{"title":"American Cinematographer","description":"","products":[{"product_id":"2019-01-january-issue-of-american-cinematographer","title":"2019 \/ 01 — January Issue of American Cinematographer","description":"\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eJanuary 2019\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ewhich features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eawards-season releases\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe ASC’s 100th Anniversary\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe American Society of Cinematographers turns 100 in 2019, and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e will be honoring the anniversary all throughout the year. To kick off the celebration, we offer a look back at the Society’s origins alongside a look ahead to the centennial “spotlight content” that will follow in each of the year’s subsequent issues.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eVice\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Annapurna Pictures)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGreig Fraser, ASC, ACS\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e joined the ticket alongside writer-director Adam McKay for this portrait of Dick Cheney (portrayed by Christian Bale), who rose to the pinnacle of power as vice president to George W. Bush (Sam Rockwell). Fraser welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to the set for a firsthand look at the production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eRoma\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Netflix)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAlfonso Cuarón\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e wrote, directed and shot this intimate study of a middle-class family and their live-in housekeeper in Mexico City in the early 1970s. Cuarón and key members of his crew detail their approach to the black-and-white feature, which employed Arri Rental’s Alexa 65 camera and Prime 65 lenses.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eMary Poppins Returns\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Disney)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDion Beebe, ASC, ACS\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director Rob Marshall continued their collaboration with this sequel to the 1964 classic \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMary Poppins\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e. Now all grown up, the Banks siblings once again find themselves in need of assistance from the eponymous nanny (played now by Emily Blunt), who happily obliges. Beebe pulls back the curtain on the onscreen magic.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eIf Beale Street Could Talk\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Annapurna Pictures)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJames Laxton\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and writer-director Barry Jenkins followed their collaboration on \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMoonlight\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e with this adaptation of James Baldwin’s novel, which follows Clementine “Tish” Rivers (KiKi Layne) as she tries to clear the name of her wrongly convicted fiancé, Alonzo “Fonny” Hunt (Stephan James), before the birth of their child. Laxton offers his insights into the New York-based production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eCold War\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Amazon Studios)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLukasz Zal\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, who received an ASC Spotlight Award for his work on the feature \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eIda\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, reteamed with that project’s director, Pawel Pawlikowski, for this love story set against the backdrop of 1950s Europe. Zal discusses his approach to the black-and-white feature, which was framed for the 1.37:1 aspect ratio.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe January issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e presents tips for collaborating with the sound department, perspectives on repeatedly shooting the same set in new ways, and tricks for dealing with unwanted reflections.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e catches up with ASC Sol Negrin Student Heritage Award winners \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSteven Breckon\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMatthew Hayward\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, about their projects \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eA Place to Stay\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Latent Image\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, respectively, as well as ASC Haskell Wexler Student Documentary Award winner \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAlejandro Cortes Sanchez\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, about the doc \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAdrift\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChristopher Probst\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose credits include the feature \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDetention\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e; episodes of the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMindhunter\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e; commercials for Adidas and Turkish Airlines; and music videos for Taylor Swift, Eminem, Jay-Z and Muse.\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32855340581001,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0119-2.jpg?v=1584573406"},{"product_id":"copy-of-2019-01-january-issue-of-american-cinematographer","title":"2019 \/ 02 — February Issue of American Cinematographer","description":"\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eFebruary 2019\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ewhich features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003erising stars of cinematography\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e along with profiles of this year’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Awards honorees\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eEscape at Dannemora\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Showtime)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJessica Lee Gagné\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for this 7-part Showtime miniseries, which was directed by Ben Stiller and is based on the real-life 2015 prison break at the Clinton Correctional Facility in upstate New York. Gagné details her work on the show, most of which was shot on location in Dannemora, N.Y.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRising Stars of Cinematography\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e’s editors surveyed a broad field of worthy candidates to compile 2019’s list of 10 directors of photography whose impressive work to date promises stellar achievements in the years to come. This spotlight section presents profiles of each of these “rising stars,” whose credits span commercials, music videos, shorts, series, documentaries and features.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Lifetime Achievement Award\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eand\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Career Achievement in Television Award\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe American Society of Cinematographers was announced the Lifetime Achievement and Career Achievement in Television Award honorees for the 33rd ASC Awards. \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e shines a spotlight on each of these honorees with in-depth profiles that trace their careers to date.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e33 Years of the ASC Awards\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eOn Saturday, Feb. 9, the American Society of Cinematographers will host the 33rd ASC Awards for Outstanding Achievement in Cinematography. 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font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMarch 2019\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e issue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e magazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003elocation shooting\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eI Am the Night\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(TNT)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; 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As part of the magazine’s yearlong celebration of the ASC’s 100th anniversary, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e takes readers on a tour of the iconic building — and offers a look back at how it and its neighborhood have changed over the decades. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFilm Independent Spirit Awards \u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCinematography Nominees\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe 2019 Film Independent Spirit Award nominees have been announced, with five features singled out in the Best Cinematography category: \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eMadeline’s Madeline\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAshley Connor\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e; \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eWildlife\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDiego Garcia\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e; \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eMandy\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, shot by Benjamin Loeb; \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eSuspiria\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSayombhu Mukdeeprom\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e; and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eWe the Animals\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eZak Mulligan\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e offers a look at each of the nominated features.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eWorking on Location\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eBuckle up and enjoy the ride as cinematographers and their collaborators across departments discuss the practicalities of shooting in settings far and wide. How do they go about finding local equipment and crew? Which locales have provided particularly positive experiences? What horrors have they endured? This and more are explored.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe March issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e examines the work of 2nd-unit directors of photography in addition to offering tips and tricks for aspiring and veteran cinematographers alike.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e follows \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChristopher Wohlers\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRyan Todd\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e as they shoot the documentary web-series \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eBlack \u0026amp; White\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, which takes viewers onto the ice with the Los Angeles Kings of the National Hockey League.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSean MacLeod Phillips\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose work as a cinematographer and visual-effects supervisor spans a wide array of large-format 3D productions. His credits include \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eTexas: The Big Picture\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eWild Safari 3D\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMagnificent Desolation: Walking on the Moon 3D\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSea Monsters: A Prehistoric Adventure\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMysteries of the Unseen World\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJourney to Space\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32855415849097,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0319-2.jpg?v=1584573510"},{"product_id":"2019-04-april-issue-of-american-cinematographer","title":"2019 \/ 04 — April Issue of American Cinematographer","description":"\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eApril 2019 \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eissue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer \u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003emagazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eoptics\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eMapplethorpe\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Samuel Goldwyn Films)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eNancy Schreiber, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for director Ondi Timoner’s intimate portrait of the celebrated and controversial photographer Robert Mapplethorpe (portrayed by Matt Smith). Schreiber discusses her work on the period production, which traces Mapplethorpe’s rise to fame in the 1970s and ’80s.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eCaptain Marvel\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and\u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cem\u003eDumbo\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Disney)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eBen Davis, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e offers his insights into his work on each of these productions. Directed by Anna Boden and Ryan Fleck, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCaptain Marvel\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e limns the origin of the eponymous superhero (played by Brie Larson). Tim Burton was in the director’s chair for \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDumbo\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, which retells the classic animated tale in live action.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Dirt\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Netflix)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eToby Oliver, ACS\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e joined director Jeff Tremaine for this feature based on the bestselling autobiography from Mötley Crüe. The unflinching tale of success and excess tracks the band’s four misfit members as they rise from the streets of Hollywood to the heights of international fame.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe ASC’s Motion Imaging Technology Council\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAs part of the magazine’s yearlong celebration of the ASC’s 100th anniversary, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights the Society’s influence on motion-picture technology, highlighting the achievements of the Motion Imaging Technology Council (MITC) and its forerunner, the ASC Technology Committee.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe April issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e focuses on specular highlights, offers a primer on macro lenses, and answers the question, “What is a polarizer?”\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDavid Stockton\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose extensive television credits include episodes of the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCSI: Crime Scene Investigation\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eEleventh Hour\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Forgotten\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRevolution\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSupergirl\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRunaways\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGotham\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32855658725513,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0419-2.jpg?v=1584573708"},{"product_id":"2019-05-may-issue-of-american-cinematographer","title":"2019 \/ 05 — May Issue of American Cinematographer","description":"\u003cdiv id=\"ProductDetail_ProductDetails_div2\"\u003e\n\u003cspan itemprop=\"description\"\u003e \u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMay 2019 \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eissue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer \u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003emagazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edrones \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eand \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003evirtual reality\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003ePeterloo\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Amazon Studios)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDick Pope, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e reteamed with writer-director Mike Leigh for this portrayal of the events surrounding the 1819 Peterloo Massacre, where a peaceful pro-democracy rally turned into one of the bloodiest episodes in British history. Pope offers his insights into the period production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAshe ’68\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eEve M. Cohen\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e joined artists Brad Lichtenstein, Beth Hubbard, Rex Miller and Jeff Fitzsimmons for this virtual-reality experience that screened at this year’s Sundance Film Festival as part of the New Frontier Exhibitions. The project weaves together re-creations, period archival footage, and sand animation to showcase tennis champion Arthur Ashe’s internal pressures.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Members in Visual Effects\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAs part of the magazine’s yearlong celebration of the ASC’s 100th anniversary, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights the Society’s longstanding relationship with visual effects. ASC members \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMat Beck\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJohn Dykstra\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRichard Edlund\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAnna Foerster\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eNeil Krepela\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRobert Legato\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eBruce Logan\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDennis Muren\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSam Nicholson\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDavid Stump\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eWilliam Taylor\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMark Weingartner\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eand \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRichard Yuricich\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e look back on their own careers in the visual-effects arena and share their thoughts on the intersections between effects and cinematography.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e33rd ASC Awards\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eOur annual recap of the ASC Awards offers readers a pictorial walkthrough of the Open House at the Society’s Clubhouse in Hollywood as well as all of the activity surrounding the awards gala itself. This section also highlights the achievements of all of this year’s ASC Award honorees and nominees, including lifetime-achievement honoree \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRobert Richardson, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and theatrical-release nominees \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLukasz Zal, PSC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCold War\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e); \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAlfonso Cuarón\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRoma\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e); \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMatthew Libatique, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eA Star Is Born\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e); \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRobbie Ryan, BSC, ISC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Favourite\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e); and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLinus Sandgren, ASC, FSF\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFirst Man\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e).\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe May issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e focuses on drone use in recent productions and offers tips and tricks of the trade for cinematographers both established and on the rise.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDavid A. Geddes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose credits include the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eHalloween: Resurrection\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Messengers\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eTucker and Dale vs. Evil\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, and the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e21 Jump Street\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDark Angel\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMen in Trees\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSanctuary\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFringe\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eUnder the Dome\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Last Ship\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLegends of Tomorrow\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32855929847945,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0519-2.jpg?v=1584573947"},{"product_id":"2019-06-june-issue-of-american-cinematographer","title":"2019 \/ 06 — June Issue of American Cinematographer","description":"\u003cspan itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJune 2019 \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eissue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer \u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003emagazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003esummer blockbusters\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eGood Omens\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Amazon Studios)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGavin Finney, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for this six-part miniseries based on Terry Pratchett and Neil Gaiman’s comedic novel about the end of the world. Finney, Gaiman — who also served as showrunner — and director Douglas Mackinnon welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to the set while working on location in South Africa.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eJohn Wick: Chapter 3 – Parabellum\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Summit Entertainment)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDan Laustsen, ASC, DFF\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director Chad Stahelski — following their work on \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJohn Wick: Chapter 2\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e — continued their collaboration with this third installment in the action franchise featuring Keanu Reeves as the eponymous assassin. Laustsen details his work on the project and speaks to its particular challenges.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eGodzilla: King of the Monsters\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Warner Bros.)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLawrence Sher, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ejoined director Michael Dougherty for this sequel to 2014’s \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGodzilla\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e. Sher discusses the intricate lighting and camera movement on display in the movie, which pits Godzilla against the outsize monsters Mothra, Rodan and King Ghidorah.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eTeen Spirit\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Sun Is Also a Star\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Bleecker Street Media and Warner Bros.)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAutumn Durald Arkapaw \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eteamed with director Max Minghella for \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eTeen Spirit\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, about a shy teenager who yearns to escape her small town and chase her dream to sing, and with Ry Russo-Young for \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Sun Is Also a Star\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, a drama about teenage love in the midst of a family’s struggles. The cinematographer shines a light on her work for each production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe June issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e offers tips and tricks of the trade for cinematographers both established and on the rise.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e goes behind the scenes of director Shal Ngo’s sci-fi short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Last Fisherman\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, which cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJared Levy\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e photographed on location on the South China Sea in Vietnam.\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32855954227337,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0619-2.jpg?v=1584574190"},{"product_id":"2019-07-july-issue-of-american-cinematographer","title":"2019 \/ 07 — July Issue of American Cinematographer","description":"\u003cspan itemprop=\"description\"\u003e \u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJuly 2019 \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eissue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer \u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003emagazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003etelevision production\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eGame of Thrones\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(HBO)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJonathan Freeman, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e; \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFabian Wagner, ASC, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e; and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDavid Franco\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e divvied cinematography duties for the eighth and final season of HBO’s sweeping fantasy series. \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e visited the production on location in Ireland during principal photography of the final six episodes. Our coverage offers an in-depth look at the making of Season 8 while also offering a detailed look back at the cinematography of the preceding seven seasons, which were photographed by some 12 additional directors of photography.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAbby’s\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(NBC)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGregg Heschong, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eand his crew welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to the set of this multicamera sitcom shot outdoors in front of a live audience. The series’ title refers to the unlicensed, makeshift bar that Abby (Natalie Morales) has set up in her backyard — an establishment that attracts a diverse and tight-knit cohort from around her San Diego neighborhood. Heschong speaks to the production’s unique shooting situation.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eWhat We Do in the Shadows\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(FX)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFollowing the work of pilot cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChristian Sprenger\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, director of photography \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDJ Stipsen \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003etook the reins for this comedy series based on the feature of the same name. The series offers a documentary-style look at the undead lives of a group of vampires who have been together for hundreds of years and now reside in Staten Island. Stipsen details the dark arts that he and his collaborators have brought to bear for the show.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC 100: A Century of Education and Outreach\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAs part of the magazine’s yearlong celebration of the ASC’s 100th anniversary, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e opens the books on the Society’s wide-ranging educational initiatives at home and abroad, ranging from regular gatherings of cinematography students at the Clubhouse to the ongoing International Master Class series that’s touched down in countries around the globe.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe July issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e offers tips and tricks of the trade for cinematographers both established and on the rise.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e profiles Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eStijn Van der Veken\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose credits include episodes of the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eOur Girl\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSilent Witness\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShetland \u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eand \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eOutlander\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, as well as the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSum of Histories\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMany Heavens\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32875526389897,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0719-2.jpg?v=1584642143"},{"product_id":"2019-08-august-issue-of-american-cinematographer","title":"2019 \/ 08 — August Issue of American Cinematographer","description":"\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAugust 2019 \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eissue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer \u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003emagazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ethe ASC’s 100th Anniversary\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe ASC’s 100th Anniversary \u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe American Society of Cinematographers\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was officially chartered in 1919. In honor of the Society’s 100th anniversary, the August issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e is dedicated to the ASC’s first century of loyalty, progress and artistry. This issue presents profiles of the Society’s 15 founding members, offers a detailed history of the ASC, spotlights the Society’s recently released list of 100 milestone films in the art and craft of cinematography of the 20th century, shares members’ insights as they imagine what’s to come in the next century, and much more.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eOnce Upon a Time in Hollywood\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Sony Pictures)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRobert Richardson, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e — recipient of this year’s ASC Lifetime Achievement Award — reteamed with writer-director Quentin Tarantino for their sixth feature collaboration. Set in 1969 Los Angeles, the project stars Leonardo DiCaprio and Brad Pitt as actor Rick Dalton and stunt double Cliff Booth, who strive to stay relevant in the mercurial motion-picture business. Richardson welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to the set and details his work on the period production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Lion King\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Disney)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCaleb Deschanel, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003epartnered with director Jon Favreau and visual-effects supervisor \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRobert Legato, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e for this retelling of Disney’s animated classic. Employing cutting-edge advancements in virtual-production methodologies, the filmmakers present the story of the lion Simba (voiced by Donald Glover) and his animal compatriots in a “live action” style that was brought to bear in the digital realm. 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font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e presents a collection of tips and tricks of the trade that ASC members have shared throughout the Society’s history.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; 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font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSeptember 2019\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e issue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e magazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003einternational production\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAfter the Wedding\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Sony Pictures Classics)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJulio Macat, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e joined writer-director Bart Freundlich for this adaptation of the Danish film of the same title. The story follows Isabel (Michelle Williams) as she travels from India to New York in order to secure a generous grant from a mysterious donor (Julianne Moore) for an orphanage in Calcutta. For the movie — which opened this year’s Sundance Film Festival — Macat worked primarily with Arri’s Alexa 65 camera system, lending a grand canvas to the intimate drama. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eStand!\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRoy H. Wagner, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director Robert Adetuyi worked in Winnipeg, Manitoba, Canada, for this \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRomeo and Juliet\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e-inspired musical drama set against the backdrop of Winnipeg’s 1919 general strike and surrounding social upheaval. Wagner opted to shoot the story with Blackmagic Design’s Ursa Mini Pro and Pocket Cinema Camera 4K. The cinematographer and his collaborators detail their work on the period production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe ASC’s Global Reach\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe magazine’s yearlong celebration of the ASC’s 100th anniversary continues with this look at the Society’s past, present and planned initiatives that transcend borders to serve the global cinematography community. Among the highlighted programs is the work of the ASC’s International Committee, which since 2016 has been chaired by Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSuki Medencevic\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eDeath and Nightingales\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(BBC)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eStephen Murphy\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for this three-part miniseries written and directed by Allan Cubitt. Set in 1885 and based on Eugene McCabe’s novel, the story follows the fortunes of the resolute Beth (Ann Skelly) as she tries to escape her abusive stepfather (Matthew Rhys) via a romantic involvement with Liam (Jamie Dornan). Murphy welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e for a set visit on location in Armagh, Northern Ireland.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Silver Branch\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eKatrina Costello\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e received the \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAmerican Cinematographer\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e Award at this year’s Salem Film Fest for her work on this documentary, which tells the story of an idyllic rural part of Western Ireland that’s under threat by developers. Costello — who also helmed the doc alongside her collaborating director, John Brown — discusses the making of the movie.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe September issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e offers tips and tricks of the trade for cinematographers both established and on the rise.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e goes behind the scenes of the short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Lady in White\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, which cinematographer Zhihan Zhang photographed in Shanghai.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ePolly Morgan\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose credits include episodes of the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe A Word\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLegion\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eStrange Angel\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, and the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSpinning Man\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e6 Balloons\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and the upcoming \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLucy in the Sky\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e \u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32875753963657,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0919-2.jpg?v=1584642761"},{"product_id":"2019-10-october-issue-of-american-cinematographer","title":"2019 \/ 10 — October Issue of American Cinematographer","description":"\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe \u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eOctober 2019\u003c\/strong\u003e issue of \u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e\u003c\/strong\u003e magazine, which features a special focus on \u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003elighting tools and techniques\u003c\/strong\u003e.\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eIt Chapter Two\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Warner Bros.)\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChecco Varese, ASC\u003c\/strong\u003e teamed with \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eIt\u003c\/em\u003e director Andy Muschietti for this eagerly anticipated sequel, which picks up 27 years after the events of 2017’s \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eIt\u003c\/em\u003e. Following their first encounter with the evil Pennywise (Bill Skarsgard), the now grown-up members of the Losers Club reunite to once again face their greatest fears. Varese welcomed \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e to the set in Toronto.\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eSnowfall\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e Season 3\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(FX Network)\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eEliot Rockett\u003c\/strong\u003e and \u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eTommy Maddox\u003c\/strong\u003e shared cinematography duties on the third season of this series, which chronicles the crack-cocaine epidemic in Los Angeles in the early ’80s. \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e spent a day on location with each cinematographer during the production of Season 3; the directors of photography and their crew share their perspectives on re-creating period South Central.\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003ePerpetual Grace, LTD\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Epix)\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eNicole Hirsch Whitaker\u003c\/strong\u003e was behind the camera for episodes 3 through 10 of this series, after her husband, \u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJames Whitaker\u003c\/strong\u003e, shot the first two episodes; James went on to direct episodes 3, 4, 7 and 8, with showrunner Steven Conrad directing the remainder. The cinematographers offer their insights into the stylish and darkly comic modern noir.\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eDriven\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Universal)\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eKarl-Walter Lindenlaub, ASC\u003c\/strong\u003e joined director Nick Hamm for this comedic crime thriller inspired by real events. Set in the early 1980s, the story follows the rise of John DeLorean (Lee Pace) and his DeLorean Motor Co. through the eyes of ex-con pilot turned FBI informant Jim Hoffman (Jason Sudeikis). Lindenlaub details his work on the feature, which was shot in Puerto Rico.\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eClassic Lighting\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe magazine’s yearlong celebration of the ASC’s 100th anniversary continues with this overview of classic lighting techniques.\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe October issue’s \u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e also offer illuminating insights:\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e offers lighting-focused tips and tricks of the trade for cinematographers both established and on the rise.\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e spotlights Society member \u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSandi Sissel\u003c\/strong\u003e, whose credits include the features \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe People Under the Stairs\u003c\/em\u003e, \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCamp Nowhere \u003c\/em\u003eand \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMeet the Browns\u003c\/em\u003e, and the documentaries \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChisholm ’72: Unbought \u0026amp; Unbossed\u003c\/em\u003e, \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Lord God Bird \u003c\/em\u003eand \u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFree Angela and All Political Prisoners\u003c\/em\u003e.\u003c\/span\u003e\u003c\/span\u003e \u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32877033586825,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/1019-2.jpg?v=1584644833"},{"product_id":"2019-11-november-issue-of-american-cinematographer","title":"2019 \/ 11 — November Issue of American Cinematographer","description":"\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eNovember 2019\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e issue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e magazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ecreative collaborations\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eGemini Man\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Paramount)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDion Beebe, ASC, ACS\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e joined director Ang Lee for this action-thriller about an elite assassin (Will Smith) who is suddenly targeted by a mysterious young operative who seems to predict his every move. The filmmakers welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to visit the production while it was shooting in Budapest, Hungary, where they pulled back the curtain on the technological innovations at play behind the scenes.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAd Astra\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(20th Century Fox)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eHoyte van Hoytema, ASC, FSF, NSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director James Gray take viewers to the stars in this science-fiction mystery. Astronaut Roy McBride (Brad Pitt) is sent on a mission into deep space in an attempt to make contact with his father (Tommy Lee Jones), who was long believed to be dead. The cinematographer reveals the secrets of the universe — or at least discusses his approach to the movie’s epic scope.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Lighthouse\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(A24)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJarin Blaschke\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e reteamed with director Robert Eggers — his collaborator on the 2015 horror feature \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Witch\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e — for this hypnotic, hallucinatory tale of two lighthouse keepers (Willem Dafoe and Robert Pattinson) on a remote and mysterious New England island in the 1890s. Blaschke offers his perspective on the black-and-white production in an in-depth Q\u0026amp;A.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCollaborators’ Roundtable\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eOur penultimate salute to the ASC’s 100th anniversary shines a light on ASC members and their collaborators across a multitude of production departments, from prep through post.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe November issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e shares best practices that can aid the collaboration between a cinematographer’s crew and the sound department.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e goes behind the scenes of the sci-fi short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eARXIV\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, shot by cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSean Bagley\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32877300973705,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/1119-2.jpg?v=1584645155"},{"product_id":"2019-12-december-issue-of-american-cinematographer","title":"2019 \/ 12 — December Issue of American Cinematographer","description":"\u003cspan itemprop=\"description\"\u003e \u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eDecember 2019\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e issue of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e magazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eawards-season releases\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eFord v Ferrari\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(20th Century Fox)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ePhedon Papamichael, ASC, GSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director James Mangold kept the pedal down for this retelling of how car designer Carroll Shelby (Matt Damon) and driver Ken Miles (Christian Bale) enabled the Ford Motor Co. to challenge Ferrari at the 24 Hours of Le Mans in 1966. Papamichael lifts the hood to reveal what went into re-creating that epic race.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003e21 Bridges\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(STX Entertainment)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ePaul Cameron, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e joined director Brian Kirk for this high-stakes drama about an NYPD detective (Chadwick Boseman) who closes off the island of Manhattan in his pursuit of a pair of murderous thieves. Cameron details his work on the production, which was shot in Philadelphia and largely takes place at night.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eHoney Boy\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Amazon Studios)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eNatasha Braier, ASC, ADF\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for director Alma Har’el’s drama — based on a semi-autobiographical screenplay by Shia LaBeouf — about the stormy childhood and early adult years of actor Otis (played by Noah Jupe at age 12 and Lucas Hedges at age 22). Braier offers her reflections on the production, which premiered at this year’s Sundance Film Festival.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGodfather of Harlem\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Epix)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGuillermo Navarro, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eJack Donnelly\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChristopher Norr\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e all played a part in shooting the first season of this series about infamous crime boss Bumpy Johnson (Forest Whitaker), who returns to Harlem in the early ’60s after having spent 10 years in prison. \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e visited the set to bring readers a firsthand look behind the scenes.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe ASC Museum Collection\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e’s yearlong salute to the ASC’s 100th anniversary concludes with this guided tour of the Society’s collection of treasures from throughout cinema history. Museum curator \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSteve Gainer, ASC, ASK\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e shines a light on a selection of standout pieces.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe December issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e offers tips and tricks of the trade for cinematographers both established and on the rise. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e catches up with cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAnte Cheng\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director Erika Davis-Marsh about their collaboration on the short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eCODA\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32877413236873,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/1219-2.jpg?v=1584645349"},{"product_id":"2020-01-january-issue-of-american-cinematographer","title":"2020 \/ 01 — January Issue of American Cinematographer","description":"\u003cspan itemprop=\"description\"\u003e \u003cspan\u003e\u003cem\u003e\u003cstrong\u003e1917\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eThe Goldfinch\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (Universal; Warner Bros.)\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eRoger Deakins, ASC, BSC\u003c\/strong\u003e recently spoke with \u003cem\u003eAC\u003c\/em\u003e to discuss his work behind the scenes on both of these features. With \u003cem\u003e1917\u003c\/em\u003e, he and director Sam Mendes told a harrowing tale of the First World War in what looks to be a long, single take; for \u003cem\u003eThe Goldfinch\u003c\/em\u003e, the cinematographer partnered with director John Crowley to bring author Donna Tartt’s award-winning novel to the screen.\u003cbr\u003e \u003cbr\u003e \u003cem\u003e\u003cstrong\u003eDark Waters\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (Focus Features)\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eEdward Lachman, ASC\u003c\/strong\u003e continued his longtime collaboration with director Todd Haynes on this ripped-from-the-headlines story of a corporate defense attorney (Mark Ruffalo) who risks his career and more to take on an environmental lawsuit against a powerful chemical company. The cinematographer will offer his creative insights into the production and his behind-the-scenes collaborations.\u003cbr\u003e \u003cbr\u003e \u003cem\u003e\u003cstrong\u003eShadow\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (Perfect Village Entertainment)\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eXiaoding Zhao, ASC\u003c\/strong\u003e and director Zhang Yimou pushed the boundaries of wuxia action to create this canvas of blacks and grays punctuated by bursts of color. The story follows a military commander who uses a “shadow” lookalike in an intricate plan to fool his enemies as well as his king. The cinematographer will shine a light on his work behind the camera. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e100 Years of \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eAC\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e: The 1920s\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cem\u003eAmerican Cinematographer\u003c\/em\u003e began publication in 1920, and we’ll be saluting the magazine’s centennial and celebrating its rich history throughout 2020 by opening up the archives and re-presenting classic articles. The yearlong tribute will kick off with a vintage selection from \u003cem\u003eAC\u003c\/em\u003e’s first decade.\u003cbr\u003e \u003cbr\u003e The January issue’s \u003cstrong\u003edepartments\u003c\/strong\u003e will also offer illuminating insights:\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eShot Craft\u003c\/strong\u003e will offer tips and tricks of the trade for cinematographers both established and on the rise, as well as historical tidbits from \u003cem\u003eAC\u003c\/em\u003e’s early years.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eShort Takes\u003c\/strong\u003e will catch up with ASC Richard H. Kline Student Heritage Award winners \u003cstrong\u003eLucas Dziedzic \u003c\/strong\u003eand \u003cstrong\u003eOscar Ignacio Jimenez\u003c\/strong\u003e, about their projects \u003cem\u003e\u003cstrong\u003eAnimals\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eGather\u003c\/strong\u003e\u003c\/em\u003e, respectively, as well as ASC Haskell Wexler Student Documentary Award winner \u003cstrong\u003eJazleana Jones\u003c\/strong\u003e, about the doc \u003cem\u003e\u003cstrong\u003eKing, Charles\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eASC Close-Up\u003c\/strong\u003e will spotlight Society member \u003cstrong\u003eBuddy Squires\u003c\/strong\u003e, whose documentary credits include \u003cem\u003eThe Statue of Liberty\u003c\/em\u003e, \u003cem\u003eBaseball\u003c\/em\u003e, \u003cem\u003eThe Civil War\u003c\/em\u003e, \u003cem\u003eStonewall Uprising\u003c\/em\u003e, \u003cem\u003eThe Central Park Five\u003c\/em\u003e, \u003cem\u003eThe Vietnam War\u003c\/em\u003e and \u003cem\u003eCountry Music\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32877647429769,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0120-1-2.jpg?v=1584646726"},{"product_id":"fd-times-subscription","title":"FD Times Digital Subscription","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eJon Fauer, ASC, cinematographer, director, and author of ten best-selling technical books, introduces the newsletter, Film and Digital Times. Published 6 times a year, each issue is 16 pages and focuses on the technical aspects of equipment, technique and technology.\u003c\/p\u003e\n\u003cp\u003eThe Newsletter idea began when Fauer started getting emails asking when an ARRI 235 Book might be ready. Since it takes over a year to do a book, he opted to pen a newsletter — an episodic, continuing series of technical bulletins on the nuts and bolts, how-to, ins and outs of equipment and tools of our trade. And, of course, it would not just be ARRI equipment, but everything he and his colleagues encounter as they shoot features, commercials, television and meet with students and independents.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FD TIMES","offers":[{"title":"1 year","offer_id":32878082883721,"sku":"FDT-Digital-Sub-1","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/Film_and_Digital_Times.png?v=1761758455"},{"product_id":"2020-02-february-issue-of-american-cinematographer","title":"2020 \/ 02 — February Issue of American Cinematographer","description":"\u003cspan itemprop=\"description\"\u003e \u003cem\u003e\u003cstrong\u003eStar Wars: The Rise of Skywalker\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (Disney\/Lucasfilm)\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eDan Mindel, ASC, BSC, SASC\u003c\/strong\u003e and director J.J. Abrams returned to the galaxy far, far away to bring the third trilogy in the \u003cem\u003eStar Wars\u003c\/em\u003e saga to a thrilling close. \u003cem\u003eAC\u003c\/em\u003e visited the production onstage in the U.K.; our coverage will offer readers a tour of the set while also detailing Mindel’s creative approach to the entire project, which was photographed on 35mm and 65mm motion-picture negative.\u003cbr\u003e  \u003cbr\u003e \u003cem\u003e\u003cstrong\u003eThe Mandalorian\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (Disney+)\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eGreig Fraser, ASC, ACS\u003c\/strong\u003e and \u003cstrong\u003eBarry Idoine\u003c\/strong\u003e shared cinematography duties for this Disney+ streaming series set in the \u003cem\u003eStar Wars\u003c\/em\u003e universe. Executive producer Jon Favreau worked with episodic directors Deborah Chow, Rick Famuyiwa, Dave Filoni, Bryce Dallas Howard and Taika Waititi to tell the story of the eponymous gunfighter (played by Pedro Pascal) as he navigates the lawless outer reaches of the galaxy. The filmmakers will offer an in-depth look at the cutting-edge technology behind the series.\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eASC Lifetime Achievement Award\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eFrederick Elmes, ASC\u003c\/strong\u003e’s feature work includes multiple films for directors David Lynch, Ang Lee and Jim Jarmusch. The cinematographer won Independent Spirit Awards for \u003cem\u003eNight on Earth\u003c\/em\u003e and \u003cem\u003eWild at Heart\u003c\/em\u003e, and earned a third nomination for \u003cem\u003eBlue Velvet\u003c\/em\u003e. He has also shot acclaimed television projects, receiving an Emmy for his work on the HBO miniseries \u003cem\u003eThe Night Of\u003c\/em\u003e, as well as a nomination for \u003cem\u003eIn the Gloaming\u003c\/em\u003e. His TV credits also include the HBO limited series \u003cem\u003eOlive Kitteridge\u003c\/em\u003e as well as the Hulu\/Legendary Television miniseries \u003cem\u003eThe Looming Tower\u003c\/em\u003e. His upcoming work includes the John Turturro-directed feature \u003cem\u003eThe Jesus Rolls\u003c\/em\u003e.\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eASC Career Achievement in Television Award\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eDonald A. Morgan, ASC\u003c\/strong\u003e is a nine-time Primetime Emmy winner, and he has photographed such indelible TV favorites as \u003cem\u003eGirlfriends\u003c\/em\u003e, \u003cem\u003eMy Wife and Kids\u003c\/em\u003e, \u003cem\u003eHome Improvement\u003c\/em\u003e and \u003cem\u003eLast Man Standing — \u003c\/em\u003eover 100 episodes of each. In addition to episodic TV, Morgan has shot telefilms and specials including a decade of live shows for the NAACP’s Image Awards. From the start of his career, he has been known for consistently pushing to have diverse crews, and he is inspiring others to do the same in his role as Chairman of Diversity at IATSE Local 600 and as a member of the ASC Vision Committee.\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eASC International Award\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eBruno Delbonnel, ASC, AFC\u003c\/strong\u003e is a five-time Oscar nominee, having been recognized for \u003cem\u003eDarkest Hour\u003c\/em\u003e, \u003cem\u003eInside Llewyn Davis\u003c\/em\u003e, \u003cem\u003eHarry Potter and the Half-Blood Prince\u003c\/em\u003e, \u003cem\u003eA Very Long Engagement\u003c\/em\u003e and \u003cem\u003eAmélie\u003c\/em\u003e. He studied philosophy before transitioning to filmmaking and has built a body of work that also includes \u003cem\u003eThe Ballad of Buster Scruggs\u003c\/em\u003e, \u003cem\u003eFrancofonia\u003c\/em\u003e, \u003cem\u003eBig Eyes\u003c\/em\u003e, \u003cem\u003eDark Shadows\u003c\/em\u003e, \u003cem\u003eFaust\u003c\/em\u003e and \u003cem\u003eAcross the Universe\u003c\/em\u003e. His upcoming projects include the features \u003cem\u003eThe Woman in the Window\u003c\/em\u003e, directed by Joe Wright, and Joel Coen’s adaptation of Shakespeare’s \u003cem\u003eMacbeth\u003c\/em\u003e.\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eASC Presidents Award\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eDon McCuaig, ASC \u003c\/strong\u003eis a veteran cinematographer of both television and motion pictures, and he has shot 2nd unit on features including \u003cem\u003e2012\u003c\/em\u003e, \u003cem\u003eGet Smart\u003c\/em\u003e, \u003cem\u003eNational Security\u003c\/em\u003e, \u003cem\u003eThe Nutty Professor\u003c\/em\u003e and \u003cem\u003eBruce Almighty\u003c\/em\u003e. His career began in the staging department at NBC on \u003cem\u003eThe Andy Williams Show\u003c\/em\u003e; he transitioned to electronic broadcast at ABC before becoming a newsreel and sports photojournalist for the CBC and Montreal Olympics. A former governor of the Television Academy, McCuaig teaches numerous ASC Master Classes, and his dedication to the Society has also led him to serve in recent years as chair of the Awards Committee.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32896384827529,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0220_50_cover.jpg?v=1584731024"},{"product_id":"2020-03-march-issue-of-american-cinematographer","title":"2020 \/ 03 — March Issue of American Cinematographer","description":"\u003cspan itemprop=\"description\"\u003e \u003cstrong\u003eRising Stars of Cinematography\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e For this year’s spotlight on emerging talent, \u003cem\u003eAC\u003c\/em\u003e will profile a selection of “rising star” cinematographers who are doing eye-catching work in feature films, television, music videos and commercials.\u003cbr\u003e  \u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSupernatural\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (Warner Bros. Television)\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eSerge Ladouceur, CSC \u003c\/strong\u003ewill discuss his work on this dark fantasy series, which follows the Winchester brothers (Jensen Ackles and Jared Padalecki) as they hunt and dispatch evil paranormal creatures. Ladouceur has shot more than 300 episodes of the show, which is currently in its 15th and final season on The CW.\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003e2020 Film Independent Spirit Award Nominees: Cinematography\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e \u003cem\u003eAC\u003c\/em\u003e showcases the five cinematographers nominated for Film Independent Spirit Awards this year: Todd Banhazl (\u003cem\u003eHustlers\u003c\/em\u003e); Jarin Blaschke (\u003cem\u003eThe Lighthouse\u003c\/em\u003e); Natasha Braier, ASC, ADF (\u003cem\u003eHoney Boy\u003c\/em\u003e); Chananun Chotrungroj (\u003cem\u003eThe Third Wife\u003c\/em\u003e); and Pawel Pogorzelski (\u003cem\u003eMidsommar\u003c\/em\u003e).\u003cbr\u003e  \u003cbr\u003e Also in March, \u003cstrong\u003eShort Takes \u003c\/strong\u003ewill feature the documentary short film \u003cem\u003eKamali\u003c\/em\u003e, which is set in rural India and follows a young female skateboarder making her way with the help of her single mother. Cinematographer Jake Gabbay will detail his work on the production, which recently won a Golden Frog at Camerimage.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32896413106313,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0320_50_cover.jpg?v=1584731279"},{"product_id":"2020-04-april-issue-of-american-cinematographer","title":"2020 \/ 04 — April Issue of American Cinematographer","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNo Time to Die \u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (MGM)\u003cbr\u003e \u003cbr\u003e Directed by Cary Joji Fukunaga and shot by \u003cstrong\u003eLinus Sandgren, ASC, FSF\u003c\/strong\u003e, the 25th installment of the James Bond franchise finds 007 (Daniel Craig) coming out of semi-retirement to rescue a kidnapped scientist — and vanquish a villain (Rami Malek) harboring a dangerous new technology — while contending with a fellow 00 agent (Lashana Lynch). Sandgren will detail his approach to the ambitious production and shed light on his collaboration with Fukunaga and other key members of the filmmaking team. Our coverage will also include a tribute to Bond’s 25th adventure on the silver screen.\u003cbr\u003e \u003cbr\u003e \u003cem\u003e\u003cstrong\u003eOnward\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e (Walt Disney Pictures)\u003cbr\u003e \u003cbr\u003e Two teenage elves invoke a little magic to enjoy one final visit with their deceased father in the latest adventure from Pixar Animation Studios. \u003cstrong\u003eSharon Calahan, ASC\u003c\/strong\u003e, director of photography-lighting, and \u003cstrong\u003eAdam Habib\u003c\/strong\u003e, director of photography-layout, will discuss their work on the project and the evolving craft of virtual cinematography.\u003c\/p\u003e\n\u003cspan itemprop=\"description\"\u003e\u003cem\u003e\u003cstrong\u003eAC \u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003eArchives: 1950s\u003c\/strong\u003e\u003cbr\u003e As part of our yearlong celebration of \u003cem\u003eAmerican Cinematographer\u003c\/em\u003e’s 100th anniversary, we revisit the turbulent decade of the 1950s, which saw the birth and growth of several widescreen formats as the studios attempted to beat back the rising tide of television.\u003cbr\u003e \u003cbr\u003e Also in April, \u003cstrong\u003eShort Takes \u003c\/strong\u003ewill feature the Oscar-nominated short film \u003cem\u003e\u003cstrong\u003eBrotherhood\u003c\/strong\u003e\u003c\/em\u003e, set in Tunisia and shot by \u003cstrong\u003eVincent Gonneville\u003c\/strong\u003e and directed by Meryam Joobeur.\u003cbr\u003e \u003cbr\u003e In addition, \u003cstrong\u003eShot Craft\u003c\/strong\u003e will include a number of optics-related topics: What is the lens pupil and what does it mean to the cinematographer? Lens rehousing — why is it done and what are the benefits? The section will also feature historical perspectives on optics from the \u003cem\u003eAC\u003c\/em\u003e archives.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32896451412105,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0420_50_cover.jpg?v=1584731801"},{"product_id":"the-filmakers-guide-to-digital-imaging","title":"The Filmaker's Guide to Digital Imaging","description":"\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eIt’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown.\u003c\/p\u003e\n\u003cp\u003eThe Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTopics include:\u003c\/li\u003e\n\u003cli\u003eDigital sensors and cameras\u003c\/li\u003e\n\u003cli\u003eThe structure of digital images\u003c\/li\u003e\n\u003cli\u003eWaveform monitors, vectorscopes, and test charts\u003c\/li\u003e\n\u003cli\u003eUsing linear, gamma, and log encoded video files\u003c\/li\u003e\n\u003cli\u003eExposure techniques for HD and UltraHD\u003c\/li\u003e\n\u003cli\u003eUnderstanding digital color\u003c\/li\u003e\n\u003cli\u003eCodecs and file formats\u003c\/li\u003e\n\u003cli\u003eThe DIT cart\u003c\/li\u003e\n\u003cli\u003eDownloading, ingesting, and managing video files\u003c\/li\u003e\n\u003cli\u003eWorkflow from camera to DIT cart to post\u003c\/li\u003e\n\u003cli\u003eUsing metadata and timecode\u003c\/li\u003e\n\u003cli\u003eThe companion website (www.focalpress.com\/cw\/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAuthor Bio\u003c\/p\u003e\n\u003cp\u003eBlain Brown is a cinematographer, director and writer based in Los Angeles. He has been the director of photography on features, commercials, music videos, industrials and other types of projects. He has directed and edited features and commercials, worked as a producer and has had three screenplays produced.\u003c\/p\u003e\n\u003cp\u003eEducated at Long Island University, Harvard Graduate School of Design and M.I.T, he was a commercial still photographer in New York before getting into film production, which he has been doing for 26 years, starting as an electrician, gaffer, and grip and then as a cinematographer, director, writer, and producer.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHis previous books include:\u003c\/li\u003e\n\u003cli\u003eCinematography: Theory and Practice\u003c\/li\u003e\n\u003cli\u003eMotion Picture and Video Lighting\u003c\/li\u003e\n\u003cli\u003eThe Filmmakers Pocket Reference\u003c\/li\u003e\n\u003cli\u003eReviews\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\"It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!\"\u003c\/p\u003e\n\u003cp\u003e- Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts\u003c\/p\u003e\n\u003cp\u003e\"As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them.\"\u003c\/p\u003e\n\u003cp\u003e- Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContents\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eSensors \u0026amp; Cameras\u003c\/li\u003e\n\u003cli\u003eThe Digital Image\u003c\/li\u003e\n\u003cli\u003eMeasurement\u003c\/li\u003e\n\u003cli\u003eLinear, Gamma, Log\u003c\/li\u003e\n\u003cli\u003eExposure\u003c\/li\u003e\n\u003cli\u003eDigital Color\u003c\/li\u003e\n\u003cli\u003eCodecs \u0026amp; Formats\u003c\/li\u003e\n\u003cli\u003eImage Control\u003c\/li\u003e\n\u003cli\u003eThe DIT Cart\u003c\/li\u003e\n\u003cli\u003eData Management\u003c\/li\u003e\n\u003cli\u003eWorkflow \u0026amp; ACES\u003c\/li\u003e\n\u003cli\u003eMetadata \u0026amp; Timecode\u003c\/li\u003e\n\u003cli\u003eAcknowledgements\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":32896645562505,"sku":"","price":48.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/thefilmmakersguidetodigital_c96bc9b1-ce38-4467-ae5e-a14da88443e4.png?v=1722987003"},{"product_id":"digital-cinematography-fundamentals-tools-techniques-and-workflows","title":"Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows 2ND Ed.","description":"\u003cp\u003e\u003cstrong\u003eBy Dave Stump, ASC\u003c\/strong\u003e\u003c\/p\u003e\n\u003csection id=\"description\" class=\"tab-pane active\"\u003e\n\u003ch3 class=\"article-header title\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eToday's successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump's \u003ci\u003eDigital Cinematography\u003c\/i\u003e focuses on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story.\u003c\/p\u003e\n\u003cspan data-title-id=\"58031360\"\u003eThis book empowers the reader to correctly choose the appropriate camera and workflow for their project from today's incredibly varied options, as well as understand the ins and outs of implementing those options. Veteran ASC cinematographer David Stump has updated this edition with the latest technology for cameras, lenses, and recorders, as well as included a new section on future cinematographic trends.\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan data-title-id=\"58031360\" id=\"titleId\"\u003eIdeal for advanced cinematography students as well as working professionals looking for a resource to stay on top of the latest trends, this book is a must read. \u003c\/span\u003e\u003cbr\u003e\u003c\/section\u003e\n\u003csection class=\"tab-pane active\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection class=\"tab-pane active\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cstrong\u003eTable of Contents:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection class=\"tab-pane active\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cspan data-title-id=\"58031360\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eChapter 1 - Understanding Digital Theory, Chapter 2 - Camera Sensors, DeBayering, Sensitivity and Noise, Chapter 3 - Color, Chapter 4 - The Colorspace Conundrum, Chapter 5 - MTF Resolution Contrast and Nyquist Theory, Chapter 6 - Frame Rates and Aspect Ratios, High Dynamic Range and Wide Color Gamut, Chapter 7 - Lenses, Chapter 8 - Camera Issues, Chapter 9 - High Resolution Digital Motion Picture Cameras, Chapter 10 - Camera Setup \/ Operation, Chapter 11 - Prep, Work Flow Design and Testing, Chapter 12 - The Shoot, Chapter 13 - Workflow, Data \u0026amp; Color Management, Chapter 14 - Displays and Recorders, Chapter 15 - File Formats, Log Encoding, Data and Compression, Chapter 16 - Post Production and Digital Intermediate, Chapter 17 - Delivering and Archiving Digital Movies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-title-id=\"58031360\" id=\"titleId\"\u003e\u003cstrong\u003ePub Date:\u003c\/strong\u003e November 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cspan data-title-id=\"58031360\"\u003e\u003cspan data-title-id=\"58031360\" id=\"titleId\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/section\u003e","brand":"Focal Press - Routledge","offers":[{"title":"Default Title","offer_id":32896688586889,"sku":"DC-Stump, ASC","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/digital.png?v=1712274304"},{"product_id":"2018-01-january-issue-of-american-cinematographer","title":"2018 \/ 01 — January issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eJanuary 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eawards-season releases\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eThe Shape of Water\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(Fox Searchlight)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eDaniel Laustsen, ASC, DFF\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e was behind the camera for director Guillermo del Toro’s unconventional love story, which finds Elisa Esposito (Sally Hawkins) falling for a humanoid creature (Doug Jones) who was captured from the waters of South America. Laustsen and his colleagues discuss the techniques they brought to bear in realizing the onscreen fantasia, which was shot on stages and locations in and around Toronto.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eDarkest Hour\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(Focus Features)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eBruno Delbonnel, ASC, AFC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e enlisted for director Joe Wright’s historical drama about British Prime Minister Winston Churchill (Gary Oldman) during the early days of World War II. Delbonnel details the U.K.-based production, which employed Arri Alexa cameras in the process of crafting its period palette.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eDownsizing\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(Paramount)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003ePhedon Papamichael, ASC, GSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and director Alexander Payne continued their longtime collaboration with this satirical story about Paul and Audrey Safranek (Matt Damon and Kristen Wiig, respectively), a married couple faced with the choice of whether or not to be shrunk. Papamichael shares his perspective on the features large- and small-scale comedy.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eCurb Your Enthusiasm\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(HBO)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003ePatrick A. Stewart\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e took the cinematography reins for the long-awaited return of creator-producer-star Larry David’s no-holds-barred comedy series. Stewart welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e to the set and offered a behind-the-scenes tour of the production, which this season has adopted a three-camera approach as part of Stewart’s bid to expand the show’s look.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eThe Disaster Artist\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(A24)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eBrandon Trost\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e joined director-actor James Franco for this true-life tale of the making of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Room\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, which has been heralded as “the greatest bad movie ever made.” Franco stars as that production’s writer-producer-director, Tommy Wiseau, who also starred in \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Room \u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eas lead character Johnny. Trost peels back the layers of this voyage behind the scenes of a cult classic.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe January issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e presents a primer on aspect ratios — their history, evolution, changing standards and correct numbers — and takes a close look at the Super 35 and VistaVision formats.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e catches up with \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eLogan Fulton\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eConnor Ellmann\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eFavienne Howsepian\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, the winners of the \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Andrew Lesnie Student Heritage Awards\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eand \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Haskell Wexler Student Documentary Award\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003ePost Focus\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e details the National Film Board of Canada’s presentation of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eExpo 67 Live\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, a cinematic storytelling experience created entirely with archival treasures presented on 52-foot-high surfaces with spatial audio.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32946913050761,"sku":"","price":5.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0118-2.jpg?v=1584989678"},{"product_id":"2018-02-february-issue-of-american-cinematographer","title":"2018 \/ 02 — February issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eFebruary 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003erising stars of cinematography\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e along with profiles of this year’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Awards honorees\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eStar Wars: The Last Jedi\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(Disney – Lucasfilm)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eSteve Yedlin, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003ereteamed with his longtime collaborator, writer-director Rian Johnson, for this eighth episode in the Skywalker saga. Picking up right where the previous chapter, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Force Awakens\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, left off, the movie finds Luke Skywalker (Mark Hamill) drawn out of seclusion by Rey (Daisy Ridley) while, across the galaxy, General Leia Organa (Carrie Fisher) leads the Resistance in its ongoing war against the tyrannical First Order. Yedlin and his collaborators welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e to the set at Pinewood Studios in England, offering a firsthand view of the eagerly anticipated production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eRising Stars of Cinematography\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eFollowing the introduction of this spotlight section in 2017, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e’s editors surveyed a record-setting field of worthy candidates to compile 2018’s list of 12 directors of photography whose impressive work to date promises stellar achievements in the years to come. This section presents profiles of each of these “rising stars,” whose credits span commercials, music videos, shorts, series and features.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Lifetime Achievement Award\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eRussell Carpenter, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e began his career shooting documentaries and educational films. Following his breakthrough feature, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Lawnmower Man\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, he went on to photograph a range of genre films, including \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eHard Target\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eTrue Lies\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Indian in the Cupboard\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Negotiator\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eCharlie’s Angels\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eCharlie’s Angels: Full Throttle\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eParched\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAwake\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e21\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e. He received an Oscar for his work on director James Cameron’s \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eTitanic\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, and he’s currently reteaming with Cameron for the director’s upcoming \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAvatar\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e sequel. His recent credits also include \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAnt-Man\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003exXx: Return of Xander Cage\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC International Award\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eRussell Boyd, ASC, ACS\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e hails from Victoria, Australia. After shooting numerous commercials, he transitioned into narrative filmmaking. He’s worked frequently with director Peter Weir, on features including \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003ePicnic at Hanging Rock\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Last Wave\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eGallipoli\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Year of Living Dangerously\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Way Back\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eMaster and Commander: The Far Side of the World\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e; Boyd received an Oscar for his work on the latter. Boyd’s credits also include \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eTender Mercies\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eCrocodile Dundee\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eCobb\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eTin Cup\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eDoctor Doolittle\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eGhost Rider\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Career Achievement in Television Award\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAlan Caso, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e has compiled credits on more than 50 television titles. He’s earned two Emmy nominations for his work on \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eSix Feet Under\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, as well as nods for \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eInto the West\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eGeorge Wallace\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, the latter of which also earned Caso an ASC Award. He is currently shooting the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eFor the People\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, and he recently shot the upcoming pilot for \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eReverie\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e. Caso’s credits also include the television projects \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eTour of Duty\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eBlackout Effect\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eRunning Mates\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eBlackbeard\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eBig Love\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eDexter\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eHawaii Five-O\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Presidents Award\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eStephen Lighthill, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e began his career shooting network news and documentaries, then transitioned into independent features and television. A past president of the ASC, he’s served a number of years on the Society’s Board of Governors as well as the National Executive Board of the International Cinematographers Guild. He’s been saluted with the Deluxe Bud Stone Award for Outstanding Educational Contributions to the Art and Craft of Cinematography from the ICG, and the SMPTE Kodak Educational Award. Lighthill is currently the Senior Filmmaker in Residence for the cinematography program at the American Film Institute Conservatory.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eNeil Krepela\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, whose visual-effects credits include \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eStar Wars: The Empire Strikes Back\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eRaiders of the Lost Ark\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eStar Trek II: The Wrath of Khan\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003ePoltergeist\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eE.T. the Extra-Terrestrial\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eStar Wars: Return of the Jedi\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eGhostbusters\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e (1984), \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eBig Trouble in Little China\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eBatman Returns\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eTrue Lies\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eHeat.\u003c\/em\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947152912521,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0218-2.jpg?v=1584990124"},{"product_id":"2018-03-march-issue-of-american-cinematographer","title":"2018 \/ 03 — March issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eMarch 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003efeatures a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003elocation shooting\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eBlack Panther\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(Disney)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eRachel Morrison, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003ereteamed with \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eFruitvale Station\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e director Ryan Coogler for this latest chapter in the Marvel Cinematic Universe. Following the death of his father, T’Challa (Chadwick Boseman) returns to his homeland — the isolated, mysterious and technologically advanced African nation of Wakanda — to claim the throne and continue his fight for justice as the masked hero Black Panther. Morrison and her collaborators detail the techniques and philosophies they brought to bear for the comic-book-inspired action.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAnnihilation\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e(Paramount)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eRob Hardy, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and writer-director Alex Garland follow their collaboration on the 2014 sci-fi-thriller \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eEx Machina\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e with this big-screen adaptation of Jeff VanderMeer’s novel. The story follows a small team — including a biologist (Natalie Portman), a psychologist (Jennifer Jason Leigh) and a surveyor (Tessa Thompson) — who embark on a secret expedition into a strange and dangerous land known as Area X. Hardy discusses his approach to the project and his ongoing collaboration with Garland. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eFilm Independent Spirit Awards Cinematography Nominees\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe 2018 Film Independent Spirit Award nominees have been announced, with five features singled out in the Best Cinematography category: \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eThe Killing of a Sacred Deer\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThimios Bakatakis\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e; \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eColumbus\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eElisha Christian\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e;\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eBeach Rats\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eHélène Louvart\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e;\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003e Call Me by Your Name\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eSayombhu Mukdeeprom\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e; and\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003e The Rider\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eJoshua James Richards\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e. \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e offers a look at each of the nominated features.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eWorking With a Film Commission\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eWhat exactly can a local film commission provide to productions of varying scales and budgets — and how should those productions approach working with a film commission? \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e checks in with a number of film commissions throughout the U.S. to survey the landscape and highlight what these organizations do.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe March issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e offers an introduction to amperages, focusing on how to use house power without blowing the breakers. The section also shares tips for getting the most out of a location scout, and provide useful tricks for lighting on location.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e spotlights the work of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eVelinda Wardell, ACS\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e on the short \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eRed Ink\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eUta Briesewitz\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, whose cinematography credits include the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Wire\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eLAX\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eHung\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e. As a director, she’s also notched credits on series including \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eWeeds\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eHouse of Lies\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eJessica Jones\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAwkward\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eJane the Virgin\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eOrange is the New Black\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe Deuce\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947231654025,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0318-2.jpg?v=1584990431"},{"product_id":"2018-04-april-issue-of-american-cinematographer","title":"2018 \/ 04 — April issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eApril 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003efeatures \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ea special \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003egear spotlight\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eA Wrinkle in Time\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Disney)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eTobias Schliessler, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ewas behind the camera for director Ava DuVernay’s adaptation of the beloved book by Madeleine L’Engle. The story follows Meg Murry (Storm Reid) as she embarks on a fantastic journey to rescue her father, Dr. Alex Murry (Chris Pine), who’s being held captive on a far-distant planet. Schliessler and his collaborators detail their work on the production, which took place in and around Los Angeles, with additional work in New Zealand.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eIsle of Dogs\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Fox Searchlight)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eTristan Oliver\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e reteamed with his \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eFantastic Mr. Fox\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e director, Wes Anderson, for this stop-motion adventure populated by a ragtag group of castaway dogs and a 12-year-old boy who will go to any lengths to find his lost canine. Oliver offers his insights on navigating the unique challenges of capturing Anderson’s signature stylistics at the miniaturized stop-motion scale.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eGeneral Hospital\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(ABC)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e checked into the eponymous hospital for an in-depth, firsthand look behind the scenes of this fast-paced production — the longest-running American daytime soap opera on television. As the production reaches its 55th anniversary, producers, camera operators, cast members, the lighting director and more discuss what it takes to keep the drama airing five days a week.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eRed Sparrow\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(20th Century Fox)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eJo Willems, ASC, SBC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and director Francis Lawrence follow their collaboration on the last three \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eHunger Games\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e movies with this stylish modern-day thriller about a ballerina (Jennifer Lawrence) who’s enlisted into Russia’s intelligence service following an accident that ended her stage career. Willems offers intel from the making of the movie, which shot in multiple countries throughout Europe.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003e7 Days in Entebbe\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Focus Features)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eLula Carvalho, ASC, ABC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e joined director José Padilha to tell the story of the 1976 hijacking of an Air France flight, and the daring rescue mission that ensued. Carvalho shares his approach to the period story and discuss his ongoing collaboration with Padilha; their previous work together includes the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eElite Squad \u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eand \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eRoboCop\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e (2014).\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe April issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e shines a light on the inner workings of LEDs, examine power consumption with LED and fluorescent fixtures, and take a closer look at sensor sizes.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e goes behind the scenes of the short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eThe Last Dance\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, photographed by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eEd Moore\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eFilmmakers’ Forum\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e presents insights that cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eSherri Kauk \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003egained from a number of recent projects.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAlik Sakharov\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, whose cinematography credits include episodes of the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eSex and the City\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eRome\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Sopranos\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, as well as the 2011 feature \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eStraw Dogs\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e; as a director, Sakharov has helmed episodes of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDexter\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBoardwalk Empire\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eChicago Fire\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eGame of Thrones\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBlack Sails\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947283755145,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0418-2.jpg?v=1584990664"},{"product_id":"2018-05-may-issue-of-american-cinematographer","title":"2018 \/ 05 — May issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eMay 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003efeatures \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ea special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eoptics\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eA Quiet Place\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Paramount)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eCharlotte Bruus Christensen\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e joined director-actor John Krasinski for this thriller about a family forced to live in total silence lest they inadvertently reveal themselves to a monstrous threat that attacks the source of any sound. Christensen discusses how she and Krasinski developed a visual language for a story shrouded in silence.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eChappaquiddick\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Entertainment Studios)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eMaryse Alberti\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e teamed with director John Curran to tell this true story from the summer of 1969, when Massachusetts Senator Edward “Ted” Kennedy (Jason Clarke) crashed his car off of a bridge in the titular town; the car’s passenger, Mary Jo Kopechne (Kate Mara) died in the accident. Alberti details her approach to the production’s period setting.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eBeirut\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Bleecker Street)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBjorn Charpentier, SBC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e — one of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e’s Rising Stars of Cinematography in 2017 — was behind the camera for this thriller, which premiered in January at the Sundance Film Festival. Jon Hamm stars as Mason Skiles, a U.S. diplomat who’s brought to war-torn Beirut by CIA operative Sandy Crowder (Rosamund Pike) to negotiate for the life of a friend. Charpentier takes readers behind the scenes of the production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eRiverdale\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(The CW)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBrendan Uegama, CSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e joined this hit series for its second season, which furthered the mystery-infused take on the adventures of Archie Andrews (K.J. Apa) and friends including Betty Cooper (Lili Reinhart), Veronica Lodge (Camila Mendes) and Jughead Jones (Cole Sprouse). Uegama offers his insights on crafting the show’s dark drama.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e32nd ASC Awards\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eOur annual recap of the ASC Awards offers readers a pictorial walkthrough of the Open House at the Society’s Clubhouse in Hollywood as well as all of the activity surrounding the awards gala itself. This section also highlights the achievements of all ASC Award honorees and nominees, including lifetime-achievement honoree \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eRussell Carpenter, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and theatrical-release nominees \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eRoger Deakins, ASC, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBlade Runner 2049\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e); \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBruno Delbonnel, ASC, AFC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDarkest Hour\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e); \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDan Laustsen, ASC, DFF\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Shape of Water\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e); \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eRachel Morrison, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e (\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eMudbound\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e); and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eHoyte van Hoytem, ASC, FSF, NSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(\u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDunkirk\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e).\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe May issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e investigates image circles and take a look at recent additions to the growing inventory of anamorphic lenses.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e catches up with cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eHeyjin Jun\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e about her work on the short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eWyrm\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eJacek Laskus\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, whose credits include the documentary projects \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eFar From Poland\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eTwelve Stones\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Human Face of Big Data\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e; the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Guardian\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eOn the Lot\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e; and the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eParting Glances\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eFrankie and Johnny Are Married\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShot\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947341131913,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0518-2.jpg?v=1584991052"},{"product_id":"2018-06-june-issue-of-american-cinematographer","title":"2018 \/ 06 — June issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eJune 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003efeatures \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ea special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003esummer blockbusters\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eAvengers: Infinity War\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Disney)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eTrent Opaloch\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e continues his adventures in the Marvel Cinematic Universe — and his team-up with directing brothers Anthony and Joe Russo — with this long-awaited event movie. Earth’s mightiest heroes join forces with the Guardians of the Galaxy to make a desperate stand against the universe’s would-be conqueror, the tyrannical Thanos (Josh Brolin). Opaloch and his collaborators take readers behind the scenes of the high-flying action.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eFahrenheit 451\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(HBO)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eKramer Morgenthau, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e to the set of this Ramin Bahrani-directed telefilm, which adapts Ray Bradbury’s classic novel of the same name. Michael B. Jordan stars as Guy Montag, a young fireman under the command of Beatty (Michael Shannon) in a dark future where books are verboten, and any that are found are quickly set ablaze. Morgenthau offers his tour of the production, from prep through post.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eHow to Talk to Girls at Parties\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(A24)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eFrank DeMarco\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e reteamed with director John Cameron Mitchell for this big-screen adaptation of the Neil Gaiman short story. In 1977, in the London suburb of Croydon, the alien Zan (Elle Fanning) meets the awkward, punk-rock-loving and decidedly human Enn (Alex Sharp), and embarks on a radical journey of discovery. DeMarco explains his approach to the story, for which he captured both Super 35- and Super 16-format footage with Arri Alexa cameras.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eDeadpool 2\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(20th Century Fox)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eJonathan Sela\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e was behind the camera for this continuation of the comic-book-inspired hijinks of the titular “Merc With a Mouth,” aka Wade Wilson (played by Ryan Reynolds), who’s joined by an array of other super-powered mutants, including Domino (Zazie Beetz), Colossus (Stefan Kapicic) and Cable (Josh Brolin). Sela pulls back the mask to detail his work on the production, which shot in and around Vancouver.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eAmerican Animals\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Eagle Films)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eOle Bratt Birkeland \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003epartnered with writer-director Bart Layton for this hit feature that premiered earlier this year at the Sundance Film Festival. Determined to inject their lives with purpose and excitement, four misguided friends (played by Evan Peters, Barry Keoghan, Blake Jenner and Jared Abrahamson) attempt to execute one of the most audacious art heists in U.S. history. Birkeland and his collaborators offer their insights on bringing the true-life tale to the screen.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe June issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e presents a slate of resources for up-and-coming directors of photography, including tips for shooting both the moon and the sun.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e examines cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eLaura Valladao\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e’s work on director Kevin Wilson Jr.’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eMy Nephew Emmett\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, which won a Student Academy Award and was nominated for an Oscar in the Best Live Action Short Film category.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ePaul Sarossy\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, whose credits include the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eOrdinary Magic\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Sweet Hereafter\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAffliction\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Wicker Man\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(2006), as well as the series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Borgias\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eReign\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eTin Star\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947375341705,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0618-2.jpg?v=1584991263"},{"product_id":"2018-07-july-issue-of-american-cinematographer","title":"2018 \/ 07 — July issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eJuly 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003efeatures \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ea special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003etelevision production\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eSolo: A Star Wars Story\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Disney\/Lucasfilm)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBradford Young, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ewas behind the camera to bring to the screen the early adventures of Han Solo (Alden Ehrenreich), as the young and impulsive pilot meets the Wookiee Chewbacca (Joonas Suotamo) and the smooth-talking gambler Lando Calrissian (Donald Glover), and first gets his hands on what will eventually be known as “the fastest hunk of junk in the galaxy,” the \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eMillennium Falcon\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e. The cinematographer as well as director Ron Howard offer their insights into this portrait of the scoundrel as a young man.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eLegion\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(FX)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDana Gonzales, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eand\u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e Polly Morgan, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e have been sharing cinematography duties for the second season of this series, which is related to the \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eX-Men\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e movies and focuses on David Haller (Dan Stevens), a mutant endowed with psychic abilities who’s been diagnosed with schizophrenia. Morgan and Gonzales — the latter of whom was nominated for an ASC Award for his work on the episode “Chapter 1” — offer their perspectives on bringing the comic-book-inspired action to television.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003e12 Monkeys\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Syfy)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDavid Green, ASC, CSC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eand\u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e Boris Mojsovski, CSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e have been alternating episodes for this time-traveling series that pits its main characters in different periods from one episode to the next. The two discuss their collaboration, and how they approach creating a different look for each time period while staying true to the series’ overall feel. Both cinematographers received ASC Award nominations earlier this year for their work on the show, and Mojsovski took home the prize.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eBlue Bloods\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(CBS)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eGene Engels\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and his crew welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e to the set in New York City as they were completing their work on the eighth season of this popular series, which follows the lives and careers of the Reagan family: retired police commissioner Henry (Len Cariou); his son and current commissioner, Frank (Tom Selleck); and Frank’s sons and daughter, detective Danny (Donnie Wahlberg), officer Jamie (Will Estes), and assistant district attorney Erin (Bridget Moynahan). \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e’s coverage presents a firsthand look at the production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe July issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e catches up with cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eJayson Crothers\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, who will detail his work on the “burn stage” for the series \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eChicago Fire\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e. This section will also present a slate of resources for up-and-coming directors of photography.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e looks at cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eLogan Schneider\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e’s work on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003ePapa\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, one of the first projects to shoot with Arri’s recently announced Alexa LF camera.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eUeli Steiger\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, whose credits include the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eSingles\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eGodzilla \u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(1998), \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAustin Powers: The Spy Who Shagged Me\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBowfinger\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe Day After Tomorrow\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e10,000 BC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947414368393,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0718-2.jpg?v=1584991432"},{"product_id":"2018-08-august-issue-of-american-cinematographer","title":"2018 \/ 08 — August issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eAugust 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003efeatures \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003ea special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003edrones\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003evirtual reality\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eAnt-Man and the Wasp\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Disney\/Marvel)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDante Spinotti, ASC, AIC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eentered the Marvel Cinematic Universe to join director Peyton Reed in continuing the saga of low-level crook turned big-time hero Scott Lang, aka Ant-Man (Paul Rudd). Taking place between the events of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eCaptain America: Civil War\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAvengers: Infinity War\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, this movie finds the size-shifting adventurer fighting alongside Hope van Dyne, aka the Wasp (Evangeline Lilly), on a quest to uncover secrets from their past. Spinotti details his approach to tackling the production’s challenges, both big and small.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eSharp Objects\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(HBO)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eYves Bélanger, CSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e continued his long-running collaboration with director Jean-Marc Vallée on this eight-part miniseries that adapts author Gillian Flynn’s debut novel of the same name. The story follows a journalist, Camille Preaker (Amy Adams), who returns to her hometown to cover a violent murder, and along the way has to face the trauma of her own past. Bélanger discusses his and Vallée’s ongoing work while focusing primarily on this project’s first two episodes.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eBlindspotting\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Lionsgate)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eRobby Baumgartner\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e was behind the camera for director Carlos López Estrada’s debut feature, which was co-written by Rafael Casal and Daveed Diggs — who also star as longtime friends Miles and Collin, respectively. Exploring race and class in an increasingly gentrifying Oakland, Calif., the movie charts the final days of Collin’s yearlong probation, which puts him at odds with the reckless lifestyle that Miles continues to embrace. Baumgartner shares his perspective on the production, which had its premiere at this year’s Sundance Film Festival.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cem\u003eDetroit: Become Human\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e(Quantic Dream)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eAymeric Montouchet\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e served as cinematographer for this video game from Quantic Dream for Sony’s PlayStation 4. Set in a near-future Detroit, the game’s story follows three specific androids along three intertwining paths, each of which is distinguished through the use of lighting, cameras, art direction, color grading and grain. Montouchet penned a first-person account of his experiences on the project.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eThe August issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e will also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e offers insights for up-and-coming filmmakers looking to tackle a virtual-reality production or wanting to incorporate drone footage into their projects. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e pulls back the curtain on the wizardry that went into the making of \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eL’Orange’s music video for “Blame the Author,”\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e which incorporates stop-motion miniatures with live-action footage, and was shot by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eHarper Alexander\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and directed by Alexander Thompson.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eMichael Negrin\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, whose extensive credits include episodes of the television series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDiagnosis Murder\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eGilmore Girls\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eCharmed\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eSaving Grace\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eDesperate Housewives\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eLife\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eRosewood\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003eBeing Mary Jane\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica; font-size: 15px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947438944393,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0818-2.jpg?v=1584991644"},{"product_id":"2018-09-september-issue-of-american-cinematographer","title":"2018 \/ 09 — September issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eSeptember 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003efeatures a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003einternational production\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eMission: Impossible – Fallout\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Paramount)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRob Hardy, BSC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003epartnered with director Christopher McQuarrie for a globe-trotting mission that would find them shooting in England, France, Norway and New Zealand as they captured the latest adventure of Impossible Missions Force agent Ethan Hunt (Tom Cruise) and his allies. Hardy and co. take readers behind the scenes of the eye-popping action.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Captain\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Music Box Films)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFlorian Ballhaus, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e reteamed with a longtime collaborator, director Robert Schwentke, for this black-and-white feature set during the last days of World War II. The cinematographer and director each share their experiences making the movie, which shot entirely in Germany and was a passion project of Schwentke’s.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eHow It Ends\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Netflix)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ePeter Flinckenberg, FSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director David M. Rosenthal invited \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to jump into the passenger seat during the making of this Netflix feature. When a mysterious apocalyptic event begins to wipe out entire cities, Will (Theo James) loses contact with his wife, Samantha (Kat Graham), and must team up with his ever-disapproving father-in-law, Tom (Forest Whitaker), on a perilous cross-country road trip to find her. The crew details their work on the Winnipeg, Canada-based production.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eJuliet, Naked\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Lionsgate)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRemi Adefarasin, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for director Jesse Peretz’s comedy about the awkward and unlikely triangle that forms between Annie (Rose Byrne), her boyfriend Duncan (Chris O’Dowd), and singer-songwriter Tucker Crowe (Ethan Hawke). Adefarasin and his crew welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to the set of the U.K.-based production for a firsthand look behind the scenes.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC International Cinematography Summit\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e offers a recap of this unique four-day event, which was presented by the American Society of Cinematographers and attended by representatives of cinematography organizations from all around the world. Meeting at the ASC Clubhouse in Hollywood — with daily trips to other venues throughout Los Angeles — the participants discussed professional and technological issues and worked to define how cinematographers can best maintain the quality and artistic integrity of the images they create.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe September issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e catches up with a group of cinematographers to discuss the challenges of working on a production that shoots in multiple countries. This section will also take a look at image-circle expanders for zoom lenses.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChristian Herrera\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e’s recent work shooting in Kuwait City.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMat Beck\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose credits as a visual-effects supervisor include the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eStrange Days\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eTitanic\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe X Files\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGalaxy Quest\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSpider-Man 2\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRiddick\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, and the television series \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSupernatural\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSmallville\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Originals\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eand \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Vampire Diaries\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32947465977993,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/0918-2.jpg?v=1584991819"},{"product_id":"2018-10-october-issue-of-american-cinematographer","title":"2018 \/ 10 — October issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eOctober 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, which \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003efeatures a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003elighting tools and techniques\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eI Think We’re Alone Now\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e(Momentum Pictures)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eReed Morano, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003edirected and shot this feature about Del (Peter Dinklage), whose welcome solitude following a mysterious apocalypse is interrupted by the sudden arrival of Grace (Elle Fanning). Morano details her multifaceted work on the feature, which received a Special Jury Prize for Excellence in Filmmaking from this year’s Sundance Film Festival.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eOperation Finale\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e(MGM)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eJavier Aguirresarobe, ASC, AEC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e joined director Chris Weitz to tell the story of the team of agents who were brought together 15 years after World War II to track down and detain Hitler’s deadliest lieutenant, Adolf Eichmann (here portrayed by Ben Kingsley). Aguirresarobe and his collaborators discuss their approach to the period production, which shot on location in Argentina.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eMandy\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e(MVP)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eBenjamin Loeb\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e teamed with director Panos Cosmatos for this feverishly violent vision of the year 1983. After the love of his life, Mandy (Andrea Riseborough), is taken by cult leader Jeremiah Sand (Linus Roache), Red (Nicolas Cage) embarks on an all-or-nothing quest for revenge. Loeb pulls back the curtain on the making of the onscreen madness.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eLizzie\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e(Roadside Attractions)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eNoah Greenberg\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e was behind the camera for director Craig William Macneill’s take on the Borden family and the murders in 1892 that made their names well-known. Greenberg shares his insights from the production, which stars Chloë Sevigny as the eponymous Lizzie Borden, and Kristen Stewart as Bridget Sullivan, the family’s housekeeper.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cem style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eWhite Boy Rick\u003c\/b\u003e\u003c\/em\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e(Columbia Pictures)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eTat Radcliffe\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e and director Yann Demange tell the true story of Ricky Wershe Jr. (Richie Merritt). In 1980s Detroit, the teenage Wershe became a street hustler, FBI informant and drug kingpin. Radcliffe and co. take readers behind the scenes of the movie, which shot in locations including Cleveland, Las Vegas and Detroit.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eThe October issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e presents an exhaustive survey of lighting diffusion filters and the results they produce.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e spotlights cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003eNicole Hirsch Whitaker\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e’s work for director Caryn Waechter’s \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eEscape\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Arial, sans-serif; font-size: 15.3333px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32948057178249,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/1018-2.jpg?v=1584995636"},{"product_id":"2018-11-november-issue-of-american-cinematographer","title":"2018 \/ 11 — November issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eNovember 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ewhich features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ecreative collaborations\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e. \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eHomecoming\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Amazon Studios)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eTod Campbell \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ereteamed with \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMr. Robot \u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ecreator Sam Esmail for this new series, which stars Julia Roberts as Heidi Bergman, a caseworker at a facility that treats soldiers returning from war. Campbell shot and Esmail directed all 10 episodes of the first season, and the filmmakers welcomed \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e to visit the production on stage in Los Angeles.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eFirst Man\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Universal)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLinus Sandgren, FSF\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director Damien Chazelle followed their Oscar-winning work on \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLa La Land\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e with this look at the life of astronaut Neil Armstrong (portrayed by Ryan Gosling) and the space mission that took him to the moon and back. Sandgren details his approach to capturing the late-’60s setting.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eA Star Is Born\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Warner Bros.)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eMatthew Libatique\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for actor Bradley Cooper’s first turn in the director’s chair. Cooper also stars as musician Jackson Maine, whose career is beginning to wane when he meets and falls in love with a young singer, Ally (Lady Gaga), and helps her find fame. Libatique and Cooper offer their insights into their collaboration.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eBad Times at the El Royale\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(20th Century Fox)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSeamus McGarvey, ASC, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e partnered with writer-director Drew Goddard for this thriller about seven strangers whose lives intertwine at the El Royale, which straddles the state line between California and Nevada. McGarvey sheds light on the movie’s mysterious goings-on.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eInsecure\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(HBO)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAva Berkofsky\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e was behind the camera for five of the eight episodes of Season 3 — following the work she had previously done for Season 2 — with \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ePaula Huidobro, AMC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eshooting the other three. \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAC\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e visited the set for a firsthand look behind the scenes of the popular series, which follows the awkward experiences of Issa Dee (Issa Rae).\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe November issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offer illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e reminds cinematographers that it’s okay to ask for help, and will also present a detailed “anatomy” of a grip truck.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e examines cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eEli Arenson\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e’s work for director David Henry Gerson’s World War II-era short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eAll These Voices\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eFilmmakers’ Forum\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e features cinematographer \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eAnthony Hardwick\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and executive producer Rob Weiss discussing their collaboration on the HBO series \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eBallers\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eKing Baggot\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, whose credits include the features \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCheech and Chong’s Next Movie\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Hand\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSome Kind of Hero\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe Last Starfighter\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRevenge of the Nerds\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eGotcha!\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eVice Versa\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eLittle Vegas\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eBoiling Point\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32948104888457,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/1118-2.jpg?v=1584995888"},{"product_id":"2018-12-december-issue-of-american-cinematographer","title":"2018 \/ 12 — December Issue of American Cinematographer","description":"\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eThe \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003eDecember 2018\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e issue of \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003e\u003cb\u003eAmerican Cinematographer \u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: Helvetica, sans-serif; font-size: 15.3333px;\"\u003emagazine, \u003c\/span\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ewhich features a special focus on \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eholiday-season releases\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eA Private War\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Aviron Pictures)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eRobert Richardson, ASC \u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ejoined acclaimed documentarian Matthew Heineman for this narrative feature — the director’s first — based on the life and work of celebrated war correspondent Marie Colvin (portrayed by Rosamund Pike). Richardson discusses his approach to telling the true story.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eSuspiria\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Amazon Studios)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSayombhu Mukdeeprom\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director Luca Guadagnino follow their work on the acclaimed feature \u003c\/span\u003e\u003cem style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eCall Me By Your Name\u003c\/em\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003ewith this new take on the iconic Seventies horror film. The filmmakers detail their artistic descent into the story’s dark terrors.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eThe Front Runner\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(Sony)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eEric Steelberg, ASC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e and director Jason Reitman continued their longtime collaboration with this political drama based on the scandal-shortened 1988 presidential campaign of Sen. Gary Hart (Hugh Jackman). Steelberg sheds light on the period production and the decision to shoot on film.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eWidows\u003c\/em\u003e\u003c\/strong\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e(20th Century Fox)\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eSean Bobbitt, BSC\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e reteamed with director Steve McQueen for this tale of four women (played by Viola Davis, Michelle Rodriguez, Elizabeth Debicki and Cynthia Erivo) who take matters into their own hands after their husbands are killed in the midst of criminal activities. 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Ryan offers his perspective on the 18th-century antics.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eThe December issue’s \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003edepartments\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e also offers illuminating insights:\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShot Craft\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e presents a season-appropriate look at shooting with holiday lights and working in especially cold climates.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eShort Takes\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e goes behind the scenes of director Brayden Yoeder’s World War II-era short \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cem\u003eLast Taxi Dance\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e, photographed by \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eChapin Hall\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e.\u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e \u003c\/span\u003e\u003cbr style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eASC Close-Up\u003c\/strong\u003e\u003cspan style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003e spotlights Society member \u003c\/span\u003e\u003cstrong style=\"color: #606060; font-family: sans-serif, Arial, Verdana, 'Trebuchet MS'; font-size: 15px;\"\u003eT.C. 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Established by the American Society of Cinematographers in 1920, it offers readers invaluable access to the world's finest filmmakers.\u003c\/p\u003e\n\u003cp\u003eEach month you’ll get in-depth interviews with cinematographers and their collaborators about projects that include major Hollywood features, independent and foreign films, television productions, and music videos. Topics include lighting techniques, the creative use of cameras and optics, virtual production methods, visual effects, shooting on location, and the development of AI tools.\u003c\/p\u003e\n\u003cp\u003eIn addition, our New Products \u0026amp; Services department will keep you abreast of the latest tools and technologies as they come on the market.\u003c\/p\u003e\n\u003cp\u003eTo complement your monthly print edition,\u003cem\u003e AC\u003c\/em\u003e has teamed with Nxtbook to instantly deliver 24 monthly issues of our digital edition directly to your laptop, tablet, smartphone or desktop computer. This electronic issue is identical to our print edition — with all the advantages of being digital:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnce delivered, you can read issues even if you're not connected to the internet\u003c\/li\u003e\n\u003cli\u003eSearch through issues using keywords\u003c\/li\u003e\n\u003cli\u003eKeep your back issues archived on your computer for easy access anywhere\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Gosh, where do I begin about \u003cem\u003eAmerican Cinematographer\u003c\/em\u003e magazine? It’s just always been wonderful to have a publication that focuses so deeply on the technical and aesthetic aspects of motion­picture photography. It’s a bible for cinematographers and directors alike.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e— Christopher Nolan \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e has forever been our ‘gateway drug’ into the world of making films, tickling and satisfying the curiosity of many students and filmmakers alike. Shooting is a mysterious and schizophrenic occupation, and the magazine has traditionally provided the finest insights into how technology meets with ambitious visual ideas and image poetry. It’s been a career-long guiding light into the secrets behind the camera.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e— Hoyte van Hoytema, ASC, FSF, NSC\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ASC\/AC Store","offers":[{"title":"Us ( No Extra Fee ) \/ 2 Year Print","offer_id":33910409789577,"sku":"","price":84.95,"currency_code":"USD","in_stock":true},{"title":"Canada \u0026 Mexico \/ 2 Year Print","offer_id":34541105119390,"sku":"","price":114.95,"currency_code":"USD","in_stock":true},{"title":"All Other Countries \/ 2 Year Print","offer_id":34541123469470,"sku":"","price":184.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/AC_COVERS2026.jpg?v=1766080155"},{"product_id":"american-cinematographer-subscription-6-months","title":"American Cinematographer Print Subscription 6 Months","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003eNEW SUBSCRIPTION + ACCESS TO 100 YEAR DIGITAL ARCHIVE\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003eTake advantage of a subscription to American Cinematographer and get AC delivered to you and your computer each month, along with access to over 1200 past issues over the last 100 years of filmmaking!\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.nxtbook.com\/nxtbooks\/ac\/ac0419\/?drml=qrcode\u0026amp;drmp=acmag\u0026amp;email_cmp=AprilQRCode\" class=\"catnav\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003e\u003cinline\u003e\u003cinline\u003e\u003cbr\u003e\u003c\/inline\u003e\u003c\/inline\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cinline style=\"color: #2b00ff;\"\u003e(\u003ca href=\"https:\/\/www.nxtbook.com\/nxtbooks\/ac\/ac0819\/?drml=qrcode\u0026amp;drmp=acmag\u0026amp;email_cmp=AugustQRCode\" style=\"color: #2b00ff;\"\u003eView An Online Demo Now\u003c\/a\u003e)\u003c\/inline\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003eAC\u003c\/em\u003e\u003c\/strong\u003e has teamed with NXTBook to deliver your \u003cstrong\u003eAmerican Cinematographer\u003c\/strong\u003e\u003c\/span\u003e\nsubscription directly to your laptop, iPhone, iPad, Android phone or desktop computer. You receive your issue at the same time the issues go out to the newsstands, and your electronic issue will be identical to the print version — with all the advantages of being digital:\u003cbr\u003e\n\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEach issue is delivered directly to your laptop or desktop computer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOnce delivered, you can read it even if you're not connected to the internet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSearch through issues using keywords\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eKeep your back issues archived on your computer for easy access\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOverseas subscribers save a bundle on postage\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eAmerican Cinematographer \u003c\/em\u003eis the industry's leading journal of film and digital production techniques. First published by the American Society of Cinematographers in 1920, the magazine continues to offer readers valuable access to the world's finest filmmakers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEvery month you can look forward to in-depth interviews with cinematographers and their collaborators about projects that include major Hollywood features, independent films, foreign films, television productions, music videos, commercials and short films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn addition, our New Products \u0026amp; Services department will keep you abreast of the latest tools and technologies as they come on the market.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ASC\/AC Store","offers":[{"title":"US ( No Extra Postage ) \/ 6 Months Print","offer_id":33910477160585,"sku":"","price":24.95,"currency_code":"USD","in_stock":true},{"title":"Canada \u0026 Mexico \/ 6 Months Print","offer_id":34541196345502,"sku":"","price":39.95,"currency_code":"USD","in_stock":true},{"title":"All Other Countries \/ 6 Months Print","offer_id":34541201227934,"sku":"","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/DigitalSubscription_5bfeb5f2-517a-46d8-a017-be124d26259b.jpg?v=1589928781"},{"product_id":"american-cinematographer-digital-subscription-1-year","title":"AC ONE Year DIGITAL Plus Archive","description":"\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAMERICAN CINEMATOGRAPHER\u003c\/em\u003e\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eONE-YEAR DIGITAL EDITION SUBSCRIPTION + \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e ARCHIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTake advantage of a subscription to \u003cem data-mce-fragment=\"1\"\u003eAmerican Cinematographer\u003c\/em\u003e and get 12 issues delivered directly to your computer each month, along with online access to more than 1,200 past issues documenting the last 103 years of filmmaking!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e is the industry's leading journal of motion-picture production techniques. Established by the American Society of Cinematographers in 1920, it offers readers invaluable access to the world's finest filmmakers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEvery month you’ll get in-depth interviews with cinematographers and their collaborators about projects that include major Hollywood features, independent and foreign films, television productions, and music videos. Topics include lighting techniques, the creative use of cameras and optics, virtual production methods, visual effects, shooting on location, and the development of AI tools.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition, our New Products \u0026amp; Services department will keep you abreast of the latest tools and technologies as they come on the market.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e has teamed with Nxtbook to instantly deliver our digital edition directly to your laptop, tablet, smartphone or desktop computer. This electronic issue is identical to our print edition — with all the advantages of being digital:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOnce delivered, you can read issues even if you're not connected to the internet\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSearch through issues using keywords\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eKeep your back issues archived on your computer for easy access anywhere\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOverseas subscribers save a bundle on postage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“Gosh, where do I begin about \u003cem data-mce-fragment=\"1\"\u003eAmerican Cinematographer\u003c\/em\u003e magazine? It’s just always been wonderful to have a publication that focuses so deeply on the technical and aesthetic aspects of motion­picture photography. It’s a bible for cinematographers and directors alike.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e— Christopher Nolan \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“\u003cem data-mce-fragment=\"1\"\u003eAmerican Cinematographer\u003c\/em\u003e has forever been our ‘gateway drug’ into the world of making films, tickling and satisfying the curiosity of many students and filmmakers alike. Shooting is a mysterious and schizophrenic occupation, and the magazine has traditionally provided the finest insights into how technology meets with ambitious visual ideas and image poetry. It’s been a career-long guiding light into the secrets behind the camera.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e— Hoyte van Hoytema, ASC, FSF, NSC\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ASC\/AC Store","offers":[{"title":"1 year \/ Digital","offer_id":33910655647881,"sku":"","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/ACDigitalEdition-SubPage.jpg?v=1746836105"},{"product_id":"american-cinematographer-subscription-1-year","title":"PRINT \u0026 Digital Subscription 1 Year-12 issues + AC Archive","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eAMERICAN CINEMATOGRAPHER\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONE-YEAR PRINT SUBSCRIPTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINCLUDES DIGITAL EDITION + \u003cem\u003eAC\u003c\/em\u003e ARCHIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTake advantage of a subscription to \u003cem\u003eAmerican Cinematographer\u003c\/em\u003e and get 12 print issues delivered directly to you as well as your computer each month, along with online access to more than 1,200 past issues documenting the last 103 years of filmmaking!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAC\u003c\/em\u003e is the industry's leading journal of motion-picture production techniques. Established by the American Society of Cinematographers in 1920, it offers readers invaluable access to the world's finest filmmakers.\u003c\/p\u003e\n\u003cp\u003eEach month you’ll get in-depth interviews with cinematographers and their collaborators about projects that include major Hollywood features, independent and foreign films, television productions, and music videos. Topics include lighting techniques, the creative use of cameras and optics, virtual production methods, visual effects, shooting on location, and the development of AI tools.\u003c\/p\u003e\n\u003cp\u003eIn addition, our New Products \u0026amp; Services department will keep you abreast of the latest tools and technologies as they come on the market.\u003c\/p\u003e\n\u003cp\u003eTo complement your monthly print edition,\u003cem\u003e AC\u003c\/em\u003e has teamed with Nxtbook to instantly deliver our digital edition directly to your laptop, tablet, smartphone or desktop computer. This electronic issue is identical to our print edition — with all the advantages of being digital:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnce delivered, you can read issues even if you're not connected to the internet\u003c\/li\u003e\n\u003cli\u003eSearch through issues using keywords\u003c\/li\u003e\n\u003cli\u003eKeep your back issues archived on your computer for easy access anywhere\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Gosh, where do I begin about \u003cem\u003eAmerican Cinematographer\u003c\/em\u003e magazine? It’s just always been wonderful to have a publication that focuses so deeply on the technical and aesthetic aspects of motion­picture photography. It’s a bible for cinematographers and directors alike.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e— Christopher Nolan \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e has forever been our ‘gateway drug’ into the world of making films, tickling and satisfying the curiosity of many students and filmmakers alike. Shooting is a mysterious and schizophrenic occupation, and the magazine has traditionally provided the finest insights into how technology meets with ambitious visual ideas and image poetry. It’s been a career-long guiding light into the secrets behind the camera.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e— Hoyte van Hoytema, ASC, FSF, NSC\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ASC\/AC Store","offers":[{"title":"USA","offer_id":34550928375966,"sku":"","price":49.95,"currency_code":"USD","in_stock":true},{"title":"Canada \u0026 Mexico","offer_id":34533329207454,"sku":"","price":74.95,"currency_code":"USD","in_stock":true},{"title":"All Other Countries","offer_id":34550929916062,"sku":"","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/files\/Untitled-1_261deb1e-d765-4a57-bcf7-8fd4fae3e12f.png?v=1754693124"},{"product_id":"american-cinematographer-digital-subscription-1-year-1","title":"American Cinematographer Digital Subscription 1 Year and Digital Student version of the ASC Manual","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan itemprop=\"description\"\u003e\u003cspan style=\"color: #545454; font-family: Helvetica, sans-serif; font-size: 15px;\"\u003eAn amazing deal! Get a one year digital subscription to \u003c\/span\u003e\u003cem style=\"box-sizing: border-box; color: #545454; font-family: Helvetica, sans-serif; font-size: 15px;\"\u003eAmerican Cinematographer\u003c\/em\u003e\u003cspan style=\"color: #545454; font-family: Helvetica, sans-serif; font-size: 15px;\"\u003e AND the digital version of \u003c\/span\u003e\u003cem style=\"box-sizing: border-box; color: #545454; font-family: Helvetica, sans-serif; font-size: 15px;\"\u003eSelected Tables, Charts and Formulas for the Student Cinematographer book.\u003c\/em\u003e\u003cspan style=\"color: #545454; font-family: Helvetica, sans-serif; font-size: 15px;\"\u003e The perfect reference tools for any budding cinematographer at a price that any student can afford. \u003c\/span\u003eThe perfect reference tools for any budding cinematographer at a price that any student can afford.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGITAL SUBSCRIPTION:\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eAmerican Cinematographer\u003c\/em\u003e has partnered with NXTbook to deliver your \u003cem\u003eAmerican Cinematographer\u003c\/em\u003e subscription directly to your laptop or desktop computer. You receive your issue at the same time the issues go out to the newsstands, and your electronic issue will be identical to the print version — with all the advantages of being digital.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.nxtbook.com\/nxtbooks\/ac\/ac0624\/index.php?complimentary=asc\" class=\"catnav\" target=\"_blank\" rel=\"noopener\"\u003eView an online demo now\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGITAL EDITION of SELECTED TABLES, CHARTS AND FORMULAS FOR THE STUDENT CINEMATOGRAPHER 4th Edition:\u003c\/strong\u003e\u003cbr\u003eNewly revised and updated Third Edition\u003cbr\u003eEdited by Stephen H. Burum, ASC\u003cbr\u003eNew to this edition is a chapter on the basics of lighting from a classic article written by Arthur Miller, ASC (who won the Oscar for How Green Was My Valley, The Song of Bernadette and Anna and the King of Siam) for the American Cinematographer magazine in 1966.\u003cbr\u003eFrom its basic chapter on cinematographic principles to the actual tables, charts and formulas used by professional cinematographers, this slim volume gives the film student authoritative facts, clearly presented.\u003cbr\u003eThe American Cinematographer Manual is a professional resource that is used by cinematographers around the world. Conceived by Hollywood feature-film cinematographers over 70 years ago, the manual is designed to be a complete reference source on the set. It covers every aspect of cinematography from lens to lab. The current edition encompasses more than 880 pages.\u003cbr\u003eOver the last decade, many schools and universities have introduced courses in filmmaking, and interest in the art and craft of cinematography has grown. We have endeavored to meet this burgeoning interest with this book, which was designed with a student budget in mind.\u003cbr\u003eSelected Tables, Charts and Formulas for the Student Cinematographer comprises subjects from the American Cinematographer Manual that are most relevant and helpful to the student. This material reflects the basic concepts of the craft. Key areas have been carefully chosen that will enlighten and inform. 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Here’s a look at this month’s coverage:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSociety members \u003cstrong\u003eJohn Bailey\u003c\/strong\u003e, \u003cstrong\u003eNancy Schreiber\u003c\/strong\u003e and other ASC peers ponder the \u003cstrong\u003efuture of cinema\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eJohn Simmons, ASC\u003c\/strong\u003e on \u003cstrong\u003einclusive hiring\u003c\/strong\u003e — a call to action.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eA survey of the current landscape of \u003cstrong\u003etheatrical exhibition and distribution\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eExperts assess advances in \u003cstrong\u003evirtual production\u003c\/strong\u003e and \u003cstrong\u003ein-camera visual effects\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eExcerpts from the \u003cstrong\u003eASC Motion Imaging Technology Council (MITC) 2020 progress report\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTami Reiker, ASC\u003c\/strong\u003e and director \u003cstrong\u003eRegina King \u003c\/strong\u003ediscuss their collaboration on the feature \u003cstrong\u003e\u003cem\u003eOne Night in Miami\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMichal Sobocinski, PSC\u003c\/strong\u003e on shooting \u003cstrong\u003e\u003cem\u003eThe Disciple\u003c\/em\u003e\u003c\/strong\u003e in India.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBSC member Laurie Rose\u003c\/strong\u003e breaks down his approach to \u003cstrong\u003e\u003cem\u003eRebecca\u003c\/em\u003e\u003c\/strong\u003e, shot in the U.K. and France.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eShot Craft: The history, concepts and technology behind \u003cstrong\u003eLED lighting\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eIn Memoriam: \u003cem\u003eAC\u003c\/em\u003e remembers \u003cstrong\u003eMichael Chapman, ASC\u003c\/strong\u003e, whose work included \u003cem\u003eRaging Bull\u003c\/em\u003e, \u003cem\u003eThe Fugitive\u003c\/em\u003e, \u003cem\u003eTaxi Driver\u003c\/em\u003e and \u003cem\u003eInvasion of the Body Snatchers\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eWrap Shot: \u003cstrong\u003eLawrence Sher, ASC\u003c\/strong\u003e recalls a fond filmmaking experience in the Yukon.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":37736617836732,"sku":"2021-01","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/ACJan2021.jpg?v=1608658137"},{"product_id":"2021-02-february-issue-of-american-cinematographer","title":"2021\/ 02  — February Issue of American Cinematographer","description":"\u003cp data-mce-fragment=\"1\"\u003eAlong with a special focus on \u003cstrong data-mce-fragment=\"1\"\u003einternational production\u003c\/strong\u003e that spans the globe, the February issue features \u003cstrong data-mce-fragment=\"1\"\u003ethree cinematographer-director duos\u003c\/strong\u003e, coverage of a \u003cstrong data-mce-fragment=\"1\"\u003ehit Netflix series\u003c\/strong\u003e, and a piece on the making of a \u003cstrong data-mce-fragment=\"1\"\u003eshort-form production in Cuba\u003c\/strong\u003e. Here’s a look at this month’s slate:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eErik Messerschmidt, ASC\u003c\/strong\u003e and director \u003cstrong data-mce-fragment=\"1\"\u003eDavid Fincher\u003c\/strong\u003e discuss \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMank\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMartin Ruhe, ASC\u003c\/strong\u003e and director \u003cstrong data-mce-fragment=\"1\"\u003eGeorge Clooney\u003c\/strong\u003e on \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Midnight Sky\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCinematographer \u003cstrong data-mce-fragment=\"1\"\u003eJoshua James Richards\u003c\/strong\u003e and director \u003cstrong data-mce-fragment=\"1\"\u003eChloé Zhao\u003c\/strong\u003e on \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eNomadland\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSteven Fierberg, ASC\u003c\/strong\u003e shares his thoughts on shooting in France for \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eEmily in Paris\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn international-production piece features \u003cstrong data-mce-fragment=\"1\"\u003eBen Joiner, ASC\u003c\/strong\u003e — who discusses his work throughout the world for the series \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Grand Tour\u003c\/em\u003e\u003c\/strong\u003e — as well as reports from filmmakers in \u003cstrong data-mce-fragment=\"1\"\u003eNew Zealand\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eChina\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eMexico\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eEstonia\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShot Craft: This second half of a series on \u003cstrong data-mce-fragment=\"1\"\u003eLED lighting\u003c\/strong\u003e features chats with ASC members \u003cstrong data-mce-fragment=\"1\"\u003eJohn Schwartzman\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eCraig Kief\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eMarkus Förderer\u003c\/strong\u003e, as well as colorist \u003cstrong data-mce-fragment=\"1\"\u003eDave Franks\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShort Takes: \u003cstrong data-mce-fragment=\"1\"\u003eRobert Primes, ASC\u003c\/strong\u003e on shooting in Cuba for \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePiel Canela\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWrap Shot: Tying in with \u003cem data-mce-fragment=\"1\"\u003eMank\u003c\/em\u003e’s connection to \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCitizen Kane\u003c\/em\u003e\u003c\/strong\u003e, this issue of \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e closes with excerpts from a vintage \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e article penned by \u003cstrong data-mce-fragment=\"1\"\u003eGregg Toland, ASC\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":38070940041404,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/AC0221Cover.jpg?v=1612847895"},{"product_id":"021-03-march-issue-of-american-cinematographer","title":"2021\/ 03  — March Issue of American Cinematographer","description":"\u003cp data-mce-fragment=\"1\"\u003eThe March issue includes coverage of \u003cstrong data-mce-fragment=\"1\"\u003efilmmaking technologies’ accelerated evolution\u003c\/strong\u003e during the pandemic, two \u003cstrong data-mce-fragment=\"1\"\u003ecinematographer-director collaborations\u003c\/strong\u003e, and the challenges of shooting a \u003cstrong data-mce-fragment=\"1\"\u003elive-music event\u003c\/strong\u003e in the current era. Here’s a look at this month’s slate:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eMat Beck, ASC\u003c\/strong\u003e pens an essay \u003cstrong data-mce-fragment=\"1\"\u003eon technological adaptations\u003c\/strong\u003e and the importance of \u003cstrong data-mce-fragment=\"1\"\u003estaying connected\u003c\/strong\u003e, which introduces a compendium of articles on \u003cstrong data-mce-fragment=\"1\"\u003eindustry tech pivots\u003c\/strong\u003e in the age of Covid-19.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDariusz Wolski, ASC\u003c\/strong\u003e and director \u003cstrong data-mce-fragment=\"1\"\u003ePaul Greengrass\u003c\/strong\u003e on the Western drama \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eNews of the World\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNewton Thomas Sigel, ASC\u003c\/strong\u003e and directors \u003cstrong data-mce-fragment=\"1\"\u003eJoe and Anthony Russo\u003c\/strong\u003e on the indie feature \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCherry\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCinematographer \u003cstrong data-mce-fragment=\"1\"\u003eJonathan Furmanski\u003c\/strong\u003e navigates pandemic safety protocols while shooting a \u003cstrong data-mce-fragment=\"1\"\u003eBon Jovi concert special\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShot Craft: \u003cstrong data-mce-fragment=\"1\"\u003eBreaking down a script\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Memoriam: \u003cstrong data-mce-fragment=\"1\"\u003eRobert F. Liu, ASC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWrap Shot: A moment during the filming of the \u003cstrong data-mce-fragment=\"1\"\u003e1970 documentary \u003cem data-mce-fragment=\"1\"\u003eWoodstock\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":38146308047036,"sku":"2021-03","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/AC032021-Cover.jpg?v=1614052062"},{"product_id":"copy-of-2021-04-february-issue-of-american-cinematographer","title":"2021\/ 04  — April Issue of American Cinematographer","description":"\u003cp data-mce-fragment=\"1\"\u003eThe April issue offers a special focus on lighting, with a piece on \u003cstrong data-mce-fragment=\"1\"\u003eart that inspires \u003c\/strong\u003eand another on \u003cstrong data-mce-fragment=\"1\"\u003ethe lighting of \u003cem data-mce-fragment=\"1\"\u003eWandaVision\u003c\/em\u003e\u003c\/strong\u003e. We also present a look at a \u003cstrong data-mce-fragment=\"1\"\u003elive-comedy shoot\u003c\/strong\u003e, a \u003cstrong data-mce-fragment=\"1\"\u003efeature shot and released during the pandemic\u003c\/strong\u003e, and a \u003cstrong data-mce-fragment=\"1\"\u003ecinematographer-director partnership\u003c\/strong\u003e — as well as a \u003cstrong data-mce-fragment=\"1\"\u003eguide to lens testing\u003c\/strong\u003e and a report on the \u003cstrong data-mce-fragment=\"1\"\u003eSociety’s Future Practices Committee\u003c\/strong\u003e. See our full slate below:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSociety members \u003cstrong data-mce-fragment=\"1\"\u003eMichael Goi\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eEd Lachman\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eNatasha Braier\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eKramer Morgenthau\u003c\/strong\u003e reveal the artists and works of art that have inspired their lighting and creative choices.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eJess Hall, ASC, BSC\u003c\/strong\u003e and director \u003cstrong data-mce-fragment=\"1\"\u003eMatt Shakman\u003c\/strong\u003e discuss their homage to classic-sitcom lighting for \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWandaVision\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eJohn Simmons, ASC\u003c\/strong\u003e on the \u003cstrong data-mce-fragment=\"1\"\u003eKevin Hart special\u003c\/strong\u003e he shot amid Covid protocols.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eMarcell Rév, HCA\u003c\/strong\u003e on \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMalcolm \u0026amp; Marie\u003c\/em\u003e\u003c\/strong\u003e, captured in black-and-white — and early in lockdown.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eASC President Stephen Lighthill\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eASC Future Practices Committee\u003c\/strong\u003e co-chair and Society member \u003cstrong data-mce-fragment=\"1\"\u003eAmelia Vincent\u003c\/strong\u003e offer their thoughts in \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e’s report on the committee’s addressing of Covid-era challenges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePicture Partners: \u003cstrong data-mce-fragment=\"1\"\u003eJoe “Jody” Williams\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eCraig Brewer\u003c\/strong\u003e on their collaboration that began on \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eEmpire\u003c\/em\u003e\u003c\/strong\u003e and led to \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eComing 2 America\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShot Craft: \u003cstrong data-mce-fragment=\"1\"\u003e“Generic” lens testing\u003c\/strong\u003e — a step-by-step guide.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew Products and Services: \u003cstrong data-mce-fragment=\"1\"\u003eVittorio Storaro, ASC, AIC and daughter Francesca\u003c\/strong\u003e on their new line of LED fixtures, \u003cstrong data-mce-fragment=\"1\"\u003eThe Muses of Light\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWorld View: A \u003cstrong data-mce-fragment=\"1\"\u003emap\u003c\/strong\u003e of upcoming \u003cstrong data-mce-fragment=\"1\"\u003eindustry events\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003einternational news\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Memoriam: \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e honors the memory of Society members \u003cstrong data-mce-fragment=\"1\"\u003eGerald Feil \u003c\/strong\u003eand \u003cstrong data-mce-fragment=\"1\"\u003eGiuseppe Rotunno\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":39439765831868,"sku":"2021-04","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/AC042021-Coversm.jpg?v=1616432780"},{"product_id":"2021-05-april-issue-of-american-cinematographer","title":"2021\/ 05  — May Issue of American Cinematographer","description":"\u003cp data-mce-fragment=\"1\"\u003eThe May issue offers a special focus on \u003cstrong data-mce-fragment=\"1\"\u003ecommercial cinematography\u003c\/strong\u003e, as well as a feature story on \u003cstrong data-mce-fragment=\"1\"\u003eSociety member Charlotte Bruus Christensen\u003c\/strong\u003e’s “rethinking” of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBlack Narcissus\u003c\/em\u003e\u003c\/strong\u003e. Presented as well are the first installment of our new \u003cstrong data-mce-fragment=\"1\"\u003evirtual-production department\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003ecareer insights from ASC members\u003c\/strong\u003e, a piece on the \u003cstrong data-mce-fragment=\"1\"\u003efuture of film\u003c\/strong\u003e, and a \u003cstrong data-mce-fragment=\"1\"\u003eRomanian filmmaking duo\u003c\/strong\u003e’s documentary collaboration. Here’s a look at this month’s slate:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCharlotte Bruus Christensen, ASC\u003c\/strong\u003e on photographing and directing \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBlack Narcissus\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePeter Moss, ASC, ACS\u003c\/strong\u003e shares his wisdom on \u003cstrong data-mce-fragment=\"1\"\u003eshooting commercials\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMentorship-focused \u003cstrong data-mce-fragment=\"1\"\u003eASC members Bill Dill\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eHenner Hofmann\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eCharles Minsky\u003c\/strong\u003e and\u003cstrong data-mce-fragment=\"1\"\u003e Amelia Vincent \u003c\/strong\u003eoffer \u003cstrong data-mce-fragment=\"1\"\u003ecareer advice and counsel\u003c\/strong\u003e. Plus a report on the \u003cstrong data-mce-fragment=\"1\"\u003eASC Vision Mentorship Program\u003c\/strong\u003e, featuring remarks from\u003cstrong data-mce-fragment=\"1\"\u003e Patti Lee, ASC\u003c\/strong\u003e — and another on \u003cstrong data-mce-fragment=\"1\"\u003eDialogues With ASC Cinematographers\u003c\/strong\u003e, a program spearheaded by \u003cstrong data-mce-fragment=\"1\"\u003eGeorge Spiro Dibie, ASC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAcasa, My Home\u003c\/em\u003e\u003c\/strong\u003e documentarians \u003cstrong data-mce-fragment=\"1\"\u003eRadu Ciorniciuc\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eMircea Topoleanu\u003c\/strong\u003e follow a Romanian family’s exodus from the wilderness.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFilm Forward: The first entry in a multi-part series examining \u003cstrong data-mce-fragment=\"1\"\u003ethe future of film capture\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShot Craft: \u003cstrong data-mce-fragment=\"1\"\u003ePaul Cameron, ASC\u003c\/strong\u003e; \u003cstrong data-mce-fragment=\"1\"\u003eChristopher Probst, ASC\u003c\/strong\u003e; and \u003cstrong data-mce-fragment=\"1\"\u003eZoë White, ACS\u003c\/strong\u003e discuss \u003cstrong data-mce-fragment=\"1\"\u003ecommercial trends and techniques\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Virtual World: The debut installment of our new department reinforces \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e’s longstanding commitment to exploring \u003cstrong data-mce-fragment=\"1\"\u003evirtual production\u003c\/strong\u003e from a \u003cstrong data-mce-fragment=\"1\"\u003ecinematographer’s perspective\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Memoriam: \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e remembers the lives and work of \u003cstrong data-mce-fragment=\"1\"\u003eSociety members Judy Irola \u003c\/strong\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e John C. Hora\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eClubhouse News: The Society welcomes \u003cstrong data-mce-fragment=\"1\"\u003eassociate member Andrew Tiffen\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eJody Lee Lipes, ASC\u003c\/strong\u003e. \u003cstrong data-mce-fragment=\"1\"\u003eMandy Walker\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eASC, ACS\u003c\/strong\u003e keynotes HPA Tech Retreat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWrap Shot: An image from the 1947 Technicolor classic \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBlack Narcissus\u003c\/em\u003e\u003c\/strong\u003e, shot by \u003cstrong data-mce-fragment=\"1\"\u003eJack Cardiff, BSC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":39614044733628,"sku":"2021-05","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/AC052021-Cover.jpg?v=1618716251"},{"product_id":"2021-06-june-issue-of-american-cinematographer","title":"2021\/ 06  — June Issue of American Cinematographer","description":"\u003cp\u003eThe June issue is a \u003cstrong\u003especial collectors edition\u003c\/strong\u003e devoted to \u003cstrong\u003estill photography\u003c\/strong\u003e. Presented are a selection of images from the \u003cstrong\u003eASC Photo Gallery\u003c\/strong\u003e, a showcase of \u003cstrong\u003elocation-scout stills\u003c\/strong\u003e, and a collection of \u003cstrong\u003eSMPSP photos of cinematographers at work\u003c\/strong\u003e. Also featured are a pair of ASC members — one of whom details his \u003cstrong\u003estreet-photography\u003c\/strong\u003e experiences and techniques, and another who recalls his \u003cstrong\u003eearly years as a professional still photographer\u003c\/strong\u003e. Here’s a look at this month’s slate:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrom the \u003cstrong\u003eASC Photo Gallery\u003c\/strong\u003e, a selection of artful \u003cstrong\u003estills taken by Society members\u003c\/strong\u003e — with an introduction and opening photo by \u003cstrong\u003eRichard Crudo, ASC\u003c\/strong\u003e, and images by \u003cstrong\u003eGregg Heschong, ASC\u003c\/strong\u003e; \u003cstrong\u003e David Mullen, ASC\u003c\/strong\u003e; \u003cstrong\u003eDenis Lenoir, ASC, AFC\u003c\/strong\u003e; \u003cstrong\u003eBill Dill, ASC\u003c\/strong\u003e; \u003cstrong\u003eAlar Kivilo, ASC, CSC, ESC\u003c\/strong\u003e; \u003cstrong\u003eCharlie Lieberman, ASC\u003c\/strong\u003e; \u003cstrong\u003eJacek Laskus, ASC, PSC\u003c\/strong\u003e; \u003cstrong\u003eSuki Medencevic, ASC, ASBiH, SAS\u003c\/strong\u003e; \u003cstrong\u003ePhedon Papamichael, ASC, GSC\u003c\/strong\u003e; \u003cstrong\u003eGeorge Mooradian, ASC\u003c\/strong\u003e; \u003cstrong\u003eDan Laustsen ASC, DFF; \u003c\/strong\u003eand\u003cstrong\u003e Antonio Calvache, ASC, AEC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA collection of location-scout stills, featuring an introduction and a pair of photos by \u003cstrong\u003eAshley Barron, ACS\u003c\/strong\u003e, and images by \u003cstrong\u003eRoger Deakins, ASC, BSC\u003c\/strong\u003e; \u003cstrong\u003eCrescenzo Notarile, ASC, AIC\u003c\/strong\u003e; \u003cstrong\u003eEd Lachman, ASC\u003c\/strong\u003e; and \u003cstrong\u003eHopper Stone, SMPSP\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePhotos of \u003cstrong\u003ecinematographers on set\u003c\/strong\u003e, taken by members of the \u003cstrong\u003eSociety of Motion Picture Still Photographers\u003c\/strong\u003e — with an introduction by SMPSP President \u003cstrong\u003eHopper Stone\u003c\/strong\u003e, and featuring photos of \u003cstrong\u003eIraj Ashouri\u003c\/strong\u003e; \u003cstrong\u003eClaudio Miranda, ASC\u003c\/strong\u003e; \u003cstrong\u003eJody Lee Lipes, ASC\u003c\/strong\u003e; \u003cstrong\u003eTommy Maddox-Upshaw, ASC\u003c\/strong\u003e; \u003cstrong\u003eBruno Delbonnel, ASC, AFC\u003c\/strong\u003e; \u003cstrong\u003eFlorian Ballhaus, ASC\u003c\/strong\u003e; \u003cstrong\u003eCraig Kief, ASC\u003c\/strong\u003e; \u003cstrong\u003eUta Briesewitz, ASC\u003c\/strong\u003e; \u003cstrong\u003eSeamus McGarvey, ASC, BSC\u003c\/strong\u003e; \u003cstrong\u003eJulio Macat, ASC\u003c\/strong\u003e; and \u003cstrong\u003eMaryse Alberti\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e David Mullen, ASC\u003c\/strong\u003e shares his thoughts on \u003cstrong\u003estreet photography\u003c\/strong\u003e, along with a selection of his images.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eStephen Goldblatt, ASC, BSC\u003c\/strong\u003e recalls his early days as a still photographer.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShot Craft: This second installment in a series on \u003cstrong\u003elens testing\u003c\/strong\u003e focuses on specific lens characteristics — along with a brief history on \u003cstrong\u003ethe still-photography origins of the term “bokeh.”\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Virtual World: \u003cstrong\u003ePhotogrammetry\u003c\/strong\u003e — how still images are instrumental in creating CG worlds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWrap Shot: \u003cstrong\u003eKarl Freund, ASC\u003c\/strong\u003e frames up his stills camera on actor \u003cstrong\u003eCharles Bickford\u003c\/strong\u003e during the production of the 1932 newspaper drama \u003cstrong\u003e\u003cem\u003eScandal for Sale\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":39902999642300,"sku":"125","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/ACCover0621.jpg?v=1621888698"},{"product_id":"2021-07-july-issue-of-american-cinematographer","title":"2021\/ 07  — July Issue of American Cinematographer","description":"\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eJuly 2021\u003c\/strong\u003e issue offers a special focus on \u003cstrong data-mce-fragment=\"1\"\u003etelevision and streaming series\u003c\/strong\u003e. Here’s a look at this month’s slate:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLED walls and virtual production for TV and streaming shows\u003c\/strong\u003e. Featured series include \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStation 19\u003c\/em\u003e\u003c\/strong\u003e, shot by \u003cstrong data-mce-fragment=\"1\"\u003eDaryn Okada, ASC\u003c\/strong\u003e — with the support of \u003cstrong data-mce-fragment=\"1\"\u003eSam Nicholson, ASC\u003c\/strong\u003e and the LED walls at his Stargate Studios. Also covered is the in-camera visual-effects component of the upcoming Season 4 of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStar Trek: Discovery\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCrescenzo Notarile, ASC, AIC\u003c\/em\u003e\u003c\/strong\u003e’s work on Season 3 of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStar Trek: Discovery\u003c\/em\u003e\u003c\/strong\u003e, plus a special section on Crescenzo and some of his early projects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCinematographers \u003cstrong data-mce-fragment=\"1\"\u003eDan Stoloff\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Boys\u003c\/em\u003e\u003c\/strong\u003e) and \u003cstrong data-mce-fragment=\"1\"\u003eJohn Grillo\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSnowpiercer\u003c\/em\u003e\u003c\/strong\u003e) on shooting sci-fi.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eASC members \u003cstrong data-mce-fragment=\"1\"\u003eChecco Varese\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eXavier Grobet\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eSuki Medencevic\u003c\/strong\u003e discuss their work on the horror anthology series \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThem\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFive cinematographers share their motivations and preferred techniques that have given distinctive flavors to their respective TV productions. Included are \u003cstrong data-mce-fragment=\"1\"\u003eJeffrey Jur, ASC\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBridgerton\u003c\/em\u003e\u003c\/strong\u003e); \u003cstrong data-mce-fragment=\"1\"\u003eTodd A. Dos Reis, ASC\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRebel\u003c\/em\u003e\u003c\/strong\u003e); \u003cstrong data-mce-fragment=\"1\"\u003eRomain Lacourbas, ASC, AFC \u003c\/strong\u003e(\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eZeroZeroZero\u003c\/em\u003e\u003c\/strong\u003e); \u003cstrong data-mce-fragment=\"1\"\u003eNicole Hirsch Whitaker\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eJupiter’s Legacy\u003c\/em\u003e\u003c\/strong\u003e); and \u003cstrong data-mce-fragment=\"1\"\u003eDavid Rom\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTed Lasso\u003c\/em\u003e\u003c\/strong\u003e).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShot Craft: Society members \u003cstrong data-mce-fragment=\"1\"\u003ePatti Lee\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eGary Baum\u003c\/strong\u003e on shooting \u003cstrong data-mce-fragment=\"1\"\u003emulti-camera television series\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShort Takes: Cinematographer \u003cstrong data-mce-fragment=\"1\"\u003eKatharine White\u003c\/strong\u003e and director \u003cstrong data-mce-fragment=\"1\"\u003eFoster Wilson\u003c\/strong\u003e on the short-form production \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDame\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Memoriam: \u003cem data-mce-fragment=\"1\"\u003eAC\u003c\/em\u003e honors the life and work of \u003cstrong data-mce-fragment=\"1\"\u003eIsidore Mankofsky, ASC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eClubhouse News: Canon’s \u003cstrong data-mce-fragment=\"1\"\u003eLarry Thorpe\u003c\/strong\u003e reflects on his career; the ASC welcomes new members \u003cstrong data-mce-fragment=\"1\"\u003eRomain Lacourbas\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eBoris Mojsovski\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eRichard Vialet\u003c\/strong\u003e; \u003cstrong data-mce-fragment=\"1\"\u003eASC Clubhouse Conversations\u003c\/strong\u003e wins Telly Award.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWrap Shot: A-camera operator (and future ASC member) \u003cstrong data-mce-fragment=\"1\"\u003eLowell Peterson\u003c\/strong\u003e and crew on the set of the 1987 pilot for \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStar Trek: The Next Generation\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ASC PUBLICATIONS","offers":[{"title":"Default Title","offer_id":40104216330428,"sku":"","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0321\/4091\/8921\/products\/ACJuly2021cover.jpg?v=1624388660"}],"url":"https:\/\/store.ascmag.com\/collections\/american-cinematographer.oembed?page=9","provider":"ASC\/AC Store","version":"1.0","type":"link"}