easily access while on location and supplementary downloadable forms and checklists.\u003c\/p\u003e\n\u003cdiv aria-labelledby=\"flush-headingThree\" class=\"accordion-collapse collapse show\" id=\"flush-collapseThree\"\u003e\n\u003cdiv class=\"accordion-body\"\u003e\n\u003cp\u003e\u003cstrong\u003eTable of Contents\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePreface\u003c\/p\u003e\n\u003cp\u003eAcknowledgments\u003c\/p\u003e\n\u003cp\u003eIntroduction\u003c\/p\u003e\n\u003cp\u003eChapter 1 - Basics of Cinematography\u003c\/p\u003e\n\u003cp\u003eChapter 2 - The Camera Department\u003c\/p\u003e\n\u003cp\u003eChapter 3 - Camera Trainee and Camera Production Assistant (PA)\u003c\/p\u003e\n\u003cp\u003eChapter 4 - Second Assistant Cameraman (2\u003csup\u003end\u003c\/sup\u003e AC) and Film Loader\u003c\/p\u003e\n\u003cp\u003eChapter 5 - First Assistant Cameraman (1\u003csup\u003est\u003c\/sup\u003e AC)\u003c\/p\u003e\n\u003cp\u003eChapter 6 – Film Productions - Problems and Troubleshooting\u003c\/p\u003e\n\u003cp\u003eChapter 7 – Cameras\u003c\/p\u003e\n\u003cp\u003eChapter 8 - Before, During and After the Job\u003c\/p\u003e\n\u003cp\u003eAppendix A – Digital Cameras\u003c\/p\u003e\n\u003cp\u003eAppendix B – Equipment and Apps\u003c\/p\u003e\n\u003cp\u003eAppendix C – Camera Department Checklists, Production Forms and Labels\u003c\/p\u003e\n\u003cp\u003eAppendix D – Tools, Accessories and Expendables\u003c\/p\u003e\n\u003cp\u003eAppendix E – Tables and Formulas\u003c\/p\u003e\n\u003cp\u003eRecommended Reading\u003c\/p\u003e\n\u003cp\u003eGlossary\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBiography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDavid E. Elkins,\u003c\/strong\u003e \u003cstrong\u003eS.O.C.,\u003c\/strong\u003e has over 30 years of professional experience as a Camera Operator and First Assistant Cameraman, working on feature films, television series, commercials, music videos, educational films, industrial films, and much more. He has also taught classes and workshops on both the East and West Coasts of the United States. He has been an active member of the International Cinematographers Guild Local 600 since 1989 and the Society of Camera Operators since 1992.\u003c\/p\u003e\n\u003cdiv data-prodid=\"725931\" data-isbn=\"9781138323353\" class=\"bookData\" id=\"PAPE\"\u003e\n\u003cdiv class=\"isbn_details isbn_details_9781138323353\"\u003e\n\u003cdiv class=\"isbn_data isbn_dataPAPE\"\u003eISBN 9781138323353\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e552 Pages 271 B\/W Illustrations\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"publication_date publication_date_9781138323353\"\u003e\u003cspan class=\"pub_details pub_detailsPAPE\"\u003e Published March 25, 2020 \u003c\/span\u003e \u003c\/span\u003e by Routledge\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":45297005854961,"sku":"Camera-assist-7th","price":49.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/cameraasistant_smanual.png?v=1722970749"},{"product_id":"cinematic-storytelling-the-100-most-powerful-film-conventions-every-filmmaker-must-know","title":"Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know","description":"\u003ch4\u003eDialogue is one of the best known, and obvious, elements in a film. 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Explore the wonders of this extraordinary journey through Storaro's extraordinary photographs, and allow the beauty to fill you with awe and excitement!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdditional Info\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Storaro\u003c\/p\u003e\n\u003cp\u003ePage Count: 350\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ASC\/AC Store","offers":[{"title":"Default Title","offer_id":45587779551473,"sku":"Storaro-Civiltà","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/La_Civilata_Romana_Storaro.png?v=1732063489"},{"product_id":"the-asc-treasury-of-visual-effects-by-leading-masters-of-film-wizardry-paperback","title":"The ASC Treasury Of Visual Effects By Leading Masters Of Film Wizardry (Paperback)","description":"\u003cp\u003e\u003cstrong\u003eREISSUE OF A CLASSIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSigned copy by Richard Edlund, ASC\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCOVERING VISUAL EFFECTS FROM 1895 TO 1982\u003c\/p\u003e\n\u003cp\u003eA fascinating overview of the film industry's most mysterious and exciting art -- the creation of special effects -- is offered in this collection of writings by leading experts in the field. First published in 1983 and out of print for many years, this collector's edition book is back in paperback by popular demand.\u003c\/p\u003e\n\u003cp\u003eThe ASC Treasury of Visual Effects. Conceived and Supervised by Linwood G. Dunn. Special Contributions by L.B. Abbott, Howard A. Anderson, Art Cruikshank, Richard Edlund, Frank Van der Veer, Harold E. Wellman, Joseph Westheimer. Designed and Edited by George E. Turner. Hollywood : American Society of Cinematographers, (1983). Paperback Edition. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdditional Info\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: ASC Press\u003c\/li\u003e\n\u003cli\u003ePage Count: 295\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN 0-935578-17-X\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div2\"\u003e\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45596981690609,"sku":null,"price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/visualeffects.png?v=1728938462"},{"product_id":"in-the-blink-of-an-eye-2nd-edition","title":"In the Blink of an Eye, 2nd Edition","description":"\u003ch4 class=\"MsoNormal\"\u003e\n\u003cb\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Arial',sans-serif;\"\u003eIn the Blink of an Eye\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Arial',sans-serif;\"\u003e is celebrated editor Walter Murch’s vivid, multifaceted, thought-provoking essay of film editing.  Starting with what might seem to be the most basic editing question—Why do cuts work?—he treats the reader to a marvelous ‘ride’ through the esthetics and practical concerns of cutting film.  Along the way, he offers his insights on such subjects as continuity and discontinuity in editing, dreaming, and real life; the criteria of a good cut; and the blink of an eye as both an analog to and an emotional cue for the cut.  New to this second edition is Murch’s lengthy meditation on the current state of digital editing.\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003ch4 class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003ch4 class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Arial',sans-serif;\"\u003eAbout Walter Murch\u003c\/span\u003e\u003c\/b\u003e\u003c\/h4\u003e\n\u003ch4 class=\"MsoNormal\"\u003e\n\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Arial',sans-serif;\"\u003eWalter Murch\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Arial',sans-serif;\"\u003e has been honored by both British and American Motion Picture Academies for his picture editing and sound mixing. 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